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Article

Merrill Halkerston

(b Portland, ME, March 4, 1832; d New York, March 26, 1920).

American painter, interior designer and writer. Colman grew up in New York, where his father, Samuel Colman, ran a successful publishing business. The family bookstore on Broadway, a popular meeting place for artists, offered Colman early introductions to such Hudson River school painters as Asher B(rown) Durand, with whom he is said to have studied briefly around 1850. Having won early recognition for his paintings of popular Hudson River school locations (see Storm King on the Hudson), he was elected an Associate of the National Academy of Design in New York in 1854. Most of Colman’s landscapes of the 1850s, for example Meadows and Wildflowers at Conway (1856; Poughkeepsie, NY, Vassar Coll., Frances Lehman Loeb A. Cent.), reveal the influence of the Hudson River school. An avid traveller, he embarked on his first European tour in 1860, visiting France, Italy, Switzerland and the more exotic locales of southern Spain and Morocco. His reputation was secured in the 1860s by his numerous paintings of romantic Spanish sites, notably the large ...

Article

Leland M. Roth and Gordon Campbell

(John)

(b Vienna, Sept 22, 1890; d New York, Dec 27, 1965).

American architect, stage designer, furniture designer and writer of Austrian birth. In 1920 he worked with Adolf Loos in Vienna. He was also in contact with the artists associated with De Stijl and began experimenting with innovative theatre designs. In 1924 he produced the Endless Theatre design. The ‘Endless’ was a double-curved shell of reinforced concrete that could enclose any irregularly traditional divisions into floor, wall, and ceiling but offered the inhabitant an open interior that could be modified at will. For the theatre he adapted the ‘Endless’ by devising a double-spiral stage interconnected by ramps and rings of spectator seats. Kiesler believed that the Endless Theatre, without proscenium or curtain, projecting out into the audience, with perpetually moving walls bathed in light of ever changing colour, would promote greater interaction between actors and audience.

For the celebrated Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris in 1925...

Article

Deborah Cullen

[MoMA] (New York)

The Museum of Modern Art (MoMA) was founded in 1929 by patrons Lillie P(lummer) Bliss, Cornelius J. Sullivan and Rockefeller family §(1) to establish an institution devoted to modern art. Over the next ten years the Museum moved three times and in 1939 settled in the Early Modern style building (1938–9) designed by Philip S. Goodwin and Edward Durell Stone that it still occupies at 11 West 53 Street. Subsequent renovations and expansions occurred in the 1950s and 1960s by Philip Johnson, in 1984 by Cesar Pelli and in 2002–4 by Yoshirō Taniguchi (b 1937). MoMA QNS, the temporary headquarters during this project, was subsequently used to provide art storage. In 2000, MoMA and the contemporary art space, P.S.1, Long Island City, Queens, announced their affiliation. Recent projects are shown at P.S.1 in Queens in a renovated public school building.

According to founding director, Alfred H(amilton) Barr...

Article

James D. Kornwolf and Jochen Eisenbrand

(b Hartford, CT, May 29, 1908; d New York, March 5, 1986).

American designer, writer, and architect. Nelson studied at Yale University, New Haven, CT (BA, 1928; BFA, 1931), and at the Catholic University of America in Washington, DC (1932). Winning the Rome Prize in 1932, he spent two years at the American Academy in Rome; while there he started working on a series of 12 articles published under the heading ‘Architects of Europe Today’ in Pencil Points in 1935–6, an early introduction of European architects to a wide American audience. From 1934 to 1949 he held a succession of editorial and management posts at Architectural Forum and had a major influence on the magazine’s progressive point of view and its success with readers. From 1948 to 1975 he was editor of Interiors magazine. He also wrote Industrial Architecture of Albert Kahn Inc., which in 1939 was an early recognition of Kahn’s factories as architecture, and Tomorrow’s House (...

Article

(b New York, Jan 24, 1862; d Pavillon Colombe, nr Paris, Aug 11, 1937).

American writer . She was born into a wealthy New York family and was educated privately; she travelled widely, settling in France in 1907. Her first book was The Decoration of Houses (1898), written in collaboration with the Boston architect Ogden Codman (who had remodelled her home at Newport, RI, in 1893). Their aim was to raise the standard of decoration in modern houses to that of the past through a return to ‘architectural proportion’ and an avoidance of the ‘superficial application of ornament’. Each room should be furnished for comfort and according to its use and should be organically related to the rest of the house and the quality of life to be expressed. The work was successful and influential among both the public and such decorators as Elsie De Wolfe and William Odom. Wharton’s house in Lenox, MA, the Mount, built to her design from 1901...