1-4 of 4 Results  for:

  • Archaeology x
  • Painting and Drawing x
  • Writer or Scholar x
Clear all

Article

Brown, Percy  

S. J. Vernoit

(b 1872; d Srinagar, 1955).

English art historian, museum curator, educationalist, painter and collector. In 1899, after a short period of training as an archaeologist in Egypt, Brown went to India, where he served as curator of Lahore Museum and principal of the Mayo School of Art, Lahore. While working in these posts, he was also assistant director of the Delhi Exhibition of 1902–3 (see Delhi, §II), under George Watt. In 1909 he took up employment in Calcutta as principal of the Government School of Art and curator of the art section of the Indian Museum. In 1927 he retired from the Indian Educational Service to take up an appointment as secretary and curator of the Victoria Memorial Hall in Calcutta, where he remained until 1947. After this he lived on a houseboat on the Dal Lake in Srinagar, Kashmir.

Brown’s earliest publications included a contribution to the catalogue of the Delhi Exhibition and a descriptive guide to the Department of Industrial Art at Lahore Museum in ...

Article

Ye Gongchuo  

Elizabeth F. Bennett

[Yeh Kung-ch’uozi Yufu, Yuhuhao Xiaan, Juyuan]

(b Panyu, Guangdong Province, 1881; d 1968).

Chinese calligrapher, painter, archaeologist, collector, poet and government official. He was born into a wealthy, scholarly family, received a classical education and as a youth of 16 founded a school in Guangzhou (Canton) and a publishing company in Shanghai; at 17 he enrolled in law school at the Imperial University in Beijing. His studies were interrupted two years later by the Boxer Rebellion of 1900, whereupon Ye moved to Wuchang, Hubei Province, and taught history, geography and modern languages for four years. In 1906 he began his official career as a specialist in railways and communications. After 1911, Ye held various positions in the Republican government and was instrumental in the establishment of Jiaotong University in Shanghai; he also served as director of classics for several years at Peking [Beijing] University. After the Sino-Japanese War (1937–45), he gave up his government career and devoted himself to the arts and research, although he continued to serve on educational and cultural committees for the rest of his life. In particular, he became involved in the committee to organize the simplification of Chinese characters. In ...

Article

Osman Hamdi  

S. J. Vernoit

[Edhem, Osman HamdiHamdi Bey]

(b Istanbul, Dec 30, 1842; d Eskihisar, Gebze, nr Istanbul, Feb 24, 1910).

Turkish painter, museum director and archaeologist. In 1857 he was sent to Paris, where he stayed for 11 years, training as a painter under Gustave Boulanger and Jean-Léon Gérôme. On returning to Turkey he served in various official positions, including two years in Baghdad as chargé d’affaires, while at the same time continuing to paint. In 1873 he worked on a catalogue of costumes of the Ottoman empire, with photographic illustrations, for the Weltausstellung in Vienna. In 1881 he was appointed director of the Archaeological Museum at the Çinili Köşk, Topkapı Palace, in Istanbul. He persuaded Sultan Abdülhamid II (reg 1876–1909) to issue an order against the traffic in antiquities, which was put into effect in 1883, and he began to direct excavations within the Ottoman empire. As a result he brought together Classical and Islamic objects for the museum in Istanbul, including the Sarcophagus of Alexander, unearthed in Sidon in ...

Article

Potter, (Helen) Beatrix  

V. A. J. Slowe

(b London, July 28, 1866; d Near Sawrey, Cumbria, Dec 22, 1943).

English painter, draughtsman and writer. A lonely child, she sought solace in botany, zoology, mycology and archaeology, learning to observe and to record. In the 1880s and 1890s she systematically studied fungi, mosses, lichens, fossils and Roman antiquities; her watercolours of these, such as the collection in the National Art Library (London, V&A), combine broad washes with acutely observed detail in elegant compositions. Pets such as rabbits, mice and hedgehogs provided company and inspired stories to entertain her ex-governess’s children. She published The Tale of Peter Rabbit privately in December 1901 (R London, 1902) with her own illustrations. Publication gave her independence from the family wealth. She purchased Hill Top Farm, Near Sawrey (NT), and set her best-loved books in the vicinity (original drawings: Hawkshead, Beatrix Potter Gal.). From 1913 Beatrix Potter was occupied as a sheep farmer.

L. Linder: The Art of Beatrix Potter (London, 1955, rev. 1972)...