1-2 of 2 results  for:

  • African Art x
  • 1900–2000 x
  • Artist, Architect, or Designer x
  • Nineteenth-Century Art x
  • Architecture and Urban Planning x
  • Writer or Scholar x
Clear all

Article

Gavin Stamp

(b Cobham, Kent, June 9, 1862; d Cobham, Feb 4, 1946).

English architect and writer, also active in South Africa and India . He was articled to a cousin, Arthur Baker, a former assistant of George Gilbert Scott I, in 1879 and attended classes at the Architectural Association and Royal Academy Schools before joining the office of George & Peto in London (1882), where he first met and befriended Edwin Lutyens. Baker set up in independent practice in 1890 but moved to South Africa in 1892 to join his brother Lionel Baker. In Cape Town he met Cecil Rhodes, Prime Minister of the Cape Colony, who directed his attention to the traditional European Cape Dutch architecture of the province and asked him to rebuild his house Groote Schuur (1893, 1897), now the official residence of South Africa’s prime ministers. Applying the ideas of the English Arts and Crafts movement to local conditions, Baker produced a series of houses, both in the Cape Province and the Transvaal, which were instrumental in the revival of Cape Dutch architecture. In ...

Article

Elizabeth Meredith Dowling

(b Johannesburg, Sept 7, 1938).

American architect, teacher, historian, and writer of South African birth. Greenberg’s quiet, gentlemanly demeanor reflected the time-honored traditional and classical architecture he created over four decades. His stylistic choices are rooted in research and aesthetics. His fascination with 18th- and 19th-century American architecture is related to its genesis in the American Revolution and the commitment of those architects to expressing American democratic ideals in architectural form.

Greenberg graduated from King Edward VII School, a private preparatory school in Johannesburg, in 1955. He received a Bachelor of Architecture degree from the University of Witwatersrand, Johannesburg, in 1961. Unlike American architecture schools of the period, his training was classically based and included drawing the historic models of Classical and Gothic architecture from memory. During his apprenticeship, he worked with Jørn Utzon in Hellebæk, Denmark, in 1962 during the design phase of the Sydney Opera House. In 1963, he continued his apprenticeship working with both ...