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Article

Susan T. Goodman

(b Beirut, 1936).

Israeli painter, sculptor, printmaker and film maker of Lebanese birth. He studied from 1959 to 1961 under Yehezkel Streichman at the Avni Art Institute in Tel Aviv. From 1966 to 1976 he lived in London, where he studied at St Martin’s School of Art and created sculptures concerned with movement, time and energy, for example Corners (1967; Jerusalem, Israel Mus.). He became involved with conceptual art after settling in New York in 1976, producing drawings, prints and photographs that explore energy, space and process of duration, and expanding on problems of perception in sculptural installations. In works such as August from Undercover Blues Series (1980; New York, Jew. Mus.) he used light to define the relationships between an object and its shadows, while in conceptual films such as Putney Bridge (1976) he used the environment to analyse the relationship between reality and illusion. On returning to Europe in ...

Article

Mary Chou

(b Bethlehem, 1970).

Palestinian conceptual artist. Jacir’s works use a variety of media including film, photography, installation, performance, video, sound, sculpture and painting. Jacir was raised in Saudi Arabia and attended high school in Rome, Italy. She received her BA from the University of Dallas, Irving, TX in 1992, her MFA from the Memphis College of Art, Memphis, TN in 1994, and participated in the Whitney Independent Study Program from 1998 to 1999. She became a professor at the International Academy of Art, Palestine in Ramallah in 2007. Jacir’s conceptual works explore the physical and psychological effects of social and political displacement and exile, primarily how they affect the Palestinian community. Her work investigated the impact of Israeli action on the Palestinian people and countered representations of Palestinians in the press as primarily militant. Jacir often collaborated with members of the Palestinian community, both local and international, in the creation of her works....

Article

M. N. Sokolov

(Nestorovich)

(b Kukhi, nr Kutaisi, Aug 20, 1889; d Tbilisi, May 10, 1952).

Georgian painter, collagist, stage designer and film maker. He was born into a peasant family and studied from 1909 to 1916 in the Faculty of Physics and Mathematics at the University of St Petersburg. From 1910 to 1915 he also studied painting and drawing in the studio of L. Ye. Dmitriyev-Kavakazsky (1849–1916). With Pavel Filonov he became a member of the St Petersburg artistic group Intimnaya Masterskaya (The Intimate Studio). The group’s manifesto (1914) proclaimed the beginning of a new era in art, awarded a central importance to Filonov’s principle of sdelannost’ (‘madeness’) and drew attention to the fundamental structural principles of artistic language. The manifesto was one of the most original developments of the pre-revolutionary avant-garde in Russia.

Kakabadze was an outstanding representative of the artistic avant-garde in Georgia. In his work innovation was always combined with a deep interest in Georgian national traditions, on which he was an expert. He studied medieval Georgian ornament while still a student, and in ...

Article

Sheila S. Blair and Jonathan M. Bloom

(b. Shiraz, 1963).

Iranian artist. Moshiri graduated from the California Institute of Arts in 1984 and experimented with installations, video art and painting before returning to Tehran in 1991. He became known for a series of large oil paintings on canvas showing monumental jars and bowls with richly textured surfaces and flowing calligraphy that he began in 2001. The form and cracked and weathered surface of the jars reflects his fascination with archaeology, and the texts on them contain poems in nasta‛līq script. In some cases, his paintings contain only letters or numbers. Inspired by calligraphic practice sheets, known as siyāh-mashq, and by the alphanumeric system (abjad), he plays with the shape rather than the meaning of words. His more conceptual pieces include a vitrine of gilded objects (2003), Rogue gun installation (2004), and Ultimate Toy–Legold (2004). He has held a number of solo exhibitions, including one at Leighton House, London (...