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David S. Brose

Site of a prehistoric village with complex earthworks, which flourished on the banks of Caloosahatchee River near Lake Okeechobee in south Florida, USA. By c. 450 bc the hunter–gatherer occupants had created a 9 m-wide, 350 m-diameter circular ditch to drain a vast garden plot. By c. ad 150 a more complex system of circular and radial ditches enclosed a ceremonial centre with two low, flat-topped mounds. On one of the mounds stood a charnel house in which bodies were prepared for placement on a roughly constructed wooden platform, standing in an artificial pond. The upper platform piers were elaborately carved to represent birds and felines. At the collapse of this platform, c. ad 500, many of the 300 burial bundles were salvaged, placed on the former location of the charnel house and covered with a mound of sand. Several of these reburials were accompanied by incised and stamped platform pipes of a style known as Hopewellian (...

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(b New York, May 27, 1944).

American sculptor, draughtsman, film maker, and environmental artist. As a child she was taken by her father on many visits to early forts, Native American sites, and abandoned mines. In Stuttgart with her family she saw the remains of demolished buildings as well as medieval towns and castle ruins, which left a strong impression. She studied at the University of California, Santa Barbara (BA, 1966), and at the Rhine Art School of Sculpture, Maryland Art Institute, Baltimore (MFA, 1968). On a summer sculpture course at Colorado College, Colorado Springs (1963), she became aware of the work of John Cage, Robert Rauschenberg, and Robert Morris, and of ideas initiated by contemporary Minimalist sculptors and land artists. Her early landscape works dealt primarily with the measurement of distances in relation to a specific location in a temporal work: for example, Untitled (wood, 12×6 ft [3.66×1.83 m] sections at 50 ft [15.25 m] intervals, ...