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John-Paul Stonard

(b Cheshire, July 26, 1956).

English sculptor and photographer. He studied fine art at Bradford School of Art (1974–5) and at Preston Polytechnic (1975–8). Goldsworthy works in the open air with natural materials such as stones, leaves and ice. Like other artists associated with ‘Land Art’, such as Richard Long and Hamish Fulton, he uses photographs as permanent documents of the ephemeral structures left in isolated locations. His sculptures are, as he puts it, ‘there all the time’, their aesthetic and formal qualities revealed by his work in and with the landscape. Changing seasons and weather conditions play a large part, often dictating the possibility of making a work, as well as its final appearance. The changeable British weather gives both transience and urgency to sculptures that can melt, topple over or be blown away. Goldsworthy records his work photographically before such damage occurs. Although most are created outdoors in isolation, he has also produced sculptures for galleries (...

Article

Klaus Ottmann

(b Lima, OH, June 22, 1956).

American installation artist, photographer, and video artist. Hamilton is known for creating complexly structured, highly sensual, site-specific environments that investigate visual and aural relationships with the human body. Hamilton studied textile design at the University of Kansas in Lawrence and sculpture at Yale University School of Art in New Haven. Using a wide range of metaphorical and associative materials, her installations function in the chasm between immediate experience and memory and frequently address the antinomy of creation and destruction in art.

In Privations & Excesses (1989; San Francisco, CA, Capp Street Project), Hamilton sat in a room whose floor was covered with 750,000 pennies, while obsessively wringing her hands in a hat filled with honey and, in an barred space behind her, several sheep grazed. In topos (1993; New York, Dia Center for the Arts), a figure seated in the midst of an expansive sea of interwoven horsehair, fastidiously erased printed letters from a book with a heating coil. In ...

Article

David Spalding

(b Ha Tien, Nov 16, 1968).

Vietnamese conceptual artist. Lê was born near the Cambodian border, but fled with his family when his hometown was invaded by the Khmer Rouge in 1979. Lê moved to Los Angeles and studied photography at the University of California, Santa Barbara and received his MFA from the School of Visual Arts, New York in 1992. In 1989, while at the University of California, Lê enrolled in a class on the Vietnam War (1955–75) that emphasized American hardship. This sparked Lê’s earliest public art project, Accountability, a series of posters that Lê put up on his college campus (reproduced in 1992 for Creative Time, New York, Washington, DC, and Los Angeles). These posters juxtaposed American media images of the Vietnam War with explicit pictures of Vietnamese suffering, accompanied by captions detailing the damage done to Vietnam. The desire to intervene in dominant perceptions of the Vietnam War propelled Lê for much of his artistic career....

Article

Vanina Costa and Lin Barton

(b Bristol, June 2, 1945).

English sculptor, photographer and painter. He studied at West of England College of Art in Bristol (1962–5) and from 1966 to 1968 at St Martin’s School of Art, London, where his fellow students included other artists who were redefining the terms of sculpture in England, among them Hamish Fulton, Jan Dibbets, Gilbert and George, and John Hilliard. Within a year of his departure from St Martin’s, Long was closely associated with the emergence of a new art form, Land art, having already produced such works as A Line Made by Walking (1967; London, Tate), a photograph of the trail left in the grass by walking back and forth in a straight line; another work, England (1968; London, Tate), consists of an X shape made by cutting off the heads of flowers in a field, again presented in the form of a photograph.

Long made his international reputation during the 1970s with sculptures made as the result of epic walks, sometimes lasting many days, to remote parts of the world, including desert regions of Africa as well as Australia, Canada, Japan, Switzerland and Norway. Guided by a great respect for nature and by the formal structure of basic shapes, especially circles, he never allowed facile exotic connotations to intrude into his work, although some of his sculptures evoked the mysterious connotations of ancient stone circles and other such monuments. Different modes of presentation, sometimes combined, were used to bring his experience of nature back into the museum or gallery. These included, above all, photographs documenting the sculptures left behind in their original setting, such as ...

Article

Susan Snodgrass

(b Madrid, Spain, 1961).

Chicago-based American sculptor also working in photography, video and installation. He received a BA in art and art history and a BA in Latin American and Spanish literature from Williams College in 1983. In 1989 he earned a MFA from the School of the Art Institute of Chicago.

Manglano-Ovalle’s hybrid practice emerged with Tele-vecindario: A Street-Level Video Block Party, a public art project created for Culture in Action, a community-based art program in Chicago in 1992–3. Working with Latino youth in Chicago’s West Town community, an area often challenged by substandard housing, drugs and gang violence, the artist facilitated a multimedia portrait of their lives in which these youth constructed their own images and concept of self. Issues of identity, community and migration, as they relate to both cultural and geographic borders, have been explored throughout his prestigious career that includes collaborative modes of working, as well as individual works sited within the museum or gallery. For Manglano-Ovalle, culture encompasses a broad network of systems—artistic, political, environmental, scientific—in constant dialogue, negotiated by both artist and viewer....

Article

Morgan Falconer

(b New York, June 22, 1943; d New York, Aug 27, 1978).

American sculptor, film maker, photographer and draughtsman. The son of painter Roberto Matta, he studied architecture in Ithaca, NY, at Cornell University (1962–8), where he mixed with artists and showed little ability for his chosen subject. There he met Robert Smithson, whose interests in land art and the theory of entropy (concerned with dissipating energy) were a significant influence on him. On completion of his studies he moved to New York and became a well-known figure among artists in SoHo. He is best known for a series of ‘building cuts’ (1972–8) in which he carved sections out of old buildings, treating them (in the manner of modern sculptures) as spatial compositions; see Splitting, 1943–1978. Calling these transformations ‘Anarchitecture’, Matta-Clark carved the buildings up with a chain saw, documenting the changes in films and photographs subsequently exhibited in galleries, often alongside fragments of the buildings themselves. His most celebrated work, ...

Article

Deborah A. Middleton

The first national parks were conceived to preserve the natural wonders of a primeval American wilderness that served as inspiration for American painters and photographers. American landscape architecture and park design were central to the emergence of the National Park System at the end of the 19th century, and the permanent conservation of threatened areas of natural beauty. Photography and landscape painting strongly influenced the aesthetic appreciation of unspoiled nature. Photography informed the construction of pictorial spaces, distances, situated views in unexpected places, lighting, angle of view, framing of the view. The overwhelming experience of America’s natural places influenced painters, such as Thomas Cole, Thomas Moran and Albert Bierstadt, and naturalists, such as John Muir, whose emphasis on the transcendental vision of wilderness began to shape a desire to conserve these places as national symbols of America. Moran’s paintings of Yellowstone Park were influential in designating Yellowstone as America’s first national park on ...