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Article

Danielle Peltakian

(b Brooklyn, NY, Oct 27, 1877; d White Plains, NY, July 13, 1949).

American painter, illustrator and lithographer. As an organizer of the Armory Show (1913) alongside Arthur B. Davies, he played an integral role in unveiling European modernism to the USA. While he painted landscapes of Maine, Cézanne-inspired still lifes and a series based on the American West, his expressive portraits of circus and vaudeville performers remain his best-known works.

In 1901, he trained at the Académie Colarossi in Paris, but soon transferred to the Akademie der Bildenden Künste in Munich where he studied under Barbizon painter Heinrich von Zügel (1850–1941) until 1903. Upon returning to New York in 1903, he worked as an illustrator for publications such as Life and Puck, exhibited at the Salmagundi Club (1905) and organized artists’ balls for the Kit Kat Club. Working in an Impressionist style, he participated with Robert Henri in the Exhibition of Independent Artists (1910)....

Article

Deborah Cullen

[MoMA] (New York)

The Museum of Modern Art (MoMA) was founded in 1929 by patrons Lillie P(lummer) Bliss, Cornelius J. Sullivan and Rockefeller family §(1) to establish an institution devoted to modern art. Over the next ten years the Museum moved three times and in 1939 settled in the Early Modern style building (1938–9) designed by Philip S. Goodwin and Edward Durell Stone that it still occupies at 11 West 53 Street. Subsequent renovations and expansions occurred in the 1950s and 1960s by Philip Johnson, in 1984 by Cesar Pelli and in 2002–4 by Yoshirō Taniguchi (b 1937). MoMA QNS, the temporary headquarters during this project, was subsequently used to provide art storage. In 2000, MoMA and the contemporary art space, P.S.1, Long Island City, Queens, announced their affiliation. Recent projects are shown at P.S.1 in Queens in a renovated public school building.

According to founding director, Alfred H(amilton) Barr...

Article

W. Jackson Rushing

(William IV)

(b Breckenridge, MN, Oct 6, 1937; d Scottsdale, AZ, Feb 10, 2005).

American painter, printmaker and photographer. He studied art in high school under Oscar Howe (b 1915), the Sioux modernist painter, and later with Wayne Thiebaud at Sacramento City College, CA (1957–8). After participating in the Southwest Indian Art Project sponsored by the Rockefeller Foundation in 1961, Scholder acknowledged his Native American heritage and taught at the Institute of American Indian Art in Santa Fe (1964–9). In 1967 he achieved recognition for his Indian Series: fluid, painterly, semi-abstract portraits that challenged both the romantic stereotype of the Noble Savage and the strictures of traditional Native American painting. These sensuously coloured, but troubling images, such as Indian No. 1 (1967; Washington, DC, priv. col., see Taylor and others, 1982, p. 54) are subjected to violent Expressionist distortions resulting from rapid, bravura brushwork.

From 1970 Scholder made lithographs, for example the Indians Forever Suite (1970–71...