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Anne Blecksmith

Term used to describe pictorial representations of objects and data using a computer. The term also implies the creation of and subsequent manipulation and analysis of computer-generated imagery and graphics. Computer-generated imagery was developed shortly after the introduction of the Electronic Numerical Integrator and Computer (ENIAC) in 1946. In 1950, a mathematician and artist from Iowa named Ben Laposky produced computer-generated graphic images using an electronic oscilloscope and photographed the results using high-speed film. The first interactive man-machine graphics program was Sketchpad, invented by Ivan Sutherland, a graduate student at the Massachusetts Institute of Technology. Developed for the TX-2 computer, Sketchpad allowed one to draw on the computer screen using a light pen and processed image manipulation functions through a series of toggle switches.

In 1965, scientists from the USA and Germany organized concurrent computer art exhibitions entitled Computer-Generated Pictures at the Howard Wise Gallery in New York and the Galerie Niedlich in Stuttgart. The American scientists, Bela Julesz and A. Michael Noll worked at Bell Laboratories in Murray Hill, NJ, a center of computer graphic development and in ...

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John-Paul Stonard

(b Cambridge, 1949).

English photographer, sound artist and film maker. He lived from 1972 to 1979 in Poland, spending two of those years studying graphics at the Academy of Science. His experiences in central Europe, at a time of political and social upheaval, had a strong effect on his view of photography as a political medium. His subsequent work articulated his socialist beliefs, often through black-and-white photographs of his friends in Krakow, Poland, or the East End of London; his large photographs were always unique rather than editional prints, stressing their physical identity as handmade objects. These portraits and figure studies (many printed from negatives made years earlier) have a claustrophobic, sparse atmosphere, suggestive of a mentality bound and defined by the weight of its own history. His work often deals with the problems of a mythologizing interpretation of history and highlights the contingency and specificity of the present. In the mid-1990s he worked on a photographic project in Barcelona to describe the experiences and identities of individuals living in communities. This project, ...