1-2 of 2 results  for:

  • 1600–1700 x
  • Sculpture and Carving x
  • Conservation and Preservation x
Clear all

Article

S. Pressouyre

[Niccolò da Lorena; il Franciosino]

(b Saint-Mihiel, Meuse, c. 1567; d Rome, Nov 24, 1612).

French sculptor and ?painter, active also in Italy. He trained at Saint-Mihiel in the workshop of the Richier family, where he learnt the late Mannerist style current in Lorraine and much of northern Europe at the end of the 16th century. By c. 1590 he was working for Duke Charles III of Lorraine at Nancy, where he executed sculpture in wood (untraced). Late in 1592, at the expense of Charles III, he left for Rome, where he remained for the rest of his life.

Baglione reported that Cordier worked in wood in Rome, but by 1600 he had acquired sufficient reputation as a sculptor in marble to take part in Clement VIII’s decoration of the interior of S Giovanni in Laterano, for which he carved a marble high relief of an angel for the south transept. Stylistically it shares the traits of debased Mannerism common to many northern sculptors working in Rome. His first important works were a seated marble statue of ...

Article

Ana Maria Rybko

[Cristofano]

(b Bracciano, nr Rome, 1556; d Rome, Sept 22, 1619).

Italian sculptor and restorer. He was a little-known sculptor who also worked on the restoration of marble works excavated from archaeological sites. He trained in Florence in the circle of Bartolomeo Ammanati and Giambologna. This provided a Mannerist environment in which Stati acquired a good command of his craft and a certain elegance of style. Only a few of his works have been identified. These suggest that he was imbued with Classical culture, and wanted to recreate the artistic period that was recognized as a model of perfection: the Classicism of the age of Hadrian. During his time in Florence, between 1604 and October 1607, he carved the fountain with Samson Stopping the Lion’s Mouth (Aranjuez, Jardín de la Isla). This formed a pair with another group, by Giambologna (Samson and a Philistine, 1565–70; London, V&A; base, Aranjuez, Pal. Real), which has been identified with a work in the gardens of Aranjuez Palace in Spain. During the same period he carved the group of ...