(b Belluno, July 20, 1662; d Belluno, Oct 25, 1732).
Italian sculptor and draughtsman. He worked almost exclusively in wood. His first teacher was his father, Jacopo Brustolon (d 1709), also a sculptor, and he then trained with the painter Agostino Ridolfi (1646–1727). In 1677 Andrea was sent to Venice to the workshop of Filippo Parodi, to whose elegance, dynamism and technical virtuosity he was always indebted, although he soon established his own style. Brustolon came from an alpine area that had a long tradition of craftsmanship in wood. His achievement was to transpose techniques that had been associated with everyday craftsmanship on to the highest artistic level.
Brustolon went to Rome, probably in 1679. In 1685 he signed a contract for the execution of the altar of the Souls in S Floriano at Pieve di Zoldo, which suggests that he was already settled in Belluno even while maintaining contacts with Venice. In 1695 he presented a model of a door (unexecuted) for the chapel of the Tesoro at the Santo in Padua, a chapel that had been designed by ...