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John-Paul Stonard

[González-Torres, Félix]

(b Guaimaro, Cuba, Nov 26, 1957; d New York, Jan 9, 1996).

American sculptor and photographer of Cuban birth. He moved in 1979 to New York, where he completed a BFA in photography at the Pratt Institute (1983) and an MFA at the International Center of Photography, New York University (1987), as well as enrolling in the Whitney Museum of American Art Independent Study Program. In 1987 he joined Group Material, a New York-based group of artists whose intention was to work collaboratively, adhering to principles of cultural activism and community education. His own engagement as a gay man with socio-political issues, as well as his exploration of the way in which politics can infiltrate personal life, forms the background to his work, centred around the interaction of public and private spheres. In 1989 he presented his first stacked-paper work, Untitled (Memorial Day Weekend) and Untitled (Veterans Day Sale), exhibited together as Untitled (Monuments) (L. and R. Plehn priv. col., see ...

Article

Susan Snodgrass

(b Madrid, Spain, 1961).

Chicago-based American sculptor also working in photography, video and installation. He received a BA in art and art history and a BA in Latin American and Spanish literature from Williams College in 1983. In 1989 he earned a MFA from the School of the Art Institute of Chicago.

Manglano-Ovalle’s hybrid practice emerged with Tele-vecindario: A Street-Level Video Block Party, a public art project created for Culture in Action, a community-based art program in Chicago in 1992–3. Working with Latino youth in Chicago’s West Town community, an area often challenged by substandard housing, drugs and gang violence, the artist facilitated a multimedia portrait of their lives in which these youth constructed their own images and concept of self. Issues of identity, community and migration, as they relate to both cultural and geographic borders, have been explored throughout his prestigious career that includes collaborative modes of working, as well as individual works sited within the museum or gallery. For Manglano-Ovalle, culture encompasses a broad network of systems—artistic, political, environmental, scientific—in constant dialogue, negotiated by both artist and viewer....