1-2 of 2 results  for:

  • 1600–1700 x
  • Realism and Naturalism x
  • Prints and Printmaking x
Clear all

Article

Fabio Bisogni

(b Siena, 1612; d Rome, 1676).

Italian painter, draughtsman and printmaker. His early art drew on a variety of sources, which included the naturalism of Rutilio Manetti and Francesco Rustici, the descriptive realism of the engraver Giuliano Periccioli (d 1646) and the Baroque of Raffaelle Vanni. Mei’s interests even embraced 16th-century Sienese art. This stylistic variety is evident in his first known works, such as a bier (Casole d’Elsa, Collegiata), three signed miniatures in the Libro dei leoni (1634; Siena, Pal. Piccolomini, Archv Stato) and frescoes of scenes from the Life of St Bernard (1639; Siena, oratory of S Bernardino). His experimental approach is also displayed in such works as the Annunciation (Siena, Mus. Semin. Montarioso), which may be dated between the mid-1630s and the early 1640s. Mei’s early maturity is marked by a conscious return to the naturalism of Manetti, enriched with a Baroque pathos and soft, fluid brushwork, as in the ...

Article

Giovanna Cassese

[d’Angeli, d’Angelo, de Liagno, de Llano; Teodor]

(b Naples or Rome, c. 1587; d Rome, 1629).

Italian painter and engraver. From 1600 until at least 1613 he was in Naples, where the naturalism of landscape painters from northern Europe, particularly Paul Bril, Goffredo Wals (fl 1615–31) and Adam Elsheimer, influenced his early development. After 1614 he was in Rome and became acquainted with the landscapes and seascapes of Agostino Tassi. In 1617 Cosimo II de’ Medici summoned him to Florence, where he worked closely with Jacques Callot. Filippo sketched in the Tuscan countryside, and pen-and-wash drawings such as the Landscape with a Rustic House (Florence, Uffizi) capture effects of bright sunlight. He developed a new kind of realistic landscape, showing small scenes that suggest the charm of country life; examples are the Country Dance (1618; Florence, Uffizi), the Mill (Florence, Pitti) and the Fair at Impruneta (Florence, Pitti). In 1620–21 he produced a series of etchings of Skeletons of Animals, dedicated to the scientist Johann Faber, and in ...