1-9 of 9 results  for:

  • South/Southeast Asian Art x
  • Latin American/Caribbean Art x
Clear all

Article

Fernando Carrasco Zaldúa

(de Indias)

City in northern Colombia. It is located on the Caribbean coast in northern Colombia, in the department of Bolívar, with a population in the late 20th century of c. 500,000. Founded in 1533 on a strategically important bay, throughout the colonial period it was the principal port for trade with Spain and the importation of slaves from Africa. This commercial activity and the immediate need to fortify the city from attack were reflected in a rapid consolidation that made it the first well-established site on Colombian territory. It achieved city status in 1575, and ground-floor trading arcades and religious buildings were almost complete by the early 17th century. The cathedral (begun 1575, damaged 1586, restored and completed 1600–21 by Simón Gonzáles (d 1627)) was one of the most influential religious buildings in the Spanish viceroyalty of Nueva Granada. The church of S Pedro Claver (1695–1736), designed by Jesuit architects and the most monumental church in the city, was inspired by Il Gesù in Rome. Opposite it, Palacio de la Inquisición (...

Article

Emerald  

Gordon Campbell

Green variety of Beryl, mined in Upper Egypt and India from antiquity and in Colombia both before and after the Spanish Conquest. Nero is said to have watched gladiatorial contests through an emerald. The two best-known emeralds are the Devonshire Emerald (London, Nat. Hist. Mus.) and the Patricia Emerald (New York, Amer. Mus. Nat. Hist.). The most famous historical emeralds are the 453 emeralds (totalling ...

Article

Gensler  

Sara Stevens

American architectural firm started by Arthur Gensler Drue Gensler, and Jim Follett in 1965 in San Francisco, CA. M. Arthur Gensler jr (b Brooklyn, New York, 1935) attended Cornell University to study architecture (BArch, 1957). The firm began doing build-outs for retail stores and corporate offices, and initially established itself in the unglamorous area of interior architecture. Thirty years later and without mergers or acquisitions, it had grown to become one of the largest architecture firms in the world, having pioneered the global consultancy firm specializing in coordinated rollouts of multi-site building programmes. By 2012 the firm had over 3000 employees in over 40 offices. From the beginning, Art Gensler conceived of a global firm with multiple offices serving corporate clients whose businesses were becoming more international. Instead of the ‘starchitect’ model of his contemporaries such as I. M. Pei or Paul Rudolph, Gensler wanted an ego-free office that existed to serve client needs, not pursue a designer’s aesthetic agenda at the client’s expense. By adopting new web-based computing technologies and integrated design software in the early 1990s, the firm stayed well connected across their many offices and were more able than their competitors to manage large multi-site projects. Expanding from the services a traditional architecture firm offers, the company pushed into new areas well suited to their information technology and interiors expertise, such as organizational design, project management, and strategic facilities planning....

Article

[emerging art markets]

Since the 1980s art markets have developed rapidly outside of Europe and the USA. In the so-called BRIC countries (Brazil, Russia, India, and China) this development has been particularly dynamic. With aggregate sales estimated at €11.5 billion, China is the second largest market for art and antiques in the world after the USA (McAndrew 2014). Works of art made by modern and contemporary artists from all four countries regularly fetch more than $1 million at auction.

The rise of the BRICs has coincided with the global integration of what used to be local art markets: demand for and supply of particular artists or artistic movements may now be dispersed across the globe. The boom which global art markets have witnessed in the new millennium can be attributed partially to new buyers from countries like China and Russia developing an interest in art, both old and new. In describing the emergence of the BRICs, the focus in this article will be on modern and contemporary art, since that is where market development has been most significant, both qualitatively and quantitatively....

Article

Lamanai  

H. Stanley Loten

[Indian Church]

Site of extensive Pre-Columbian Maya settlement in northern Belize, on a low ridge on the west shore of the New River Lagoon at its northern end, where the lagoon drains northwards along a winding jungle river. It is a commanding location that has obvious strategic advantage for the control and exploitation of the river passage north to Chetumal Bay. Archaeological excavations, which have sampled approximately 10% of the structures mapped, indicate that the site was occupied continuously from the middle Pre-Classic period (c. 1000–c. 300 bc) until contact with the Spaniards in 1521. It was previously known as Indian Church, the name still applied to the general locality of the ancient ruins. A major archaeological project was conducted at Lamanai between 1974 and 1986 under the auspices of the Royal Ontario Museum, directed by David Pendergast of the museum and Stanley Loten of Carleton University, Ottawa.

The monumental ceremonial and élite precinct of Lamanai extends along slightly more than 1 km of the lagoon edge, and the site as a whole appears to be contained within an area of 4.5 sq. km on the higher ground along its shore. Within this area, 718 buildings were recorded, most of which appear to be élite ceremonial structures and residences. Test excavations by ...

Article

Linda Mowat

Term for a colourful appliqué blouse worn by Kuna Indian women on the mainland and San Blas Islands of Panama and in the Darien region of north-western Colombia. Mola is the Kuna word for cloth, but it also applies to the woman’s blouse and the front and back panels from which it is made. Mola blouses first appeared in the second half of the 19th century. Although made from European trade cloth, they were an indigenous development, and their complex patterns relate to earlier body paint designs.

Mola panels are hand-stitched, using cutwork and appliqué techniques. Two or more layers of different-coloured fabric are used. Each layer is cut to the shape of the design and stitched to the layer beneath, so that motifs may be outlined in a number of colours. Embroidery is sometimes added to the top layer. The stitching is extremely fine, and no fabric is wasted. The front and back panels of a blouse are usually similar, but never the same. Design subjects include mythological patterns, birds, animals, plants, people and scenes from daily life. Advertisements, magazines, political posters and biblical themes often provide inspiration. The finished front and back panels are made up with a yoke and sleeves of plain or printed fabric....

Article

(b off Port Morant, Jamaica, July 6, 1781; d Barnet, Herts, July 5, 1826).

English colonial administrator. He was educated at the Mansion House School, London, and in 1795 entered the East India Company. In 1800 he became a permanent clerk, and in 1805 he was posted to the presidency of Prince of Wales Island, Malaya (now Penang, Malaysia). During the Napoleonic Wars (1801–15) he took part in the conquest of the Dutch colony of Java and was its lieutenant-governor throughout its British occupation (1811–16). While in office he attempted to reform the Dutch colonial system and thereby improve the conditions of the Javanese population. In 1814 the Buddhist monument of Borobudur (c. ad 800) in central Java was seen for the first time by European visitors. Unlike many 19th-century colonial officials, Raffles did not desecrate the site by removing statuary for his personal collection; he had Borobudur cleared and properly surveyed and in 1815 made the arduous journey to visit the site. In ...

Article

Noémie Goldman and Kim Oosterlinck

Term for the return of lost or looted cultural objects to their country of origin, former owners, or their heirs. The loss of the object may happen in a variety of contexts (armed conflicts, war, colonialism, imperialism, or genocide), and the nature of the looted cultural objects may also vary, ranging from artworks, such as paintings and sculptures, to human remains, books, manuscripts, and religious artefacts. An essential part of the process of restitution is the seemingly unavoidable conflict around the transfer of the objects in question from the current to the former owners. Ownership disputes of this nature raise legal, ethical, and diplomatic issues. The heightened tensions in the process arise because the looting of cultural objects challenges, if not breaks down, relationships between peoples, territories, cultures, and heritages.

The history of plundering and art imperialism may be traced back to ancient times. Looting has been documented in many instances from the sack by the Romans of the Etruscan city of Veii in ...

Article

Gordon Campbell

Close-grained wood taken from the trees of the genera Dalbergia; the traditional source was Brazil, where it is known as Jacaranda; the variety from South and South-east Asia is Indian rosewood (Dalbergia latifolia). The name rosewood alludes to its odour rather than its appearance. It was widely used by cabinetmakers in 19th-century England, France and Germany....