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Article

(Edward)

(b Alfred, ME, July 17, 1883; d San Francisco, Nov 11, 1973).

American photographer. Self-taught, Abbe started to produce photographs at the age of 12. From 1898 to 1910 he worked in his father’s bookshop and then worked as a reporter for the Washington Post, travelling to Europe in 1910. Having earlier produced photographs of ships and sailors for tourist cards, from 1913 to 1917 he worked as a freelance photojournalist in Virginia. In 1917 he set up a studio in New York, where he produced the first photographic cover for the Saturday Evening Post as well as photographs for Ladies Home Journal, the New York Times and other publications. From 1922 to 1923 he worked as a stills photographer, actor and writer for film studios. Though this was mainly for Mack Sennett in Hollywood, he also worked for D. W. Griffiths as a stills photographer on Way Down East (1920) and accompanied Lilian Gish to Italy to provide stills for Griffiths’s ...

Article

Pamela H. Simpson

(b Philadelphia, PA, April 1, 1852; d London, Aug 1, 1911).

American painter, illustrator, and muralist, active also in England. Abbey began his art studies at the age of 14 in his native Philadelphia where he worked with Isaac L. Williams (1817–95). Two years later he enrolled in night classes at the Pennsylvania Academy of Fine Art working under Christian Schussele (1824–1979), but by then Abbey was already a published illustrator. In the 1870s his drawings appeared in numerous publications, but it was his work for Harper & Brothers that proved most important to his career. In 1871 he moved to New York, and in 1878, Harper’s sent him on a research trip to England. He found such affinity with the country that he made it his home for the rest of his life. After 1889 he devoted more time to painting, was elected a Royal Academician in 1898, and in 1902 was chosen by Edward VII (...

Article

Sandra L. Tatman

(Francis)

(b Philadelphia, PA, April 29, 1881; d Philadelphia, PA, April 23, 1950).

African American architect. Born and educated in Philadelphia, Abele was the chief designer in the firm of Horace Trumbauer. Unknown for most of his life, Julian Abele has become renowned as a pioneer African American architect.

Abele attended the Institute for Colored Youth and Brown Preparatory School before enrolling at the Pennsylvania Museum School of Industrial Art, where in 1898 he earned his Certificate in Architectural Drawing and the Frederick Graff Prize for work in Architectural Design, Evening Class Students. Abele then enrolled at the University of Pennsylvania. Again he distinguished himself in the architectural program, and at his 1902 graduation he was awarded the prestigious Arthur Spayd Brooke Memorial Prize. Abele’s work was also exhibited in the Toronto Architectural Club (1901), the T-Square Club Annual Exhibition (1901–2), and the Pittsburgh Architectural Club annual exhibition of 1903.

As an undergraduate Abele worked for Louis C. Hickman (...

Article

Sheila S. Blair and Jonathan M. Bloom

(b. Oakland, CA, 1893; d. Shiraz, Iran, 25 Jan. 1977).

American historian of Iranian art. While studying mathematics at the University of California, Berkeley, Ackerman met and eventually married Arthur Upham Pope, with whom she had taken courses in philosophy and aesthetics. In 1926 she and Pope organized the first ever exhibition of Persian art at the Pennsylvania Museum and helped create the First International Congress of Oriental Art. In 1930 Ackerman was stricken with polio but taught herself to walk again. They were instrumental in preparing the 1931 Persian Art Exhibition at Burlington House, London, and the Second International Congress of Iranian Art and Archaeology, as well as the Third Congress in Leningrad (now St. Petersburg) in 1935 and the exhibition of Iranian art at the Iranian Institute in New York in 1940. She visited Iran for the first time in 1964, when the shah of Iran invited Pope to revive the Asia Institute; it was associated with Pahlavi University in Shiraz until ...

Article

Gordon Campbell

Pittsburgh glasshouse founded in 1851 and active throughout the second half of the 19th century. The factory produced tableware and lamps; its glass included flint glass, lime glass and cut glass and, in the 1870s and 1880s, opal ware.

J. Shadel Spillman: ‘Adams & Company’, Glass Club Bull., 163 (1990–91)...

Article

Jennifer Wingate

[née Pond, Adeline Valentine]

(b Boston, MA, Oct 24, 1859; d Brooklyn, NY, July 1, 1948).

American critic and author. Adams was a vocal proponent of American sculpture during the last decades of civic sculpture’s golden age. She expressed her views on the state of the field in two significant publications, The Spirit of American Sculpture (1923; reissued in 1929) and a chapter in the 1930 edition of Lorado Taft’s History of American Sculpture, as well as in regular contributions to the American Magazine of Art.

Adams was an artist herself, though writing claimed her full attention. While she was in Paris in 1887, she posed for the sculptor Herbert Adams, whom she married two years later. The resulting marble bust (1889; New York, Hisp. Soc. America) was exhibited at the 1893 Chicago World’s Fair, an exposition that Adams hailed for fostering a new ideal of collaboration between architects and sculptors. Adams praised the role that sculpture played in public life and promoted figurative work modeled in the French academic tradition. She admired artists like Daniel Chester French (...

Article

Janet A. Headley

(b West Concord, VT, Jan 28, 1858; d New York, NY, May 21, 1945).

American sculptor. Raised in Fitchburg, MA, he trained at the Institute of Technology in Worcester (subsequently Worcester Polytechnic Institute), the Massachusetts Normal Art School in Boston (now the Massachusetts College of Art and Design) and the Maryland Institute of Art in Baltimore, following an artistic path that mirrored that of many of his contemporaries. Arriving in Paris around 1885, he found a mentor in Antonin Mercié (1845–1916), whose accomplished bronzes evoke Italian Renaissance prototypes. He briefly established his own studio in Paris in 1888, and from 1890 to 1895 he taught at the Pratt Institute in Brooklyn.

Adams won important commissions for public monuments in Boston (clergyman William Ellery Channing, 1904) and New York (William Cullen Bryant, 1911). The latter, located on the grounds of the New York Public Library, features a dignified seated portrait of the poet, editor and advocate of Central Park and the Metropolitan Museum; architect Thomas Hastings (...

Article

Rochelle Berger Elstein

(b Stadtlengsfeld, nr Eisenach, July 3, 1844; d Chicago, April 16, 1900).

American architect and engineer of German birth. His family moved to the USA in 1854, and he trained in Detroit, in the architectural offices of John Schaefer, E. Willard Smith and others. After his family moved from Detroit to Chicago, Adler worked under a German émigré architect, Augustus Bauer (1827–94), and gained valuable training in an engineering company during his military service in the American Civil War. After the war, he worked with O. S. Kinney (d 1868), and later Ashley Kinney, building educational and civic structures in the Midwest. Adler’s ability soon brought him to the attention of an established practitioner, Edward Burling (1818–92), who needed assistance in the aftermath of the Chicago fire of 1871. Burling & Adler’s many buildings include the First National Bank (1871) and Mercantile (1873) buildings and the Methodist Church Block (1872), all designed in Chicago by Adler and all demolished. In ...

Article

Term used to describe a movement of the 1870s and 1880s that manifested itself in the fine and decorative arts and architecture in Britain and subsequently in the USA. Reacting to what was seen as evidence of philistinism in art and design, it was characterized by the cult of the beautiful and an emphasis on the sheer pleasure to be derived from it. In painting there was a belief in the autonomy of art, the concept of Art for Art’s Sake, which originated in France as a literary movement and was introduced into Britain around 1860.

The Aesthetic Movement was championed by the writers and critics Walter Pater, Algernon Charles Swinburne and Oscar Wilde. In keeping with Pater’s theories, the artists associated with it painted pictures without narrative or significant subject-matter. Dante Gabriel Rossetti took his inspiration from Venetian art because of its emphasis on colour and the decorative. This resulted in a number of half-length paintings of female figures, such as the ...

Article

Isabel L. Taube

Late 19th-century movement in the arts and literature characterized by the pursuit and veneration of beauty and the fostering of close relationships among the fine and applied arts. According to its major proponents, beauty was found in imaginative creations that harmonized colours, forms, and patterns derived from Western and non-Western cultures as well as motifs from nature. The Aesthetic Movement gained momentum in England in the 1850s, achieved widespread popularity in England and the USA by the 1870s, and declined by the 1890s.

The principal ideologies and practices of British Aestheticism came to the USA through both educational and commercial channels. As early as 1873, the Scottish stained-glass designer, decorator, and art dealer Daniel Cottier opened a branch of his interior design shop in New York and played a significant role in introducing aesthetic taste and artefacts to Americans. The Philadelphia Centennial Exposition of 1876, with its extensive display of industrial and decorative arts, showcased British Aestheticism and the Japanese ceramics that influenced it. British art magazines and books, especially Charles Locke Eastlake’s ...

Article

Roberto Pontual

(b Vercelli, Italy, 1843; d Rio de Janeiro, 1910).

Brazilian caricaturist and painter. He came to Brazil in 1859, having already acquired some knowledge of painting in Paris. He settled initially in São Paulo, where he at once started to publish caricatures attacking black slavery. There, in 1864, he was one of the founders of the comic newspaper O Diabo Coxo. His abolitionist spirit continued after he moved to Rio de Janeiro, through his frequent collaboration in periodicals such as A Vida Fluminense, O Mosquito, Don Quixote and O Malho. In the Revista Ilustrada he began to publish in 1884 the first long-running strip cartoon in Brazil, the adventures of Zé Caipora, a sertão (hinterland) character, depicting a lesser-known side of Brazil. As a painter he specialized in landscapes but also produced portraits with the same fervour that fired his enjoyable and impassioned satirical drawings, for example Portrait of the Writer Joaquin Augusto Ribeiro de Sousa (c. 1890...

Article

Gordon Campbell

Slip clay that can produce a dark brown glaze. Albany slip was mined near Albany, NY, from the early 19th century, and was used on American stoneware. It is no longer mined commercially, but is imitated by colouring similar clays.

‘Slip Sliding Away’, Ceramics Monthly, 36 (Jan 1988), pp. 57–8...

Article

Elisa García Barragán

(b Marseille; d after 1912).

Italian sculptor and teacher, active in France and Mexico. He began his career in Marseille as a sculptor of the French school, and in 1888 he received an honourable mention at the Salon des Artistes Français, where he exhibited regularly until 1913. He probably moved to Mexico at the end of 1889. He won critical acclaim for his first works there, marble and bronze busts of important Mexican figures. In 1891 the government commissioned him to create statues of national heroes and dignitaries for the Paseo de la Reforma, Mexico City; the statue of Col. Miguel López was exhibited at the World’s Columbian Exposition in Chicago, IL, in 1893 and at the World’s Fair in Atlanta, GA, in 1895, winning prizes on both occasions. This was Alciati’s most dramatic and realist work, and the influence of Rodin is clear. In 1895 he was appointed professor of sculpture, decoration and modelling at the Escuela Nacional de Bellas Artes, Mexico City. At the turn of the century he was commissioned to create, under the direction of ...

Article

Leah Lipton

(b Killingly, CT, Feb 3, 1800; d Florence, March 27, 1880).

American painter and lithographer. He studied briefly with Alexander Robertson (1768–1841) in New York and copied portraits by John Trumbull and Samuel Waldo. From 1821 to 1825 he painted portraits in Killingly, CT, and Providence, RI. He received encouraging advice from Gilbert Stuart in Boston, probably in 1825, and by 1828 was a prominent portrait painter and lithographer there. Portraits such as Mrs Jared Sparks (1830; Cambridge, MA, Harvard U.) demonstrate a well-developed sense of pattern and design but display some deficiency in draughtsmanship, with conventional shapes used to determine the sitter’s features.

From 1831 to 1833 Alexander travelled and painted in Italy. After returning to Boston, he exhibited 39 paintings in 1834 at Harding’s Gallery, many of which were derived from the Italian trip. His unusually theatrical portrait of Senator Daniel Webster (1835; Hanover, NH, Dartmouth Coll., Hood Mus. A.) shows the effect of his exposure to Romanticism; Webster is presented with fiery eyes and wild hair, silhouetted against a dramatic sky. When Dickens visited America in ...

Article

Paul J. Karlstrom

(b San Francisco, CA, c. 1860; d New York, NY, May 16, 1894).

American painter. San Francisco’s first native-born artist, he was among the most intriguing of late 19th-century American painters. Little is known about his short life and career, for which there are only four or five reliable dates. He was the second child of an eastern European Jewish immigrant family that settled in San Francisco sometime before 1860. He received his early art training at the California School of Design, where he studied with Toby Rosenthal (1848–1917), probably in 1872–3. A year or two later he left for Europe for prolonged study in Munich. The first definite date of his career is his arrival in New York in 1883 and subsequent return to San Francisco, where he maintained studios in the financial district for about four years. On 15 April 1887, he sailed by way of Panama for New York City, where, seven years later—ill, poverty-stricken and deeply despondent—he took his life by drinking a carbolic acid ‘cocktail’. Most of what is known about Alexander, other than the evidence of some 30 surviving paintings, appears in the newspaper obituaries reporting his suicide at the age of about 35....

Article

Eleanor Jones Harvey

(b Allegheny, PA, Oct 7, 1856; d New York, May 31, 1915).

American painter and illustrator. He began his career in New York in 1875 as a political cartoonist and illustrator for Harper’s Weekly. In 1877 he went to Paris for his first formal art training, and then to Munich, where he enrolled at the Kunstakademie under Gyuala Benczúr. In 1878 he joined a colony of American painters established by Frank Duveneck in Polling, Bavaria. In 1879 they travelled to Italy, where Alexander formed friendships with James McNeill Whistler and Henry James. In 1881 he returned to New York, working as an illustrator for Harper’s, as a drawing instructor at Princeton and as a highly successful society portrait painter (see fig.). He also exhibited at the National Academy of Design. By 1893 his reputation in both Europe and America had soared, and in 1895 he was awarded a prestigious commission for a series of murals entitled the Evolution of the Book...

Article

Gordon Campbell

(b 1773; d 1855).

American cabinetmaker, active in New York throughout the first half of the 19th century; the principal competitor of his neighbour Duncan Phyfe. Allison’s furniture is characterized by the use of high-quality mahogany and a principled austerity in the use of decoration. His early work is in the Hepplewhite style, and his later work is modelled on Sheraton....

Article

David Steinberg

(b Waccamaw, SC, Nov 5, 1779; d Cambridgeport, MA, July 9, 1843).

American painter. The son of a prominent South Carolina plantation owner of English descent, he began to draw around the age of six, and he moved to his uncle’s home in Newport, RI, at the age of eight. While there he came into contact with the portrait painter Samuel King, but it was the exhibited portraits of Robert Edge Pine that offered him inspiring models of glazing and colouring. Dubbed ‘the Count’ by his Harvard College classmates for his way with fashion, Allston explored alternatives to the portrait tradition with landscapes, as well as with depictions of irrational figures, for example Man in Chains (1800; Andover, MA, Phillips Acad., Addison Gal.). After graduating in 1800, he sold his patrimony to fund study abroad.

In 1801 Allston went with Edward Greene Malbone to London, where he frequented the circle of Benjamin West and studied drawing at the Royal Academy. In late ...

Article

Gordon Campbell

(b 1756; d 1833).

American chair-maker, active in Philadelphia, specializing in Windsor chairs, which were painted or gilded. His relatives (possibly sons) John and Peter Allwine were apprenticed to him. The first family workshop opened on South Front Street in 1791, and the last, on Sassafras Street (now Race Street), closed in 1809, when Lawrence and John migrated to Zanesville, in Muskingum County, OH, they continued to make chairs, and also ran a tavern. Lawrence Allwine is the eponym of the varnish known as ‘Allwine Gloss’....

Article

(b Itu, 1850; d Piracicaba, 1899).

Brazilian painter. Deeply attached to the interior of the state of São Paulo, where he was born, Almeida Júnior returned there as soon as he had finished his studies with, among others, Victor Meirelles de Lima at the Academia Imperial das Belas Artes in Rio de Janeiro. Under the patronage of the Emperor Peter II (reg 1831–89) he travelled to Europe in 1876 to complete his studies with Alexandre Cabanel in Paris. There from 1879 to 1882 he took part in the annual Salon of French Artists. The influence of Courbet’s realism on works produced during his stay in France, such as Brazilian Woodchopper (1879; Rio de Janeiro, Mus. N. B.A.), remained in evidence on his return to Brazil in 1882, especially in his more picturesque paintings.

Although Almeida Júnior worked in many different genres, his most original paintings were those done late in life on rural themes vividly capturing the types and customs of life in the interior of the state of São Paulo. Such pictures as ...