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Emma Packer

(b ?London, c. 1470; d ?London, 1532).

English goldsmith. He was the son of a London goldsmith and was the most successful goldsmith working at the Tudor court; his work bridged the transition between the Gothic and the Renaissance styles. He was an official at the Mint from 1504 to almost the end of his life, his appointment possibly facilitated by his marriage to Elizabeth, granddaughter of Sir Hugh Bryce (d 1496), Court Goldsmith to Henry VIII. In 1524 Amadas became the first working goldsmith to become Master of the Jewel House to Henry VIII, an office he retained until 1532, supplying spangles, wire and ribbons to the court. In the 1520s his orders included a large amount of plate for gifts to foreign ambassadors; he also supplied a number of New Year’s gifts for the court. Cardinal Thomas Wolsey was one of Amadas’ most important clients, and Amadas supplied him with a number of lavish objects. Other clients included ...

Article

Gordon Campbell

(fl 1518–66).

Sicilian goldsmith. His early work is Gothic, notably a magnificent processional monstrance with Gothic spires (1536–8; Enna, Mus. Alessi) and a reliquary of S Agata (1532; Palermo Cathedral). From the 1540s he adopted a Renaissance style, as exemplified by a crozier (Palermo, Gal. Reg. Sicilia) and a reliquary of S Cristina (Palermo Cathedral)....

Article

Daniel Kletke

(b c. 1450; d 1527).

German goldsmith and architect. He was one of the most important goldsmiths in Augsburg during the transitional period from Late Gothic to Renaissance and worked there as an independent master after 1478, receiving commissions for both secular and ecclesiastical works. From 1486 he was employed by the convent of SS Ulrich and Afra in Augsburg, and he gained particular renown for the conservation of old goldsmith’s works including the abbey’s Romanesque croziers. Interestingly, some of his pieces echo Romanesque as well as 15th-century forms. Such commissions as an architectural model (1498) for the Prince-Bishop of Brixen and a silver figure of the Virgin for Mariae Himmelfahrt, Kaisheim, may account for his increasing fame. Notable is the portable altar from Eichstätt (1492; Munich, Schloss Nymphenburg) with a cycle of engravings and statuettes depicting St Willibald and other saints. The character of the engravings has been linked to the works of Hans Holbein the elder (Fritz). Seld’s extensive travels in ...

Article

Gordon Campbell

(fl 1497–1522).

German goldsmith and seal-engraver. He worked in Aachen, where he engraved seals for the Emperors Maximilian I and Charles V. His Gothic bust reliquaries are set on an architectural socle and are often of monumental dimensions, for example those of St Lambert (1508–12; Liège, St Lambert) and St Peter (...