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Wystan Curnow

[Bates, Barrie]

(b Auckland, Jan 1, 1935).

New Zealand sculptor and conceptual artist. He studied at the Royal College of Art in London in the early 1960s and first showed his work alongside that of fellow students such as David Hockney and Derek Boshier, helping to mark the emergence of British Pop art. The pseudonym that he adopted in 1962 reflected his obsession with different ways of representing fruit. On moving in 1964 to New York he began to produce neon versions of popular icons. In 1970 he established Apple as one of New York’s first artist-run ‘alternative’ art spaces.

The conceptual element in Apple’s early Pop work became dominant in the late 1960s and 1970s. From 1975 to 1980 he concentrated on the deconstruction of the ‘white cube’ gallery exhibition space, proposing alterations to or actually changing existing interiors, notably at the Leo Castelli Gallery in New York (1977, 1978, 1980) and at a number of public galleries in New Zealand (...

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Anthony Gardner

(b Singapore, July 12, 1959).

Malaysian conceptual artist, active also in Australia. Gill studied at the University of Western Sydney, completing her MA in 2001. Despite working in a range of media, she is best understood as a process-based artist who has consistently explored notions of migration and transformation within material culture. These include the effects of international trade on such everyday activities as cooking and eating. The spiral form of Forking Tongues (1992; Brisbane, Queensland A.G.), for example, entwines Western cutlery and dried chillies from the Americas and Asia, highlighting how foods and utensils from across the globe have come together to transform local cuisines and inform culinary habits. Gill’s later photographic series refer to other understandings of migration, such as the spread of the English language or of capitalist desire throughout South-east Asia in recent decades. For Forest (1998; Sydney, Roslyn Oxley9 Gallery; see Chua), Gill cut out words and sentences from books written in English, placed the texts within tropical landscapes and photographed the results before the books’ paper began rotting into the humid environment. For ...