61-80 of 1,041 Results  for:

  • Interior Design and Furniture x
Clear all

Article

Oscar P. Fitzgerald

(b New York, 1808; d New York, 1895).

American cabinetmaker. He opened his first cabinetmaking shop in Pearl Street, New York, about 1830. Ten years later he moved to a four-storey ‘furniture warehouse’ on Broadway, near his competitor John Henry Belter, whose work, in particular the laminated rosewood chairs, Baudouine is claimed, perhaps unjustly, to have imitated. Baudouine’s production was huge; he employed up to 200 workers, including 70 cabinetmakers. He favoured the Rococo Revival style based on simplified versions of Louis XV designs and frequently travelled to France to purchase upholstery material, hardware, and trim. He also brought back furniture made in France, which he sold in his shop along with his own stock. Anthony Kimbel (d 1895) was Baudouine’s designer in the years before the shop closed about 1856.

In 1842 William Corcoran, wealthy banker friend of Mrs James K. Polk, ordered 42 carved, rosewood chairs for the State Dining Room in the White House from Baudouine. These balloon-back chairs with cabriole legs upholstered in purple velvet were part of the White House renovation that Congress funded soon after Polk was elected president (side chair, ...

Article

Gordon Campbell

(b 1791; d 1859).

French cabinetmaker from Nantes who was working in Paris by 1822. He was appointed cabinetmaker to the king (ébéniste du roi) by Louis-Philippe, and made many splendid pieces (e.g. a bed exhibited in 1827 and now in the Musée des Arts Decoratifs in Paris), but under the July Monarchy (...

Article

Gordon Campbell

[Ger.: ‘folk art furniture’]

The name given in German-speaking countries to furniture made in village workshops from the late 18th century to the early 20th, characteristically painted with folk-art motifs. In America, the tradition is embodied in Pennsylvania Dutch furniture.

A. Kugler: Bauernmöbel (Munich, 1988)S. Seidl: Bauernmöbel der Oberpfalz: Alte bemalte Möbel zwischen Donau und Fichtelgebirge...

Article

Bauhaus  

Rainer K. Wick

[Bauhaus Berlin; Bauhaus Dessau, Hochschule für Gestaltung; Staatliches Bauhaus in Weimar]

German school of art, design and architecture, founded by Walter Gropius. It was active in Weimar from 1919 to 1925, in Dessau from 1925 to 1932 and in Berlin from 1932 to 1933, when it was closed down by the Nazi authorities. The Bauhaus’s name referred to the medieval Bauhütten or masons’ lodges. The school re-established workshop training, as opposed to impractical academic studio education. Its contribution to the development of Functionalism in architecture was widely influential. It exemplified the contemporary desire to form unified academies incorporating art colleges, colleges of arts and crafts and schools of architecture, thus promoting a closer cooperation between the practice of ‘fine’ and ‘applied’ art and architecture. The origins of the school lay in attempts in the 19th and early 20th centuries to re-establish the bond between artistic creativity and manufacturing that had been broken by the Industrial Revolution. According to Walter Gropius in ...

Article

Gordon Campbell

(b 1845; d 1908).

American interior decorator and founder of the first tapestry factory in the USA. He worked for Herter Brothers (see Herter, Christian) on the decoration of a series of grand houses, notably William H. Vanderbilt’s house on Fifth Avenue, New York, and William Welsh Harrison’s Grey Towers Castle (now part of Arcadia University) in Philadelphia. When the Vanderbilt house was completed in 1882, Christian Herter returned to Germany and Baumgarten took over the company. In 1891 he started his own company, William Baumgarten and Company, Inc., and in 1893 complemented his interior decoration business with a tapestry factory in his Fifth Avenue premises. He recruited weavers and dyers from the Royal Windsor Tapestry Manufactory (which had closed in 1890), including five weavers from the Foussadier family. The factory’s tapestries include one at Grey Towers (1898).

A Short Résumé of the History of Tapestry Making in the Past and Present...

Article

Gordon Campbell

(b c. 1580; d 1652).

German cabinetmaker, active in Augsburg, where he was employed by Philipp Hainhofer. Baumgartner’s finest work, the carving of the ebony cabinet known as the Pommeranian Cabinet, is largely destroyed (1611–15; fragments in Berlin, Tiergarten, Kstgewmus.). His surviving work includes the carving of an ebony cabinet (1625–31; Uppsala, U. Kstsaml.) presented to Grand Duke Ferdinando II of Tuscany (...

Article

Jean-Dominique Augarde

(d Paris, March 22, 1772).

French cabinetmaker of German birth. About 1749 he became Marchand Ebéniste Privilégié du Roy Suivant la Cour et Conseils de Sa Majesté. He was active during the reign of Louis XV and was the only French cabinetmaker who was equally competent in both the Louis XV and Neo-classical styles. His pieces were few but of an extremely high standard; he employed fine wood marquetry, Japanese lacquer and Boulle marquetry, as well as producing rigorous bronzes. Although he was little known to the general public of his own day, such leading dealers as Léger Bertin, Hébert, Charles Darnault, Lazare Duvaux, Poirier and Claude-François Julliot gave him commissions, and through them he was patronized by a fashionable élite. His extant works in the Louis XV style include desks fitted with porcelain plaques, a series of sumptuous marquetry commodes (e.g. c. 1755; Toledo, OH, Mus. A.) and an astonishing upright writing-table (1758...

Article

Gordon Campbell

Article

Bed  

J. W. Taylor

Type of furniture used for sleeping and resting.

Fragments of beds have survived from the 1st Dynasty of Pharaonic Egypt (c. 2925–c. 2775 bc). They had rectangular frames, typically spanned by hide or skin, and were usually set at an incline with a footboard at the lower end and a detachable headrest at the top. They were supported on short feet often shaped like bulls’ hooves and, later, lions’ paws. By the New Kingdom (c. 1540–c. 1075 bc) the slope had disappeared, although the frame now often had a concave profile. Simple linen bedding was supported on woven cord. Beds were very much luxury items—most people slept on mats or simple mattresses either laid directly on the floor, or on raised benches of mud-brick—and consequently were often given such rich finishes as sheet foil gold or silver or gilded gesso. Such precious timbers as ...

Article

Gordon Campbell

(b Norwalk, Staffs, Sept 16, 1632; d Hatfield, MA, Jan 3, 1713).

American joiner. He was brought to America by his parents c. 1640. In 1661 he moved to Hadley (now Massachusetts) in the Connecticut River valley, and entered into partnership with John Allis family. Belden’s son Samuel (1665–1738) and Allis’s son Ichabod (1675–1747) ran Belden & Allis after the deaths of their fathers....

Article

Gordon Campbell

Article

Peyton Skipwith

(b London, April 14, 1863; d London, Nov 27, 1933).

English decorative artist and painter. He was articled to an architect and studied at Westminster School of Art under Frederick Brown and at the Royal Academy Schools. Later he worked in the studio of Aimé Morot in Paris and travelled to Italy. Bell belonged to the group of artist–craftsmen who brought about the last flowering of the Pre-Raphaelite movement. He painted in oil and watercolour and was among the pioneers of the revival of the use of tempera. He was an illustrator and also worked in stained glass and mosaic. He is best known for a series of bas-reliefs in coloured plaster, a group of which was used in the interior decoration at Le Bois de Moutiers, a house in Varengeville, Normandy, designed by Edwin Lutyens in 1898. Bell’s understanding of early Italian art underpinned his work in mosaic, a medium he used to great effect in three public commissions in London: the ...

Article

Gordon Campbell

French family of furniture-makers. Pierre-Antoine Bellangé (1758–1827) made furniture for the courts of Napoleon (reg 1804–14), Louis XVIII (reg 1814–24) and Charles X (reg 1824–30). His furniture is characteristically made from mahogany and other dark woods. As part of the reconstruction of the White House in 1817, President James Munroe ordered 53 pieces of furniture from Bellangé: a pier table, two sofas, two bergères, two screens, four upholstered stools, six footstools, 18 armchairs and 18 side chairs. Many of these pieces were dispersed in the auction of 1860. The process of reassembling this collection in the White House was initiated in 1961 by Jacqueline Kennedy (1929–94); the White House now has the pier table, a bergère, a sofa and four armchairs.

Pierre Antoine’s brother, Louis François Bellangé (1759–1827) was also a furniture-maker; furniture that he designed himself is usually decorated with porcelain plaques, but his workshop also used designs by Edmé-Charles Boulle. When the brothers died in ...

Article

(b Modena, c. 1490; d London, ?Feb 15, 1569).

Italian stuccoist, sculptor, painter and costume designer, active in France and England. He worked in France as a painter (1515–22), probably under Jean Perréal and Jean Bourdichon, then in Mantua, possibly under Giulio Romano, possibly calling himself ‘da Milano’. By 1532 he was at Fontainebleau and in 1533 was engaged with Francesco Primaticcio on the stuccoes and painting of the Chambre du Roi and was one of the highest paid of his collaborators. He may also have worked on the Galerie François I. He was described in 1534 as sculpteur et faiseur de masques and in 1535 made masquerade costumes for the wedding of the Comte de Saint-Pol. He was later involved in a fraud and by August 1537 was in England, where he settled. By 1540 Bellin was employed at Whitehall Palace, probably on making stucco chimneypieces, including that in the privy chamber. The following year he and his company of six were working on the slate carvings at ...

Article

Simon Jervis

(b Hilter, nr Osnabrück, 1804; d New York, Oct 15, 1863).

American cabinetmaker of German birth. He arrived in New York in 1833 and became a naturalized American citizen in 1839. He was established as a cabinetmaker by 1844 and showed an ebony and ivory table at the New York Exhibition of the Industry of All Nations in 1853. In the following year he opened a five-storey factory on East 76th Street near Third Avenue. In 1856 Belter’s brother-in-law John H. Springmeyer joined the firm. William Springmeyer and Frederic Springmeyer joined in 1861, and in 1865 the firm’s name was changed to Springmeyer Bros; it went bankrupt in 1867. Belter’s fame is for technical innovation, reflected in four patents: the first, in 1847, for a device to saw openwork patterns into curved chair backs; the second, in 1856, for a two-piece bedstead of laminated construction; the third, in 1858, for a refinement to his process for achieving laminated construction with three-dimensional curves; and the fourth, in ...

Article

Jean-Dominique Augarde and Jean-Nérée Ronfort

(b ?Germany; d after 1804).

French cabinetmaker, possibly of German birth. He was first mentioned in the accounts of the Garde Meuble de la Couronne in 1784. The following year he became a maître-ébéniste and was appointed Ebéniste du Roi. In 1786 he became the main supplier to the Garde Meuble under the direction of the sculptor Jean Hauré, who was in charge of furniture production. Beneman understood how to create a unified style in furnishings for royal residences, which is shown by his copying of old pieces: the writing-desk (Waddesdon Manor, Bucks, NT) for Louis XVI, for example, was based on the Bureau du Roi Louis XV (1769; Versailles, Château;) made by Jean-Henri Riesener and Jean-François Oeben. There are few identifiable works by Beneman, so his contribution to the period is difficult to ascertain. The few pieces of furniture created during the Directoire (1795–9) indicate that he could adapt his forms to the new, fashionable styles....

Article

(b London, Oct 17, 1854; d Manorbier, Dyfed, July 5, 1924).

English designer. He was educated at Winchester and Oxford, and in 1877 he was articled to the architect Basil Champneys. Encouraged by William Morris, in 1880 Benson set up his own workshop in Hammersmith specializing in metalwork. Two years later he established a foundry at Chiswick, a showroom in Kensington and a new factory at Hammersmith (all in London), equipped with machinery to mass-produce a wide range of forms, such as kettles, vases, tables, dishes and firescreens. Benson’s elegant and spare designs were admired for their modernity and minimal use of ornament. He is best known for his lamps and lighting fixtures, mostly in copper and bronze, which are fitted with flat reflective surfaces (e.g. c. 1890; London, V&A). These items were displayed in S. Bing’s Maison de l’Art Nouveau, Paris, and were used in the Morris & Co. interiors at Wightwick Manor, W. Midlands (NT), and Standen, East Grinstead, W. Sussex. Many of Benson’s designs were patented, including those for jacketed vessels, which keep hot or cold liquids at a constant temperature, and for a ‘Colander’ teapot with a button mechanism for raising the tea leaves after the tea has infused. Benson sold his designs, labelled ‘Art Metal’, through his showroom on Bond Street, which opened in ...

Article

Gordon Campbell

Wood curved by machinery, used for making furniture. In the 18th century wood was softened by heating in water or steam and then shaped and clamped onto a mould. In America the principal innovator in bentwood furniture was Samuel Gragg (1772–1855), a Boston furniture-maker who in 1808 patented a bentwood ‘elastic’ chair. At about the same time German furniture-makers working in the Biedermeier idiom began to use plywood for shaped chairbacks. The greatest exponent of bentwork in Germany was Michael Thonet. In Poland, the Bentwood Furniture Company in Jasienica was founded in 1881 by Joseph Hofman, a cabinetmaker from Vienna; the company is still making bentwood furniture. In America bentwood furniture was developed by John Henry Belter. In the 20th century bentwood was an important element in the furniture of designers such as Alvar Aalto, Marcel Breuer, Charles Eames and Saarinen, Eero.

D. E. Ostergard, ed.: Bent Wood and Metal Furniture 1850–1946...

Article

Gordon Campbell

Large armchair, fashionable in the 18th century, typically with canework sides, back and seat, fitted with an upholstered seat or, in later chairs, a loose cushion; it differs from other armchairs in that the area between the arms and seat is upholstered. A bergère hat is a large straw hat.

Article

(Gustav)

(b Norrköping, May 10, 1879; d Stockholm, April 22, 1935).

Swedish architect and designer. After studies at the Kungliga Tekniska Högskolan and the Kungliga Akademien för de fria Konsterna in Stockholm (1897–1903), he travelled in Europe and became acquainted with modernist architecture in the Netherlands, Germany and Austria. He participated in the architectural debate both as a teacher and as the editor of the Arkitektur (1912–16), and he joined the opposition to academic training when with Ragnar Östberg, Ivar Tengbom and others he started the Klara School, a free studio, for a group of young architects, which included Gunnar Asplund, Sigura Lewerentz and Osvald Almqvist. Bergsten’s early works show the influence of Joseph Maria Olbrich, for example Olai Primary School (1908), the Lithografen Printing Co. (1911) and the Scandinavian Bank building (1906–8), all in Norrköping. These buildings combine structural as well as decorative use of concrete with dark brickwork, in expressive and heavily massed volumes. Bergsten contrasted symmetry with asymmetry, and his preference for displaced or angled motifs sometimes created eccentric effects. In Hjorhagen Church (...