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Anthony Gardner

(b Singapore, July 12, 1959).

Malaysian conceptual artist, active also in Australia. Gill studied at the University of Western Sydney, completing her MA in 2001. Despite working in a range of media, she is best understood as a process-based artist who has consistently explored notions of migration and transformation within material culture. These include the effects of international trade on such everyday activities as cooking and eating. The spiral form of Forking Tongues (1992; Brisbane, Queensland A.G.), for example, entwines Western cutlery and dried chillies from the Americas and Asia, highlighting how foods and utensils from across the globe have come together to transform local cuisines and inform culinary habits. Gill’s later photographic series refer to other understandings of migration, such as the spread of the English language or of capitalist desire throughout South-east Asia in recent decades. For Forest (1998; Sydney, Roslyn Oxley9 Gallery; see Chua), Gill cut out words and sentences from books written in English, placed the texts within tropical landscapes and photographed the results before the books’ paper began rotting into the humid environment. For ...

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William Main

(b Keboemen, Indonesia, 1915; d Australia, Aug 1985).

New Zealand photographer and decorative artist of Dutch origin. He was educated in the Netherlands and in New Zealand, where he attended the Canterbury School of Fine Arts, Christchurch, in 1939. Shortly after this he gradually withdrew from Western cultural influences and began to draw upon Asian and Polynesian influences for his artistic inspiration. While attempting to trace early examples of Maori art he studied cave drawings in remote parts of New Zealand, and also photographed geothermal formations in the centre of North Island. Influenced by the Maori artist Pine Taiapa, he revived an almost forgotten Maori art form by decorating gourds with intricate moko designs. Finally, he took up the carving of jade ornaments, and his success in this work led to the publication of his book Jade Country (1973). Dissatisfied with the way his work was received, he left New Zealand to live in Indonesia and Australia....