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Spanish, 17th century, male.

Activec.1645.

Engraver (line-engraving).

Engraver of the frontispiece for Museum of Unknown Spanish Medals ( Museo de las medallas desconocidos espagnolas) by the scholar, collector and patron of the arts Vincencio Juan de Lastanosa, Lord of the Manor of Figaruelas....

Article

French, 17th century, male.

Born 1653, in Aix-en-Provence; died 1703, in Aix-en-Provence.

Painter, engraver. Portraits.

The education of Sébastien Barras was taken in hand by Boyer d'Aiguilles, a rich collector, painter and engraver in Aix. He was Sébastien's first master, and sent him to study in Rome. On his return, he painted, in the house of his teacher, a copy of the ceiling executed in the Palazzo Barberini in Rome by Pietro da Cortona ...

Article

(bapt Bologna, June 28, 1529; d Bologna, June 3, 1592).

Italian painter, draughtsman, engraver and collector. His first biographer, Raffaele Borghini, records that he travelled to Rome with Giacomo Barozzi da Vignola, returned briefly to Bologna, then made a second visit to Rome and stayed with Taddeo Zuccaro. Documentary evidence attests to his presence in Rome in June 1551. By 1560 Passarotti was established in Bologna, where he opened a workshop and joined the Compagnia delle Quattro Arti. His activity in these years as a prestigious portraitist of popes (e.g. portrait of Pope Gregory XIII Boncompagni; c. 1572; Gotha, Mus. Nat.) and Roman cardinals, mentioned by Borghini, and his interest in anticaglie (miscellaneous antiquities), for example those sent to him from Rome on 9 September 1572, indicate his continued links with the capital.

The earliest documented Bolognese paintings by Passarotti show a pictorial language rooted in Emilian soil, clearly influenced by Correggio and Parmigianino, and his anatomical interest in powerful, acrobatic figures appears to be derived from the Bolognese works of Pellegrino Tibaldi. On the other hand, his minute, lively illustration of detail is reminiscent of the Flemish tradition. During his youthful visits to Rome, he may have encountered northern Romanists such as Marten de Vos, active there in the 1550s. In Bologna the painting school opened by Denys Calvaert in ...