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Robert Williams

(b London, Nov 29, 1843; d Godalming, Surrey, Dec 8, 1932).

English garden designer and writer. Best remembered for her books on horticulture and the gardens she made with the architect Edwin Lutyens, she first trained (1861–3) as a painter at the Kensington School of Art, London, and (c. 1870) under Hercules Brabazon Brabazon. Private means allowed her to concentrate on learning one art or craft after another, from embroidery to stone-carving. In 1882 she began contributing horticultural articles to magazines and advising acquaintances on planting schemes. She met the young Lutyens in 1889 and introduced him to some of his first important clients. He designed Munstead Wood, Godalming, for her in 1896. True to her Arts and Crafts background, Jekyll promoted the cottage-garden style of old-fashioned flowers, informally planted; her opinions and expertise made her a household name. Her first book, Wood and Garden, illustrated with her own photographs, appeared in 1899. Her schemes for about 300 gardens are known (numerous plans, Berkeley, U. CA, Coll. Envmt. Des., Doc. Col.), of which about 100 involved ...

Article

Roger White

(b Twickenham, bapt Sept 14, 1696; d London, March 3, 1751).

English architect and writer. The son of a gardener, he first tried his hand as a landscape gardener in Twickenham and published several books that reveal his practical knowledge of the subject, notably New Principles of Gardening (1728) and Pomona (1729). He deplored the rigid formality of continental horticulture and followed Stephen Switzer in advocating the introduction of the serpentine line into layout and planting. By 1731 he had moved to London, where at different times he ran a drawing school in Soho, manufactured artificial stone ornaments, engaged in polemical journalism and produced a succession of architectural publications.

Langley’s classical pattern books plagiarized an astonishing variety of sources, both Baroque and Palladian, although it is clear from their tone and that of his newspaper articles that he had little sympathy for the prevailing Palladian orthodoxy of Richard Boyle, 3rd Earl of Burlington, and his followers. This may explain why, despite energetic self-publicity, he never managed to establish himself as a practising architect—his unsuccessful design (...