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Revised and updated by Margaret Barlow

(b Urbana, IL, March 31, 1942).

American performance artist, video artist, and writer. Graham founded the Daniels Gallery in New York and was its director from 1964 to 1965; there he came into contact with Minimalist artists such as Carl Andre, Sol LeWitt, and Donald Judd. This led him to question the gallery structure and the art displayed and to experiment with conceptual art. From 1965 to 1969 he produced a series of works published in magazines, such as Schema (1966; Brussels, Daled priv. col., see 1988 exh. cat., p. 9). This series consisted merely of a descriptive list of its own contents, including the number of words, and so referred to nothing beyond itself, unlike Minimalist art that he believed referred to the surrounding display space. Furthermore, the magazine was, unlike a gallery, clearly related to time and change through its regular appearance and topicality.

From 1969 to 1978 Graham was primarily involved with performance, film, and video. His first performance took place at the Loeb Student Center at New York University in ...

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Denise Carvalho

(b Rio de Janeiro, 1948).

Brazilian interventionist, multimedia, installation and conceptual artist, considered the most influential contemporary artist of his country. While international critics have compared his work with North American Minimalism and Conceptual art, Meireles insisted that art should be seductive. He studied at the National School of Fine Arts and at the Museum of Modern Art in Rio de Janeiro. Coming of age at a time of the military dictatorship in Brazil (1964–85), he circumvented strict state censorship with a series of interventionist works, adding politically charged texts and reinserting the works back into circulation.

Insertions into Ideological Circuits: Coca-Cola Project (1970) included Coca-Cola bottles with the added text ‘Yankees. Go Home!’ In Insertions into Ideological Circuits: Cédula Project (1970), the same message was printed on one dollar bills, and on the current Brazilian currency, the Cruzeiro. Some bills also queried ‘Who killed Herzog?’ referring to a Brazilian journalist who died while in police custody. Meireles’ series utilizes a mechanistic process of capitalistic insertion and circulation, adding phrases that question the methods and policies of the dictatorship. ...