Çigdem Kafesçioglu and Walter B. Denny
Islamic dynasty that governed Tunisia, Algeria and Sicily from
Çigdem Kafesçioglu and Walter B. Denny
J. M. Rogers
[Muh‛ammad ibn al-Zayn; Ibn al-Zayn]
(fl early 14th century).
Arab metalworker. He is known from signatures on two undated inlaid wares, the Baptistère de St Louis (Paris, Louvre, LP 16, signed in six places) and the Vasselot Bowl (Paris, Louvre, MAO 331, signed once). His style is characterized by bold compositions of large figures encrusted with silver plaques on which details are elaborately chased. His repertory develops themes characteristic of later 13th-century metalwork from Mosul (see Islamic art, §IV, 3(ii) and (iii))—mounted or enthroned rulers, bands of running or prowling animals, an elaborate Nilotic composition, courtiers bearing insignia of office, and battle scenes on scroll grounds with strikingly naturalistic fauna. His work is marked by a realism of facial expression, in which Turco-Mongolian physiognomy, dress, headgear and even coiffure are prominent, and a vigour of movement, gesture or stance that enlivens and transforms even the running animals and rows of standing courtiers, some in Frankish costume. The technique and style of these pieces allow their attribution to the Bahri Mamluk period in Egypt and Syria (...
Islamic dynasty and rulers of Morocco since 1631. Like their predecessors the Sa‛dis, the ‛Alawis are sharīfs (descendants of the Prophet Muhammad), and both dynasties are sometimes classed together as the ‘Sharifs of Morocco’. From a base in the Tafilalt region of south-east Morocco, the ‛Alawi family was able to overcome the centrifugal forces exerted by the Berber tribes who had destroyed the Sa‛di state in the first half of the 17th century. To restore political authority and territorial integrity, Mawlay Isma‛il (reg 1672–1727) added a new black slave corps to the traditional tribal army. Although royal power was weak during the 19th century and the early 20th, when the French and Spanish established protectorates, the ‛Alawis’ power was fully restored after independence from the French in 1956.
‛Alawi building activities (see Islamic art, §II, 7(v)) were concentrated in the four cities that have served as their capitals: Fez and Marrakesh at various times from ...
Judith McKenzie, Gordon Campbell, R. R. R. Smith, Wiktor A. Daszewski, A. H. Enklaar, Dominic Montserrat, C. Walters, Wladyslaw B. Kubiak, Sheila S. Blair and Jonathan M. Bloom
Egyptian city situated on the Mediterranean coast west of the delta of the River Nile, capital of Egypt from c. 320
Alexandria was founded in 331
With the defeat of the last Ptolemaic monarch, Cleopatra VII (51–30
[Arab. Al-Jumhūriyyah al-Jazā‛iriyyah al-Dimuqrāṭiyyah al-Sha‛biyya; Al-Jazā’ir]
Country in North Africa with its capital at Algiers.
Algeria is the second largest country in Africa, with an area of c. 2,400,000 sq. km. Extending south from the Mediterranean Sea to the Sahara, it is bordered to the west by Morocco, Western Sahara and Mauritania, to the south by Mali and Niger and to the east by Libya and Tunisia. Geographically Algeria can be divided into three regions: the most populated region of the coastal Atlas range (including the Kabylie Mountains) and small plains in the north; the salt flats and high plateau of the Saharan Atlas range; and the desert (including the Hoggar Mountains), which comprises four-fifths of the country. Most of the population (33 million, 2006 estimate) is Arab or Arabized, although about 20% have retained their Berber identity and language. Nearly all are Sunni Muslim. Many people from the old-established Jewish and more recent European communities left when independence from France was won in ...
Sheila S. Blair and Jonathan M. Bloom
[Arab. al-Jizā’ir; ‘the islands’]
Capital and largest city in Algeria, located on the west side of a bay opening onto the Mediterranean Sea. The site was already settled in Phoenician times, as shown by a hoard of Punic coins found near the port in 1940. The ruins of the Roman settlement known as Icosium are said to have existed until the 10th century when the Zirid family ruler Buluggin (reg 972–84) founded the Muslim town. Medieval geographers called it jazā’ir banī mazghannā, the islands of the Bani Mazghanna, after a local tribe of Sanhaja Berbers who lived in the region. At the end of the 12th century Almoravid rulers erected a mosque there (see Islamic art, §II, 5(iv)(c)), which preserves a fine wooden minbar and a minaret added in the 14th century. In the 15th century many refugees fleeing the Christian conquest of Spain settled in the city and established themselves as corsairs. Incorporated into the Ottoman empire, it became an important naval base, often enjoying relative independence from Istanbul under the Barbary pirates who made piracy the major industry. The city was repeatedly bombarded by European powers, until the French captured it in ...
Islamic dynasty that ruled parts of the Sahara, Morocco, Algeria and Spain from 1056 to 1147. The Sanhaja Berber chief Yahya ibn Ibrahim, on returning from a pilgrimage to Mecca, founded a reform movement intended to strengthen orthodoxy among the Saharan Berbers, who were only superficially Islamisized, but according to many Arab historiographers they adhered to Kharijite doctrine. With the support of the Malikite jurist Ibn Yasin and the Lamtuna Berber chiefs Yahya ibn ‛Umar and his brother Abu Bakr, a fortress for a Muslim brotherhood (Arab. ribāṭ) was established on an island at the mouth of the Senegal River. The fortress soon became a centre for the tribes living nearby, and the increasing power of those who lived there (al-murābiṭūn) led to the submission of all the Sanhaja tribes. Their renewal of Islam showed strong ascetic trends along with a simple piety that resulted in a holy war against the corrupt culture and errant Muslims of the Maghrib. In ...
S. J. Vernoit
[Arab. Al-fann wa’l-ḥurriyya]
Egyptian group of Surrealist writers, artists and intellectuals founded on 9 January 1939 by the poet Georges Hunain (1914–73). The group included the Egyptian painters Ramsis Yunan (1914–66), Fu’ad Kamil (1919–73) and Kamil al-Talamsani (1917–72). Inspired by the work of André Breton, whom Hunain met in Paris in 1936, the aim of the group was to defend freedom in art by stressing the liberating role of the individual imagination. On 22 December 1938 Hunain and his colleagues signed a manifesto entitled ‘Vive l’Art Dégénéré’, which protested against Fascism, particularly Hitler’s claim that modern art was degenerate. The manifesto was followed by further writings, conferences and debates. Artists from the group exhibited work in June 1939 at the premises of Art and Freedom at 28 Shari‛ al-Madabigh in Cairo. In January 1940 the magazine al-Ta ṭawwur was launched, which presented ideas behind modern art to an Egyptian audience. This was followed in ...
[anc. Egyp. Abu, Swenet; Copt. Sawan; Gr. Syene]
Egyptian city at the northern end of the first Nile cataract, c. 900 km south of Cairo. The modern town chiefly stretches along the eastern bank of a sandstone valley, which also contains numerous islands formed by the granite outcrops of the cataract; its ancient monuments are found on both the east and west banks and on some of the islands.
In ancient times Aswan was a garrison town marking the traditional boundary between Egypt and Nubia; as such it served as the capital of the first nome (province) of Egypt and the seat of its governors. The town’s wealth was generated by its position on an important trade route between the Nile Valley and the African lands to the south and by its granite quarries, which provided the material for countless ancient monuments. The islands of the cataract enjoyed religious status as the mythological source of the annual Nile inundation, while the Temple of Isis at ...
Islamic dynasty that ruled 1169–1252 in Egypt, 1180s–1260 in Syria and south-east Anatolia, and 1174–1229 in the Yemen, with minor branches continuing until the end of the 15th century. The Ayyubids were the Kurdish clan brought to power in 1169 by Salah al-Din (Saladin; reg 1169–93) and his nephew Shirkuh when they occupied Egypt on behalf of the Zangid family ruler of Damascus, Nur al-Din (reg 1146–74). Shirkuh soon died, and Salah al-Din became master of Egypt. He ended the Shi‛ite Fatimid dynasty of Egypt in 1171 and brought Aleppo and Damascus under his control in 1183 and 1186. Salah al-Din is best known in both East and West as a tireless foe of the crusaders, and for his liberation of Jerusalem in 1187. The Ayyubid lands were governed by leading members of his family. The sultan ruling in Cairo was paramount, and Damascus was the second capital, but Ayyubid possessions extended to the Yemen and into Anatolia. The counter-crusade continued throughout the Ayyubid period; notable is the failed treaty between al-Malik al-Kamil (...
[Arab. Dawlat al-Baḥrayn; anc. Dilmun, Tilmun, Gr. Tylos]
Independent state in the Persian/Arabian Gulf, comprising an archipelago of low-lying islands. The capital, Manama, is on the main island, also known as Bahrain. Bahrain Island is c. 586 sq. km in area and consists mostly of sand-covered limestone, with a fertile strip in the north and oases fed by natural springs. The discovery of oil in 1932 transformed Bahrain’s revenues, replacing pearls as its main export. Many of the islands are linked by causeways, including one between Bahrain Island and Muharraq Island, and a major causeway (1986) links Bahrain with Saudi Arabia. The indigenous population (c. 500,000) consists mainly of Shi‛a and Sunni Muslims. From the 3rd millennium
(b Moscow, May 7, 1903; d Paris, Jan 25, 1988).
Lithuanian art historian, scholar of folklore and Egyptology, and diplomat of Russian birth. Son of the celebrated Lithuanian Symbolist poet of the same name, Jurgis Baltrušaitis II studied under Henri(-Joseph) Focillon at the Sorbonne and earned the PhD in 1931. The concerns of his mentor are evident in La stylistique ornementale dans la sculpture romane (1931), which reprises and extends arguments for the ‘law of the frame’ in Romanesque sculpture. Accordingly, the shapes of architectural members, such as capitals and tympana, determined the articulation of sculptural forms. This theory could account for the genesis of a wide array of monumental carvings, from foliate capitals to narrative reliefs, but ultimately it had a rather limited impact on the field of Romanesque sculptural studies. In a scathing critique, Schapiro argued that Baltrušaitis’s book—and by implication Focillon’s methods—robbed Romanesque sculptors of agency and neglected the religious and expressive meanings of this art form....