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(b Modena, c. 1490; d London, ?Feb 15, 1569).

Italian stuccoist, sculptor, painter and costume designer, active in France and England. He worked in France as a painter (1515–22), probably under Jean Perréal and Jean Bourdichon, then in Mantua, possibly under Giulio Romano, possibly calling himself ‘da Milano’. By 1532 he was at Fontainebleau and in 1533 was engaged with Francesco Primaticcio on the stuccoes and painting of the Chambre du Roi and was one of the highest paid of his collaborators. He may also have worked on the Galerie François I. He was described in 1534 as sculpteur et faiseur de masques and in 1535 made masquerade costumes for the wedding of the Comte de Saint-Pol. He was later involved in a fraud and by August 1537 was in England, where he settled. By 1540 Bellin was employed at Whitehall Palace, probably on making stucco chimneypieces, including that in the privy chamber. The following year he and his company of six were working on the slate carvings at ...


Marco Collareta

[Foppa, Cristoforo]

(b Mondonico, nr Pavia, c. 1452; d between Dec 6, 1526 and April 1, 1527).

Italian goldsmith, coin- and gem-engraver, jeweller, medallist and dealer. Son of the goldsmith Gian Maffeo Foppa, from 1480 he served at the Milanese court with his father, eventually becoming personal goldsmith and jeweller to Ludovico Sforza (il Moro), Duke of Milan. In 1487 Caradosso was in Florence, where his appraisal of an antique cornelian was highly esteemed. He worked in Hungary in the service of King Matthias Corvinus, probably in August 1489; a later visit to the court was cut short by the King’s death (1490). Between 1492 and 1497 Caradosso travelled to various Italian towns to buy jewels and other precious objects for Ludovico il Moro. He visited Rome, Viterbo and Florence early in 1496, when the Medici family’s possessions were sold off after the expulsion of Piero de’ Medici (1471–1503) from Florence.

After the fall of Ludovico il Moro in 1500, Caradosso remained for some years in Lombardy. In ...


(fl 1482–1522).

Italian bronze-founder. Born into a well-known Venetian family, he is mentioned in 1482, first as a goldsmith and then as a jeweller, which suggests that he might have been carving hard stones. In 1484 he was employed at the Mint as an engraver of dies. Exiled in August 1487 for his part in an inheritance fraud, he was recalled from Ferrara in September 1488 to cast the equestrian statue of Bartolomeo Colleoni from the clay model left by Verrocchio at his death. He completed the casting, putting his signature on the girth strap (alexander leopardus v.f. opus), and designed and executed the high pedestal with marble columns and bronze frieze himself. His execution of the pedestal clearly shows his familiarity with the Classical orders. The monument was erected in the Campo SS Giovanni e Paolo in 1494. He was employed again at the Mint in January 1496, working as master engraver of dies alongside ...


[Fiorentino, Pier Maria; Pescia, Mariano da; Tagliacarne, il]

(b Pescia, Tuscany, c. 1455; d after 1522).

Italian gem- and coin-engraver, sculptor and jeweller. His father, Antonio Serbaldi, was also a Tuscan master engraver. In 1468 he attended the painting school in Pistoia of a priest named Matteo. He then studied with the Genoese gem-engraver Giacomo Tagliacarne (fl late 15th century)—from whom he took his nickname Il Tagliacarne—and in the workshop of the Lombardo family in Venice. In 1499 he went to Rome under the patronage of Pope Leo X. A group of works in porphyry survive, dating from c. 1513 to 1521, for example a bust of Polyhymnia (Vienna, Ksthist. Mus.), a statuette of Venus and Cupid, an intaglio of Leo X (both Florence, Uffizi) and an allegorical intaglio (Paris, Louvre). On 24 June 1515 Serbaldi da Pescia was nominated jointly with Vittore Camelio (1460–?1537) engraver of coins at the Roman Mint for the duration of his life. There are records of payments from the Sacro Palazzo Apostolico (...


Stephen K. Scher

(b Milan, 1515–19; d Madrid, Sept 23, 1589).

Italian medallist, sculptor, gem-engraver and jeweller. Nothing is known of his background and early life. His family apparently came from Trezzo-sull Adda but were living in Milan at the time of his birth. By 1550 he had achieved a level of fame that deserved mention in the first edition of Vasari’s Vite. His activities in Milan, in which city he lived until 1555, included gem-engraving and the fabrication of objects in precious and semi-precious stones for Cosimo I, Duke of Florence. Several letters in archives in Florence, dated 1552, 1572 and 1575, describe this work and the difficulties Trezzo experienced in receiving payment. Between 1548 and 1578 Jacopo produced eleven medals, including variants, eight of which are signed. The first of these is the medal of the Cremonese engineer Gianello delle Torre, of which one example (Florence, Bargello) bears the date 1548. Although not signed, it has been attributed both to Trezzo and to ...