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Article

John R. Neeson

Installation art is a hybrid of visual art practices including photography, film, video, digital imagery, sound, light, performance, happenings, sculpture, architecture, and painted and drawn surfaces. An installation is essentially site specific, three-dimensional, and completed by the interaction of the observer/participant in real time and space. The point of contention with any definition concerns the site specificity, ephemerality, and consequently ‘collectability’ of the work itself. One view has it that the category installation is presupposed on the transitory and impermanent, the second that an installation can be collected and re-exhibited as a conventional work of art.

In either case installation had its genesis in the environments and happenings devised by artists in the 1950s in New York and Europe (Nouveau Réalisme in France, Arte Povera in Italy). These in turn had antecedents in the architectural/sculptural inventions such as the various Proun rooms of El Lissitzky and the Merzbau of Kurt Schwitters...

Article

Blair French

Australian group of performance, video and installation artists. The four members of The Kingpins, Angelica Mesiti (b 1976), Técha Noble (b 1977), Emma Price (b 1975) and Katie Price (b 1978), met as students at the College of Fine Arts, University of New South Wales in Sydney in the 1990s. Their first public performance as The Kingpins took place in early 2000. Later that year they won the Drag Kings Sydney competition. Their early performances involved sophisticated, dynamic and highly entertaining ‘dragging’ of overtly masculine music genres, such as gangsta rap and hard rock. This was continued in related video works emerging from their performances, extending their mimicry into the realm of music video art direction. This approach culminated in the video installation work Versus (2002), in which, in a confident act of appropriation, The Kingpins reworked a 1993 karaoke performance by Leigh Bowery’s performance group Raw Sewage of Aerosmith’s ‘Walk this Way’ (...

Article

Bernice Murphy

(b Sydney, July 19, 1945).

Australian conceptual and performance artist, film maker and writer. He began writing poetry as a student at Queensland University (1965–6). Although he attended the National Art School at Darlinghurst, Sydney (1968), he was largely self-taught as an artist. He first became known for his conceptual works, filmed actions and performances and typescript pieces in 1971–2, when he ran Inhibodress, an alternative art space in Sydney, with artist Peter Kennedy (b 1945). In 1972 he travelled abroad for the first time for about a year, making Vienna his base (as he did again in 1977–8). In 1973 he carried out performances in Lausanne and Neuchâtel, Switzerland. These works (and the associated filmed record) were collectively entitled Performances, Actions, Video Systems and developed out of previous Sydney works: Word Situations (1971) and Idea Demonstrations (1971–2).

On returning to Australia Parr incorporated recent filmed records of performances into much larger, autobiographical film projects that occupied most of his artistic energy for ten years, producing three substantial, experimental films: ...