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Endell, August  

Gisela Moeller

(b Berlin, April 12, 1871; d Berlin, April 13, 1925).

German architect, designer, writer and teacher. After moving to Munich in 1892, he abandoned his plan to become a teacher, deciding on a career as a freelance scholar. He then studied aesthetics, psychology and philosophy, being particularly influenced by the lectures of the psychologist Theodor Lipps. He also studied German literature, art and music. In 1895 he intended to write a doctorate on the theme of ‘The Construction of Feeling’. In spring 1896 he met Hermann Obrist, who persuaded him to abandon his proposed academic career and become a self-taught artist. As well as book illustrations and decorative pieces for the art magazines Pan and Dekorative Kunst, he produced decorative designs for wall reliefs, carpets, textiles, coverings, window glass and lamps. In 1897 he designed his first furniture for his cousin, the historian Kurt Breysig. His first architectural work, the Elvira photographic studio in Munich (1896–7; destr. 1944), decorated on its street façade by a gigantic, writhing dragon, was a quintessential work of ...

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Tagore, Rabindranath  

R. Siva Kumar

(b Calcutta, May 25, 1861; d Calcutta, Aug 7, 1941).

Indian poet, philosopher, playwright, novelist, composer, painter and social reformer. His literary genius was recognized with Sandhya Sangeet (‘Evening Songs’) in 1882, and in 1913 he was awarded the Nobel Prize for the English translation of Gitanjali (‘Song offerings’). Although closely associated with the Indian struggle for independence, when confronted with the savagery of World War I he denounced nationalism and became a spokesman for creative freedom and human values. His school at Santiniketan (Abode of Peace), West Bengal, founded in 1901, the scene of his experiments in social reconstruction and education, became in 1921 a world university (Skt: Visva-Bharati) and a platform for East–West understanding.

Rabindranath was closely associated with the modern art movement in India. He drew the attention of his nephews, Abanindranath Tagore and Gaganendranath Tagore, to the scale and vitality of Japanese art (1916) and urged them to quicken their sensibilities through contacts with world art. He was also instrumental in bringing an exhibition of German Expressionist art by the Bauhaus artists to Calcutta in ...