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Carol Magee

(b Johannesburg, 1972).

South African multi-media artist, active in the USA. She received a BA in fine arts (University of Witwatersrand, 1993), an MA in art history (University of Chicago, 1995), and an MPhil in art history (Columbia University, New York, 1997). She was a fellow of the Whitney Independent Studio Program, New York (1996–7). Her work has been regularly included in biennials (including among others Johannesburg 1995, São Paulo 1998 and Venice (2005)), has been shown extensively in international solo and group exhibitions, and is owned by museums and private collectors throughout the world. In 2007 she was awarded the Prix International d’Art Contemporain by the Fondation Prince Pierre de Monaco. In photography, video, and installation, Breitz turns an insightful, playful, and critical eye towards issues of representation, identity, media, global capital, consumerism, celebrity, fandom, and language. Her work stretches from the problem of the cult of the individual to the question of how cultural and other forms of identity are established and maintained. In ...

Article

Konjit Seyoum

(b 1947).

Ethiopian painter and computer artist, active in the USA. He trained at the School of Fine Arts under Gebre Krestos Desta in 1967. He received a scholarship to Ahmadu Bello University, Zaria, in Nigeria, where he earned a BA (1972). He then moved to the United States to be curator of the art gallery at Morgan State University, Baltimore, MD. He actively promoted Ethiopian art, curating two 1973 exhibitions that featured Ethiopian artists working in the USA. He was awarded an MFA from the Maryland Institute College of Art, Baltimore. His paintings from this period are figurative. He went on to receive a PhD in computer art from The Ohio State University, Columbus, OH, and became a professor of art and director of the Computing Center for the Arts at North Carolina Central University, Durham, NC. His works from the 1990s are cibachrome prints of computer-manipulated imagery that range from complex compositions to simple figural depictions....

Article

Susan Kart

(b Nairobi, 1958).

Kenyan photographer, multimedia and performance artist, and teacher of Indian descent, active in the USA. DeSouza was born in Kenya to Indian parents. Raised in London from the age of 7, he called his background that of a ‘double colonial history’. DeSouza attended Goldsmiths College in London and the Bath Academy of Art, and although he has worked primarily in photography and as a writer on contemporary art, he has also branched out into performance art, digital painting, and textual and mixed media arts. He moved to the USA in 1992 and in 2012 became of Head of Photography at the University of California, Berkeley.

The primary themes in deSouza’s work are those of colonial encounter, seen in Indigena/Assimilado (1998), a photographic series of migrant workers in Los Angeles; migration, as explored in Threshold (1996–8), his early photographic series of airports empty of people; exile, which he explored in ...

Article

Susan Kart

(b Kaduna, Aug 15, 1967).

Nigerian multimedia artist, active in the USA. Tuggar studied in London before receiving her BFA from Kansas City Art Institute. She completed her MFA at Yale University. Tuggar’s work has been seen as central to the ‘Afro-Futurist’ style and theoretical impulse that gained currency in the mid-1990s as well as to a revitalized and globalized feminist discourse. Afro-futurism denotes the use of the historical past in conjunction with technological innovation to produce aesthetic explorations of the future, fantasy, and possibility for African cultures writ large.

Tuggar is best known for her digitally manipulated and printed collages of her own photographs with found images and text. Often she combined older, sometimes historical images with contemporary scenes and people, conflating past and present and thereby constructing the fantasy aspect of her work. In other instances disparate global spaces converge (Nigeria, the cultural ‘West’, the Middle East), setting up a contemporary investigation of colonialism and post-colonial global realities....