American group of artists active in the 1950s and 1960s who were part of a movement that was reacting to Minimalism, Abstract Expressionism and conceptual art by choosing to represent traditional subjects of nudes, portraiture, still lifes, landscapes and urban street scenes that often were plain and ordinary. The rise of consumerism and mass production inspired New Realist artists who returned to representing subjects as everyday and common visual encounters and experiences. The New Realist movement is in contrast to earlier forms of realism practiced by European artists whose works embody idealism or romanticize the commonality of the subject. New Realism is also associated with the emergence of Photorealism, where the camera captured the momentary fleeting naturalism of the subject. A common approach characteristically unifying New Realist artworks is the notion of the presence of the subject, which is understood as the representation of a neutral peripheral visual experience that exposes the subject prior to its discovery as a cognitive translation, intellectual or emotional response. Paintings and drawings present the perception of the real in a direct, clear and straightforward way using conventional drawing and painting techniques, and classical compositional approaches. Subjects are acutely observed and revealed with precise attention to detail and technical draftsmanship to disclose the detached presence of the subject itself....
Deborah A. Middleton
(b Port Arthur, TX, Oct 22, 1925; d Captiva Island, FL, May 12, 2008).
American painter, sculptor, printmaker, photographer, and performance artist. While too much of an individualist ever to be fully a part of any movement, he acted as an important bridge between Abstract Expressionism and Pop art and can be credited as one of the major influences in the return to favour of representational art in the USA. As iconoclastic in his invention of new techniques as in his wide-ranging iconography of modern life, he suggested new possibilities that continued to be exploited by younger artists throughout the latter decades of the 20th century.
Rauschenberg studied at Kansas City Art Institute and School of Design from 1947 to 1948 under the terms of the GI Bill before travelling to Paris, where he attended the Académie Julian for a period of about six months. On reading about the work of Josef Albers he returned to the USA to study from autumn 1948 to spring ...
Wilford W. Scott
(b Philadelphia, PA, Oct 15, 1881; d Philadelphia, Oct 13, 1918).
American painter and photographer. After training as an architect at the University of Pennsylvania, Philadelphia (A.B., 1903), he studied painting at the Pennsylvania Academy of the Fine Arts, also in Philadelphia, from 1903 to 1906 under William Merritt Chase, with whom he travelled to Europe. From 1907 to 1909 he lived mostly in Paris, where he saw the work of major avant-garde artists, including Cézanne, Picasso and Matisse, and benefited from contact with Leo Stein, an important collector and writer. By 1909 Schamberg had responded to the example of Cézanne’s paintings, including simplified and more solid forms in his own work. Following his participation in the Armory Show in 1913, Cubism became the dominant element of his art, modified in such works as Figure B, Geometric Patterns (1913; Fort Worth, TX, Amon Carter Mus.) by his use of vibrant colour. About 1915 Schamberg met Marcel Duchamp and Francis Picabia in New York through Walter Arensberg and in works such as ...