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J.-P. Esther

[Liévin]

(b Ghent, ?1640; d Ghent, ?1720)

Flemish priest, draughtsman and etcher, active also in Italy and France. While living in Wetteren (nr Ghent), he was involved in the completion of the Gothic St Michielskerk in Ghent. The construction of the western tower had been interrupted in 1566 because of religious unrest, and in 1652 steps were taken to complete it. After a Renaissance design was proposed in 1653, Cruyl submitted a drawing in Brabantine Late Gothic style (Ghent, Bib. Rijksuniv.) in 1662. His tower was to have been 134 m high, higher than the north tower of Antwerp Cathedral (1521). However, the project was never realized because of lack of funds. Although unoriginal and of an outdated style, the design had elegance and grandeur.

In 1664 Cruyl left for Rome, where he lived until c. 1670. During this time he drew many views of the city (e.g. 18 sheets, Cleveland, OH, Mus. A.) and etched ten plates representing the ...

Article

Howard Colvin

Term used to describe the survival of Gothic architecture in western Europe, a phenomenon that was more widespread and more prolonged than is generally recognized. Interested in the first manifestations of a new style rather than the last recurrences of an old one, architectural historians have tended to pay too little attention to the persistence of Gothic forms alongside those introduced in the Renaissance. What are often seen as isolated anachronisms prove on investigation to be so numerous and so widespread as to represent an alternative tradition that cannot be dismissed as of no significance. In any case, in northern Europe the assimilation of the Renaissance was a long-drawn-out process that was not fully accomplished until the latter part of the 17th century. Until then much new building, especially in rural areas, was basically medieval in form, though often with classical details added, such as doorways and altarpieces. Each country clung to some different feature from the past that had become too deeply embedded in its architectural consciousness (or sub-consciousness) to be easily dispensed with: in France it was the high-pitched roof sustained by an intricate mass of carpentry; in northern Germany the stepped gable; in England the battlemented parapet; in Scotland the fortified tower-house; in Spain the frenetic elaboration of decoration that, when classicized, became the ...

Article

Term for a style of German architecture in which Gothic-style details are imposed on Renaissance buildings. The name derives from Julius Echter von Mespelbrunn (1545–1617), Bishop of Würzburg, who, in his efforts on behalf of the Counter-Reformation, developed a taste for the earlier architecture of the faith. Examples of the style include the small rose window (...

Article

Bernd Euler-Rolle and Gerhard Schmidt

Augustinian abbey near Linz, Austria. The present Baroque monastic complex was begun in 1686 with the rebuilding of the Gothic collegiate church and early Baroque buildings (1628–32) and was completed in the mid-18th century. The original abbey was built in the 9th century on the site of St Florian’s grave and became an Augustinian foundation in 1071.

Bernd Euler-Rolle

The complex is clearly articulated, with a regular system of closed courtyards, and the church is situated in the traditional location at the northern edge. On the south side of the church is the simple, rectangular conventual courtyard, which was divided into two by the insertion of a theatre in 1731; adjoining this to the south is the large, square prelatial courtyard. The Leopoldine wing between the two was retained from the early Baroque structure.

A presentation sketch of the whole complex by the first architect of the rebuilding project, ...