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Geoffrey R. Edwards

(b Sydney, July 6, 1950).

Australian glass artist. He studied science at the University of Sydney and in 1972 began a series of studies in glass in Australia, the USA and England. While in the USA he attended the Pilchuck School founded by Dale Chihuly and established a close association with the Pilchuck programme. His spectacular deployment of neon tubing as a floating serpentine pattern across panels of glossy, black moulded glass, brought him a number of major architectural commissions including large-scale murals for the Coal Board Building in Singleton, New South Wales, and the ANZ Bank in Melbourne. From the early 1980s Langley developed a series of idiomatic sculptural objects in which heavily textured and sandblasted slabs of fused glass are embedded with symbols and geometric emblems composed of intricate tesserae.

A. McIntyre: ‘Warren Langley Glass Works: Art of Man Gallery, Paddington, December 1978’, Craft Australia, 2 (Winter 1979), pp. 50–51 I. Bell: ‘Warren Langley’, ...


Kyla Mackenzie

(b Auckland, April 4, 1944).

New Zealand glass artist. She gained a Diploma in Fine Arts from Auckland University in 1980. Robinson pioneered cast-glass art in New Zealand when there was little support or education for glass artists. She belonged to the international development known as studio glass, in which glasswork is made in a small studio rather than a factory environment. In 1981 Robinson joined Sunbeam Glassworks, a glass-blowing studio in Auckland, where she worked alongside fellow glass pioneers Garry Nash and John Croucher until 1989.

The isolation of glass practice as an artistic field generally, particularly in New Zealand, along with lack of funding, meant that Robinson’s earliest work was arrived at through experimentation and often costly failure. In 1989, she established her own studio in Karekare on Auckland’s bush clad west coast. She had, by then, adopted the lost-wax technique for glass casting, a skill she had learnt from bronze-casting.

Vessels and their open-ended metaphors and references to Oceanic, Japanese, and ancient ritual have characterized much of her oeuvre (e.g. ...


Geoffrey R. Edwards

(b Melbourne, 1948).

Australian glass artist . He studied architecture at the University of Melbourne and graduated in 1972. Largely self-taught in the production of glass, he was active in the development of various kiln-working techniques applied to architectural glass. Following his first exhibition of autonomous glass panels in 1976, Wright was awarded numerous church and public commissions including a vast wall of glass (1976) for the Reception Centre at the Royal Zoological Gardens in Melbourne; a set of windows (1987) for the new Parliament House in Canberra; and a window cycle (1988) for the St James’s Anglican church in Sydney. Wright’s compositions are notable for their rhythms, juxtaposed fields of loose pattern and simple, organic imagery that often alludes to the processes of germination and growth. Many of the artist’s smaller, autonomous panels are assembled from mechanically fastened sections of glass with contrasting surface treatments and textures. A series of exhibition pieces made reference to medical X-ray images and incorporated fused motifs and figures with cloudy abstract passages of chemically treated glass....