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Article

Bahrami, Mehdi  

Sheila S. Blair and Jonathan M. Bloom

(b. 1905; d. Hamburg, 1951).

Iranian scholar of Persian art. After graduating from the Dar al-Moallemin in Tehran in 1931, he worked at the court of Riza Pahlavi (r. 1925–41) until 1934, when he was sent to study art and archaeology in Europe. There, he studied at the Ecole du Louvre in Paris and under Ernst Kühnel at the Kaiser-Friedrich Museum in Berlin. In 1937 he received his doctorate and returned to Tehran, where he specialized in the study of Islamic pottery at the Archaeological Museum and taught at the University. He was later appointed chief curator and then director of the museum. In 1948 he helped organize the Iranian exhibition at the Musée Cernuschi to coordinate with the XXI International Congress of Orientalists in Paris; in the following year, on the occasion of the Shah’s state visit to the USA, he brought an exhibition of Iranian art to New York (Met.) and Boston (Mus. F.A.)....

Article

Baltrušaitis, Jurgis, II  

Kirk Ambrose

(b Moscow, May 7, 1903; d Paris, Jan 25, 1988).

Lithuanian art historian, scholar of folklore and Egyptology, and diplomat of Russian birth. Son of the celebrated Lithuanian Symbolist poet of the same name, Jurgis Baltrušaitis II studied under Henri(-Joseph) Focillon at the Sorbonne and earned the PhD in 1931. The concerns of his mentor are evident in La stylistique ornementale dans la sculpture romane (1931), which reprises and extends arguments for the ‘law of the frame’ in Romanesque sculpture. Accordingly, the shapes of architectural members, such as capitals and tympana, determined the articulation of sculptural forms. This theory could account for the genesis of a wide array of monumental carvings, from foliate capitals to narrative reliefs, but ultimately it had a rather limited impact on the field of Romanesque sculptural studies. In a scathing critique, Schapiro argued that Baltrušaitis’s book—and by implication Focillon’s methods—robbed Romanesque sculptors of agency and neglected the religious and expressive meanings of this art form....

Article

Denon, Baron (Dominique-)Vivant  

Joanna Barnes

(b Givry, nr Chalon-sur-Saône, Jan 4, 1747; d Paris, April 28, 1825).

French museum director, writer, graphic artist, collector, archaeologist and diplomat. He was the son of a provincial aristocrat. He went to Paris to further his law studies c. 1765 but entered the studio of Noël Hallé. He became Gentleman-in-Ordinary to Louis XV and was appointed keeper of the collection of engraved gems and medals that Mme de Pompadour had left to the King. In 1772 he entered the diplomatic service as attaché to the French embassy at St Petersburg, he was subsequently posted to Stockholm, Geneva (where his disrespectful engraving Repast at Ferney, of 4 July 1775, angered Voltaire) and, from spring 1776, Naples. There he became acquainted with Sir William Hamilton, the British ambassador, and made many drawings of his future wife Emma. Denon began to acquire a diverse collection of paintings and engravings as well as antiquities from excavations at Nola, Catania, Agrigento, Pompeii and Herculaneum. He purchased the painting of the ...

Article

Frankfort, Henri  

L. Glynne Davies

(b Amsterdam, Feb 24, 1897; d London, July 16, 1954).

Dutch archaeologist and cultural historian. After studying at the University of Amsterdam and under Flinders Petrie at University College, London, he directed the Egypt Exploration Society’s excavations at Akhenaten’s city of Amarna, (Tell) el- and elsewhere (1925–9). He was Field Director of the Iraq Expedition of the Oriental Institute of Chicago from 1929 to 1937 and conducted excavations at the Assyrian site of Khorsabad and in the Diyala region; the latter made an important contribution to knowledge of the art of the Sumerians, particularly of their architecture and of the Early Dynastic period (c. 2900–2500 bc). He held professorships at Chicago, Amsterdam and London and was Director of the Warburg Institute from 1949 to 1954. In 1954 he was elected a Fellow of the British Academy and he was also Corresponding Member of the Royal Dutch Academy of Sciences.

Frankfort was a scholar of immense range, insight and artistic sensibility, with an abiding concern for the interrelations of the cultures of the ancient Aegean, Egypt and Mesopotamia, and he was instrumental in defining a structure for the integrated study of early Near Eastern civilizations. It was characteristic of his approach to see artefacts as works of art that could lead to a deeper understanding of ancient cultures, rather than merely as sources of historical data: his ...

Article

Gau, Franz Christian  

Barry Bergdoll

(b Cologne, June 15, 1790; d Paris, Dec 31, 1853).

French architect, writer and archaeologist of German birth. In 1810 he left Cologne with his lifelong friend J. I. Hittorff for Paris, enrolling at the Ecole des Beaux-Arts in 1811 under the tutelage of the ardent Neo-classicists Louis-Hippolyte Lebas and François Debret. But from the beginning Gau was exposed to a wider field of historical sources, first as assistant site architect under Debret on the restoration of the abbey church of Saint-Denis (1813–15) and then from 1815 in Nazarene circles in Rome, where he met the archaeologist and philologist Barthold Nieburh (1776–1831), who arranged a scholarship for him from the Prussian government and a trip through the eastern Mediterranean. In Egypt Gau undertook an arduous trip down the Nile to visit and record the monuments of Nubia, which he published as the lavish folio Antiquités de la Nubie. He noted assiduously every trace of colour on the remains, just as he was to do in ...

Article

Godard, André  

S. J. Vernoit

(b Chaumont, Haute-Marne, Jan 21, 1881; d Paris, July 31, 1965).

French archaeologist and art historian, active in Iran. Godard qualified as an architect at the Ecole des Beaux-Arts, Paris, and in 1910 became involved with the urban planning of Baghdad. At this time, he began to develop an interest in the archaeology and art of the Middle East. He visited Egypt and Syria and, in 1923, went to Afghanistan to research Buddhist remains. In 1928 he settled in Iran, where he lived until 1960, except for the years 1953–6. During his years in Iran he directed the College of Fine Arts, Tehran, and the Department of Antiquities, founded the Archaeological (Iran Bastan) Museum and drew up plans for the museums of Mashhad and Abadan. He also initiated the documentation and restoration of many ancient monuments and archaeological remains and gained access to sites previously forbidden to non-Muslims. He published many of the principal monuments of Iran in such learned journals as ...

Article

Osman Hamdi  

S. J. Vernoit

[Edhem, Osman HamdiHamdi Bey]

(b Istanbul, Dec 30, 1842; d Eskihisar, Gebze, nr Istanbul, Feb 24, 1910).

Turkish painter, museum director and archaeologist. In 1857 he was sent to Paris, where he stayed for 11 years, training as a painter under Gustave Boulanger and Jean-Léon Gérôme. On returning to Turkey he served in various official positions, including two years in Baghdad as chargé d’affaires, while at the same time continuing to paint. In 1873 he worked on a catalogue of costumes of the Ottoman empire, with photographic illustrations, for the Weltausstellung in Vienna. In 1881 he was appointed director of the Archaeological Museum at the Çinili Köşk, Topkapı Palace, in Istanbul. He persuaded Sultan Abdülhamid II (reg 1876–1909) to issue an order against the traffic in antiquities, which was put into effect in 1883, and he began to direct excavations within the Ottoman empire. As a result he brought together Classical and Islamic objects for the museum in Istanbul, including the Sarcophagus of Alexander, unearthed in Sidon in ...

Article

Lanckoroński, Count Karol  

Karolina Lanckorońska

[Karl Anton Leo Ludwig]

(b Vienna, Nov 4, 1848; d Vienna, July 15, 1933).

Polish archaeologist, writer, collector and patron, active in Austria. As an archaeologist his main interest lay in the architectural ruins of the late Roman Empire in Anatolia. In 1884 he organized an expedition of which he later published an account, Stadt Pamphyliens und Pisidiens. Sketches made by Jacek Malczewski (e.g. Warsaw, Royal Castle; mainly watercolours) are also records of the expedition. Lanckoroński and Malczewski later toured Italy and travelled to Munich together. Other artists patronized by Lanckoroński included Antoni Madeyski (1862–1939), Henryk Rodakowski and Hans Makart. During 1888 and 1889 Lanckoroński made a round-the-world voyage and subsequently published a diary of this trip, entitled Rund um die Erde. He brought back to Vienna various works of art, mainly sculptures and textiles. Between 1890 and 1895 a Baroque Revival palace was built for him in Vienna to designs by Ferdinand Fellner and Hermann Hellmer (1849–1919). In it Lanckoroński installed paintings, mainly Dutch and French, that he had inherited and Italian paintings he had purchased (e.g. Masaccio’s ...

Article

Mariette, (François-)Auguste(-Ferdinand)  

Anne Puetz

[Mariette Pasha]

(b Boulogne, Feb 11, 1821; d Cairo, Jan 19, 1881).

French Egyptologist. His interest in Egypt may date from 1837, when a hieroglyphic inscription in the Musée Municipal in Boulogne aroused his curiosity and he began to learn to read hieroglyphics, using the grammar and dictionary compiled by Jean-François Champollion (1790–1832), who in 1822 had deciphered the Rosetta Stone. Mariette’s first Egyptological task was to order some papers left him by a cousin, Nestor Lhôte (1804–42), a former pupil of Champollion. In 1849 he was offered a junior post at the Musée du Louvre, Paris. He taught himself Coptic and wrote a Bibliographie copte (1849) of texts in the Louvre.

In 1850 Mariette was sent by the Ministry of Public Instruction to acquire ancient manuscripts from Coptic monasteries in Egypt; when admission to the monasteries was delayed, he diverted his resources to excavations at Saqqara. From November 1850 to November 1851 he uncovered the avenue of sphinxes leading to the Serapeum, the burial place of the sacred Apis bulls of Memphis. The tombs yielded rich finds, and in ...

Article

Martirosyan, Harut‘yun Artashes  

V. Ya. Petrukhin

[Arutyun Artashesovich]

(b Leninakan [now Kumayri], May 1, 1921; d Yerevan, July 28, 1977).

Armenian archaeologist and art historian. He graduated from the history department at Yerevan University, then went to Leningrad (now St Petersburg) as a postgraduate student and worked under Boris Piotrovsky at the State Hermitage Museum. In 1959 he was appointed head of the early archaeology section at the Institute of Archaeology and Ethnography. His particular interest was the prehistoric archaeology and culture of Armenia and the archaeology of Urartu. He took part in the excavations of Karmir Blur and led a general expedition to study the caves and petroglyphs of Armenia. His archaeological research is outlined in his doctoral thesis on Armenia in the Bronze and Early Iron Ages and in his monograph on the excavation of an Urartian city, Argishtikhinili. His specialist works are devoted to Armenian petroglyphs.

Armeniya v epokhu bronzy i rannego zheleza [Armenia in the Bronze and Early Iron Ages] (Yerevan, 1965) Ush bronzedaryan bnakavayrer ev dabaranadashter...

Article

Pinder-Wilson, Ralph  

Yuka Kadoi

(b. London, 17 Jan. 1919).

British art historian and archaeologist. After serving in the Indian Army, Pinder-Wilson read Persian and Arabic at Oxford, taking an MA in 1947. He joined the Oriental Department of the British Museum as Assistant Keeper in 1949 and was appointed Deputy Keeper in 1969. In 1976 he was appointed Director of the British Institute of Afghan Studies in Kabul. There he supervised preservation work, excavations and fieldwork and made major contributions to the field of Afghan studies. He participated in archaeological excavations at Harran and Siraf and was also an active member of the British Institute of Persian Studies for many years. After the British Institute in Kabul was closed in 1982 following the Soviet invasion, he returned to London and became involved in several research projects as a consultant. His expertise covers Islamic decorative arts from Persian painting to Islamic glass and rock crystal.

R. Pinder-Wilson: Persian Painting of the Fifteenth Century...

Article

Sarre, Friedrich  

S. J. Vernoit

(b Berlin, June 22, 1865; d Neubabelsberg, June 1945).

German archaeologist, art historian and collector. He travelled to the Middle East and met Carl Humann, who was excavating Pergamon and advised Sarre to study the monuments of medieval Anatolia. In 1895 he visited Phrygia, Lycaonia and Pisidia and in 1896 went on a longer journey in Asia Minor. His principal aim was to discover architectural monuments and archaeological sites; he always travelled with a trained architect and became a talented photographer. He also collected epigraphic material which he sent to such Arabists as Bernhard Moritz, Eugen Mittwoch and Max van Berchem. In the years 1897 to 1900 Sarre travelled to Iran. Objects from his collection were exhibited in Berlin (1899) and at the Exposition des arts musulmans (Paris, 1903). In 1905 he met Ernst Herzfeld, and in 1907–8 they travelled together from Istanbul via Aleppo and Baghdad to the Gulf to find an Islamic site suitable for excavation. Their choice, which Herzfeld later described as Sarre’s, fell upon ...

Article

Sauvaget, Jean  

S. J. Vernoit

(b Niort, Jan 26, 1901; d Cambo, March 5, 1950).

French art historian, archaeologist and epigrapher of the Middle East. He was educated at the lycée of Niort and then went to Paris, where he studied Arabic at the Ecole des Langues Orientales and at the Sorbonne. In 1924 he joined the Institut Français at Damascus as a research fellow and in 1929 became its secretary general. He returned to Paris in 1937 as the director of Islamic history at the Ecole Pratique des Hautes Etudes. He also taught the history of Islamic art at the Ecole du Louvre, Arabic at the Sorbonne and, from 1942 to 1944, Syrian Arabic and the geography and history of the Middle East at the Ecole des Langues Orientales. In 1946 he was elected to the Collège de France. His doctoral thesis on the urban history of Aleppo, which was published in 1941, was one of his major works. It established his method of revealing the ‘silent web of Islamic history’ by combining a close study of such physical remains as buildings and inscriptions with a careful reading of historical sources. Although he regarded himself as an archaeologist, he never excavated, considering archaeology more a type of evidence than a methodological procedure. Following the Swiss epigrapher ...

Article

Schäfer, Heinrich  

John Baines

(b Berlin, Oct 29, 1868; d Hessisch-Lichtenau, April 6, 1957).

German Egyptologist and writer. He studied Egyptology at Berlin University and began work in the Ägyptisches Museum, Berlin, before completing his doctorate in 1892. He remained in the museum all his working life, travelling principally for fieldwork in Egypt, which included seasons at Abu Ghurab, Abusir and Philae.

Schäfer was an outstanding historian and analyst of Egyptian art and made a vital contribution to the general theory of art. He published studies of individual works and made Egyptian art accessible to the public, as well as collaborating with Walter Andrae (1875–1956) on the standard history of Ancient Near Eastern art, Die Kunst des alten Orients. More important is his work on representation, on which he wrote many articles and smaller works, synthesizing his results in Von ägyptischer Kunst. The first two editions are concerned with two-dimensional representation, the third and fourth with two and three dimensions and with the general character of Egyptian art. The two-dimensional studies are the most important. Schäfer showed in detail how a non-perspectival system operates, and he examined Egyptian art primarily from the viewpoint of the ancient Egyptians themselves. He proposed two universal representational strategies, which he termed ‘pre-Greek’ (non-perspectival) and ‘Greek’ (incorporating foreshortening). His explanation of the character of ‘pre-Greek’ representation as based on mental images is not ultimately satisfactory, and there is still no convincing solution to this question, but his analysis of and insight into the problems remain fundamental....

Article

Spolia in medieval art and architecture  

Dale Kinney

In its most general sense, spolia (pl., from Lat. spolium: ‘plunder’) denotes all artifacts re-employed in secondary contexts, from building blocks reused in a wall to pagan gems mounted on a Christian reliquary. It is a matter of debate whether this broad application of the term is justified, or whether it should be restricted to the relatively small subset of reused objects that were taken or ‘stripped’ (like spoils) from their original context, rather than found, purchased, inherited or otherwise acquired by non-violent means. It is likewise debated when the use of spolia should be considered meaningful, if at all. Arnold Esch defined five possible motives for using spolia: convenience, profanation, Christianization, political legitimation and aesthetic attraction. Michael Greenhalgh has argued for reducing the motives to three (at least with regard to marble): pragmatism, aesthetics and ideology; while Finbarr Barry Flood cautioned against reductive interpretations generated by any taxonomy, insisting that reused objects are mutable in meaning and capable of multiple interpretations during their life cycle....

Article

Vogüé, (Charles-Jean-)Melchior de  

Pascale Linant de Bellefonds

(b Paris, Oct 18, 1829; d Paris, Nov 10, 1916).

French archaeologist and diplomat. He initially worked as a diplomat in Petrograd (now St Petersburg) in 1850, but he soon resigned and from 1853 to 1854 travelled around Greece, Turkey, Syria and Palestine, where he collected material for his work on Christian buildings. In 1861 he was sent to Cyprus by the historian Ernest Renan, with William Henry Waddington (1826–94), the epigrapher, and Edmond-Clément-Marie-Louise Duthoit, the architect, in order to explore the island systematically and organize large-scale excavations. Vogüé and Waddington continued their research in Syria and Jerusalem in 1862, enabling Vogüé to publish a detailed study of the Temple of Jerusalem two years later. Following Waddington’s departure in late 1862, Vogüé stayed a little longer in the East with Duthoit, exploring central Syria and Ḥawrān; this trip provided him with the material for the three-volume Syrie centrale. From 1868 Vogüé was a free member of the Académie des Inscriptions et Belles-Lettres, and he was involved in producing the ...

Article

Wilkinson, Charles  

Sheila R. Canby

( Kyrle )

(b London, Oct 13, 1897; d Sharon, CT, April 18, 1986).

American archaeologist, curator and collector . Trained as an artist at the Slade School, University College, London, in 1920 he joined the graphic section of the Egyptian Expedition to Thebes, organized by the Metropolitan Museum of Art, New York. During the 1920s and 1930s Wilkinson painted facsimiles of Egyptian tomb paintings in the museum collection, and he joined museum excavations in the Kharga Oasis (Egypt) and Qasr-i Abu Nasr and Nishapur (Iran). Transferred to the curatorial staff of the museum in 1947, he became curator in 1956 of the new Department of Ancient Near Eastern Art, which merged with the Department of Islamic Art in 1957. Through his energetic collaboration on major excavations at Hasanlu, Nimrud and Nippur, Wilkinson greatly expanded the Ancient Near Eastern collections at the Metropolitan Museum. After his retirement from the museum in 1963, he taught Islamic art at Columbia University and was Hagop Kevorkian Curator of Middle Eastern Art and Archaeology at the Brooklyn Museum, New York (...