1-2 of 2 results  for:

  • Renaissance/Baroque Art x
  • 300 BCE–CE 500 x
Clear all

Article

Sophie Page

Astrology is the art of predicting events on earth as well as human character and disposition from the movements of the planets and fixed stars. Medieval astrology encompassed both general concepts of celestial influence, and the technical art of making predictions with horoscopes, symbolic maps of the heavens at particular moments and places constructed from astronomical information. The scientific foundations of the art were developed in ancient Greece, largely lost in early medieval Europe and recovered by the Latin West from Arabic sources in the 12th and 13th centuries. Late medieval astrological images were successfully Christianized and were adapted to particular contexts, acquired local meanings and changed over time.

Astrology developed into a scientific branch of learning in ancient Greece, but because of the opposition of the Church Fathers it was transmitted to early medieval Europe in only fragmentary form in technically unsophisticated textbooks and popular divinatory genres. Literary and scientific texts provided more general ideas about the nature and attributes of the planets which were influential on later iconography. The first significant astrological images appear in 11th-century illustrated astronomical texts (e.g. London, BL, Cotton MS. Tiberius BV), which were acquired and produced by monasteries to aid with time-keeping and the construction of the Christian calendar....

Article

F. B. Sear, Dericksen Brinkerhoff and John Pinto

(Tivoli)

The summer palace of the emperor Hadrian, built between AD 118 and 134 and situated on an elevated plateau south-west of Tivoli. Its unusual architecture and wealth of sculpture and mosaics have fascinated artists and scholars since the Renaissance.

F. B. Sear

The buildings on the 120 ha site (see fig. ) were named after such celebrated landmarks as the Lyceum, the Academy, and the Stoa Poikile at Athens (see Augustan History: Hadrian xxvi.5), although they were not precise copies of these monuments, but followed a Republican tradition established by such men as Cicero, who had an Academy and a Lyceum in his villa at Tusculum. The site was fairly level, but high enough to command views of Rome. The ground fell away to the north-east to form a broad, secluded valley known as the Vale of Tempe. In typical Roman fashion all the elements are a blend of art and nature. Practically every group of buildings is organized around a peristyle garden, ranging from the vast, park-like enclosure of the Poikile (a) to the small and intimate garden in the nymphaeum (b), although little is known of their actual plantings (...