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(b Holywood, County Down, Ireland, Jan 26, 1922).

Australian painter, printmaker, book designer, lecturer, collector, gallery director and publisher of limited edition artists’ books, of Irish decent. He worked as a draughtsman before entering war service in the British Admiralty from 1940 to 1949, including five years in Colombo, where he made sketching trips to jungle temples with the Buddhist monk and artist Manjsiro Thero. Between 1949 and 1951 Adams worked as an exhibition designer in London and studied wood-engraving with Gertrude Hermes in her evening class at the Central School of Arts and Crafts (now Central St Martin’s College of Art and Design). In 1951, after moving to Melbourne, Adams began a 30-year teaching commitment at the Royal Melbourne Institute of Technology (RMIT), where he instructed many of the younger generation of Australian printmakers, including George Baldessin and Jan Senbergs. A brief return to Britain and Ireland in 1957–8 provided experience with Dolmen Press, Dublin, which published his first book of engravings, ...

Article

Maxime Préaud

[Chartres, de; Ciartres]

(b Chartres, bapt May 12, 1588; d Paris, Jan 13, 1647).

French print-publisher and seller, bookseller and painter. Between 1610 and 1614 he was apprenticed to Pierre-Louis Febvrier, a bookseller in Paris. He visited Rome in 1613 and 1614, and Genoa, Florence and Rome again in 1621; in the course of these travels he became friendly with Anthony van Dyck, who executed his portrait (Viscount Cowdray priv. col.), and with Claude Vignon, Stefano della Bella and François Collignon. It was probably at this period that he acquired the nickname of Chartres, or (in Italian) Ciartres. In 1624 and 1625 he dealt in paintings in association with Vignon, while also collecting prints for Thomas Howard, 14th Earl of Arundel, and for Charles I of England.

In 1629, while on his way to Italy with Matthieu Fredeau, a painter from Antwerp, Langlois collaborated with him on the Rosary altarpiece in the Dominican church in Aix-en-Provence. Around that time he embarked in earnest on a career as a print-publisher, beginning with illustrated books, which he published in collaboration with ...

Article

(b Worbis, Saxony, April 23, 1819; d London, Dec 17, 1899).

British bookseller and publisher of German birth. He was apprenticed to a bookseller in Nordhausen from 1834 to 1839 and afterwards spent three years working for a publishing house in Berlin. Quaritch came to England in 1842 and five years later became a naturalized British subject. In 1847 he established his own second-hand bookshop near Leicester Square, London, and in 1860 moved to premises on Piccadilly. His shop became a centre of interest for all the great bibliophiles around the world. He became known for his ability to find rare books, manuscripts, historic bindings and incunabula, and for the excellence of the catalogues that he issued at regular intervals throughout his career. From 1862 he employed Michael Kerney (1838–1901) as his chief cataloguer and literary adviser. The catalogues were comprehensive, with extensive indexes, notes and scholarly descriptions. One of the most valuable was the Bibliotheca Xylographica, Typographica et Palaeographica: Catalogue of Block Books and of Early Productions of the Printing Press in all Countries, and a Supplement of Manuscripts...

Article

Vera Leuschner

(b Greifswald, Aug 27, 1776; d Berlin, April 26, 1842).

German publisher and collector. He started as an apprentice in the bookshop of Gottlieb August Lange (d 1796) in Greifswald in 1790 and moved to the branch in Berlin in 1795. In 1801 he took over the bookshop of the Realschule there. The ‘publisher of the Romantics’ (including among others the Grimm brothers, E. T. A. Hoffmann, Novalis and Heinrich von Kleist), Reimer prospered and in 1822 purchased Weidmann’s bookshop in Leipzig. His friends included the writer and philosopher Friedrich Schleiermacher (1768–1834) and the writer Ernst Moritz Arndt (1769–1860). He started building up his collection in 1814. He possessed 31 paintings by his compatriot and childhood friend Caspar David Friedrich, including Ruined Monastery of Eldena (c. 1825) and Oak Tree in the Snow (c. 1829; both Berlin, Tiergarten, N. G.). Among the drawings in Reimer’s collection were designs (Frankfurt am Main, Städel Kstinst.) for a ...