Term applied to an architectural and interior design style prevalent in the late 19th and early 20th centuries in the USA and Australia, countries formerly colonized by Britain. The style, used mostly for domestic architecture, was based on buildings of early colonial periods and had much in common with the contemporary Neo-Georgian tendency in Britain (e.g. Annie Longfellow Thorp House, 1887); later developments on the west coast of the USA drew on Spanish styles. It became popular in response to a reaction against the ornate eclecticism of late 19th-century architecture and the search for a new aesthetic: Colonial Revival was promoted as a ‘national’ style, rooted in the foundations of the nations and suited to their environment and culture. A similar stimulus produced revivals of colonial styles in other countries, such as South Africa, where the Cape Dutch style was revived in work by Herbert Baker around the end of the 19th century, and Brazil, where features of Portuguese colonial architecture appeared in the work of ...
[Friström, Clas Edvard]
(b Torhamn, nr Karlskrona, Sweden, Jan 23, 1864; d San Anselmo, CA, March 27, 1950).
Sweden-born painter and teacher, active in Australia, New Zealand, and America. In 1884, Fristrom joined his older brother, the painter Oscar Fristrom (1856–1918), in Queensland, married in 1886, and became an Australian citizen in 1888. Employed as a photographic retoucher, Fristrom was a self-taught artist and from 1899 to 1902 he exhibited 53 paintings, including landscapes and figure studies, some featuring Aborigines, at the Queensland Art Society exhibitions. Fristrom’s artistic success is indicated by two commissions from the state government and enthusiastic reviews in the press.
In 1903 Fristrom travelled to the United States and then to New Zealand, settling in Auckland and joining the Auckland Society of Arts. He exhibited 60 paintings there, almost all landscapes, from 1904 to 1914. Until 1911 Fristrom regularly travelled around New Zealand, from Gisborne to Hokitika, selling his paintings at auctions. He also taught at the Elam School of Art, Auckland from ...
(b Saint John, NB, Oct 1838; d Sydney, NSW, Dec 27, 1904).
Australian architect of Canadian birth. The son of a carpenter, he trained in Boston, MA, under Edward Clarke Cabot (1818–91). When the American Civil War broke out in 1861 he travelled to India, but on arriving in Sydney in 1863 he decided to stay to work with Edmund Blacket. By 1865 he was Blacket’s chief assistant, but he left in May 1869 for a brief partnership with John Hilly (1810–83), establishing his own practice later that year. For the next 30 years his mastery of a complex and asymmetrical free-Gothic style, combined with an outstanding skill in the use of timber and brickwork, was demonstrated in many significant buildings, for example the cathedrals at Armidale (1871) and Grafton (1880) and churches at Denman (1871), Branxton (1873) and Dapto (1882). The stone-vaulted chapel of the Sacred Heart (...