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Lisa Stone

(b Hamilton, AL, Dec 10, 1941; d Atlanta, GA, Nov 22, 1997).

American painter, printmaker, and collector. Brown was raised in Alabama, where his religious upbringing and interest in folk and material culture, comics aesthetics, and vernacular and Art Deco architecture were formative. He moved to Chicago in 1962 and earned a certificate in commercial design prior to studying at the School of the Art Institute of Chicago (SAIC), where he gravitated to pre-Renaissance Italian art, Surrealism, artists Edward Hopper, Grant Wood, and Georgia O’Keeffe, and tribal art. Painter Ray Yoshida and art historian Whitney Halstead were seminal influences at SAIC. Both included folk, popular, and self-taught art within the scope of their teaching.

Brown earned his BFA (1968) and his MFA (1970) at SAIC. Works by Brown and fellow students were recognized by curator Don Baum, who organized spirited ‘Chicago School’ exhibitions at the Hyde Park Art Center (HPAC) from 1966 to 1971; Brown’s work was shown there with the group False Image (...

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(b Warsaw, 1898; d Mexico, March 18, 1980).

American painter of Polish birth. She lived among the wealthy aristocracy in St Petersburg and fled with her husband from the Russian Revolution of 1917. In 1918 she arrived in Paris, where she studied briefly at the Académie de la Grande Chaumière in Montparnasse, before studying under Maurice Denis at the Académie Ranson, and then under André Lhote. Lhote’s theories of composition, his insistence on careful figure studies and the precise application of paint, often using pure colour, provided the groundwork for her own style of freely interpreted Synthetic Cubism. This rapidly became identified with Art Deco and with modernity of style and subject-matter. All her paintings were carefully composed. She made little attempt to create three-dimensional effects, but using hard, angular lines and shapes contrasted against rounded, soft forms, she created a highly stylized view of the world, in particular of the sophisticated society of Paris (e.g. Andromède, 1929...