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Morgan Falconer

(b Dhaka, Dec 10, 1970).

British film maker of Bangladeshi birth. She studied at Manchester Metropolitan University (1990–92); the Rijksakademie von beeldende Kunsten, Amsterdam (1997–8) and Middlesex University (1995). European avant-garde film has been a major influence on Islam, and her earliest work, dating from the mid-1990s, centred on the material character of film. These interests soon evolved into an examination of how the uncanny intersects with the everyday: Refuse (1996), a set of colour slides mounted on a lightbox, depicts the varied rubbish that was left under a tree over the space of a year. Her more recent work has returned to examining the formal language of film. In Stare Out (Blink) (1998; see Wilson, 2001), the negative image of a woman’s face is projected onto a screen until it disappears with a sudden flash, leaving the viewer with an after-image lingering momentarily on the retina; the work dramatizes the activity of visual memory and the way in which the brain processes information. In the companion piece, ...