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Morgan Falconer

(b Jerusalem, May 18, 1945).

Israeli conceptual artist. He emerged as an artist, in the 1970s, without having had any formal education, addressing disparate concerns germane to conceptual art. The series Five Finger Excercise, begun in 1973, looked at the idea of sameness and uniqueness in art by covering canvases with the artist’s fingerprints. Towards the end of the decade he began to settle on a core of related themes and concerns that continued to preoccupy him. Fascinated by Modernist art’s pursuit of formalism, Toren sought metaphors for the way in which art cannibalizes itself; in so doing he has addressed issues relating to representation in art. In the series Neither a Painting nor a Chair (1979–80; see exh. cat. 1990–91, p. 15) Toren used shavings of wood from a demolished chair as pigment for a series of ten paintings reconstituting the chair as an image. A similar series begun in 1983, Of The Times...