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Castel Sant’Elia  

Delia Kottmann

Italian village in Lazio, north of Rome, known for its church. The church of SS. Anastasius and Nonnosus is all that remains of the 6th-century Benedictine monastery, which submitted to Cluny in 940 ce. Apart from some re-used fragments, the architecture is Romanesque, with a Cosmati pavement in opus sectile as well as an ambo and ciborium. The church is famous for its wall paintings from the first quarter of the 12th century. The apse and its adjacent walls, showing the twenty-four elders, are influenced by Romano-Christian motifs. Christ in the middle of the conch is flanked by Peter and Paul in a Traditio legis depiction, with a procession of lambs below. Below, two conserved figures of angels followed by female saints in a Byzantine manner flank a gap that would have originally contained Maria Regina (now destr.). No Romano-Christian iconography seems to have influenced the vast apocalyptic cycle painted on the side walls of the transept. A band of prophets runs beneath the roof on all the walls of the transept and an inscription in the apse indicates that this was the work of three Roman painters....

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Osman Hamdi  

S. J. Vernoit

[Edhem, Osman HamdiHamdi Bey]

(b Istanbul, Dec 30, 1842; d Eskihisar, Gebze, nr Istanbul, Feb 24, 1910).

Turkish painter, museum director and archaeologist. In 1857 he was sent to Paris, where he stayed for 11 years, training as a painter under Gustave Boulanger and Jean-Léon Gérôme. On returning to Turkey he served in various official positions, including two years in Baghdad as chargé d’affaires, while at the same time continuing to paint. In 1873 he worked on a catalogue of costumes of the Ottoman empire, with photographic illustrations, for the Weltausstellung in Vienna. In 1881 he was appointed director of the Archaeological Museum at the Çinili Köşk, Topkapı Palace, in Istanbul. He persuaded Sultan Abdülhamid II (reg 1876–1909) to issue an order against the traffic in antiquities, which was put into effect in 1883, and he began to direct excavations within the Ottoman empire. As a result he brought together Classical and Islamic objects for the museum in Istanbul, including the Sarcophagus of Alexander, unearthed in Sidon in ...