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Article

Ruth Olitsky Rubinstein

(b Staines, Oct 14, 1874; d nr Raynes Park, Surrey, May 15, 1931).

English archaeologist and collector . He began his study of Classical archaeology at Winchester; his father moved to Rome in 1890, and during holidays they explored the Campagna with the archaeologist Rodolfo Lanciani. Having read Classics at Christ Church, Oxford (1898), he became the first student at the British School at Rome in 1901 and its director in 1906. His earliest articles, on the topography of the aqueducts and roads of Rome and the Campagna, were later developed into books. Tomassetti listed 323 publications (including excavation reports) by Ashby on the Campagna, many of them pioneering works. Ashby’s studies of 16th-century and later drawings of Roman monuments include his publication (1904, 1913) of the Coner Sketchbook (London, Soane Mus.), while his interest in Renaissance collections of ancient statues enabled him to identify works that had once stood in the Villa d’Este at Tivoli (1908) and led him to produce a bibliographical analysis of the engravings by Giovanni Battista de Cavalieri and his followers (...

Article

Karolina Lanckorońska

[Karl Anton Leo Ludwig]

(b Vienna, Nov 4, 1848; d Vienna, July 15, 1933).

Polish archaeologist, writer, collector and patron, active in Austria. As an archaeologist his main interest lay in the architectural ruins of the late Roman Empire in Anatolia. In 1884 he organized an expedition of which he later published an account, Stadt Pamphyliens und Pisidiens. Sketches made by Jacek Malczewski (e.g. Warsaw, Royal Castle; mainly watercolours) are also records of the expedition. Lanckoroński and Malczewski later toured Italy and travelled to Munich together. Other artists patronized by Lanckoroński included Antoni Madeyski (1862–1939), Henryk Rodakowski and Hans Makart. During 1888 and 1889 Lanckoroński made a round-the-world voyage and subsequently published a diary of this trip, entitled Rund um die Erde. He brought back to Vienna various works of art, mainly sculptures and textiles. Between 1890 and 1895 a Baroque Revival palace was built for him in Vienna to designs by Ferdinand Fellner and Hermann Hellmer (1849–1919). In it Lanckoroński installed paintings, mainly Dutch and French, that he had inherited and Italian paintings he had purchased (e.g. Masaccio’s ...

Article

Noémie Goldman and Kim Oosterlinck

Term for the return of lost or looted cultural objects to their country of origin, former owners, or their heirs. The loss of the object may happen in a variety of contexts (armed conflicts, war, colonialism, imperialism, or genocide), and the nature of the looted cultural objects may also vary, ranging from artworks, such as paintings and sculptures, to human remains, books, manuscripts, and religious artefacts. An essential part of the process of restitution is the seemingly unavoidable conflict around the transfer of the objects in question from the current to the former owners. Ownership disputes of this nature raise legal, ethical, and diplomatic issues. The heightened tensions in the process arise because the looting of cultural objects challenges, if not breaks down, relationships between peoples, territories, cultures, and heritages.

The history of plundering and art imperialism may be traced back to ancient times. Looting has been documented in many instances from the sack by the Romans of the Etruscan city of Veii in ...