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Troels Andersen

(Severinovich)

(b Kiev, Feb 26, 1878; d Leningrad [now St Petersburg], May 15, 1935).

Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, Suprematism (see fig.), was a leading force in the development of Constructivism, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments such as Zero, Hard-edge painting and Minimalism.

Article

Russian, 20th century, male.

Born 23 February 1878, in the Kiev region; died 15 May 1935, in Leningrad (now St Petersburg).

Painter (including gouache), draughtsman, printmaker, decorative artist, writer. Stage sets.

Symbolism, Cubo-Futurism, Constructivism, Suprematism, Non-Objectivity, Abstract Art.

Oslinyy Khvost (Donkey’s Tail), Bubnovy Valet (Jack of Diamonds), Soyuz Molodezhi (Union of Youth), INKhUK (Institute of Artistic Culture)...

Article

Piero Pacini

(b Bologna, July 20, 1890; d Bologna, June 18, 1964).

Italian painter, draughtsman and printmaker. At the age of 17 he enrolled at the Accademia di Belle Arti in Bologna and discovered contemporary art in books on Impressionism, Paul Cézanne, Georges Seurat and Henri Rousseau. He read with interest the articles by Ardengo Soffici in La voce and saw the Venice Biennale of 1910, where he first came across the painting of Auguste Renoir. During this period he often went to Florence to study the works of Giotto, Masaccio and Paolo Uccello. Between 1911 and 1914, when he was in Rome, he was impressed by the work of Claude Monet and, especially, Paul Cézanne. At the Futurist exhibition Lacerba, held in the Libreria Gonnelli, Florence, in 1913–14, he met Umberto Boccioni. Shortly afterwards he showed his first paintings at the Albergo Baglioni in Bologna and the Galleria Sprovieri in Rome. When he was not painting, he taught drawing in primary schools. As an adolescent he associated with those most receptive to new ideas in Bologna, including the painter Osvaldo Licini and the writer Mario Bacchelli. In ...

Article

Dutch, 20th century, male.

Born 7 March 1900, in Amsterdam; died 1983, in Amsterdam.

Painter, engraver, draughtsman. Figures, scenes with figures, urban landscapes, architectural views.

Constructivism, Futurism, Symbolism, Magic Realism.

Carel Willink studied architecture at the royal institute of engineering in Delft between 1918 and 1920. He then went on to study under Hans Baluschek in Berlin, living there between 1920 and 1923 and mixing with members of ...