1-3 of 3 results  for:

  • Film and Video x
  • African Art x
  • Artist, Architect, or Designer x
  • Performance Art and Dance x
Clear all

Article

Russell Gullette

(b Johannesburg, May 1968).

South African installation, performance, and video artist and photographer. Geers is part of a generation of African artists who emerged during the global expansion of the art world in the 1990s. Born into a white working-class family, he studied fine arts at the University of the Witwatersrand in Johannesburg from 1985 to 1987. Geers was exiled for refusing to serve in the South African Defence Force in 1989. With the threat of imprisonment removed after the release of Nelson Mandela and other political prisoners in 1990 he returned to Johannesburg. Then in 2000 he moved to Brussels.

Geers has described his artistic position as a TerroRealist. His work features everyday, vernacular materials such as beer bottles, razor wire, pornography, neon signs, and expletives such as ‘shit’ and ‘fuck’. He employed these materials as a means to challenge various manifestations of power, whether state terror, working-class oppression, history, or, at his most poetic, language....

Article

Kristine Stiles

(b Zambesi River, nr Victoria Falls, Rhodesia [now Zimbabwe], Feb 23, 1921; d London, Jan 1, 2006).

British painter, sculptor, conceptual artist, performance artist, video and film maker, of Rhodesian birth. He studied at the Chelsea School of Art, London, from 1946 to 1950. His concern from 1954 was not with the production of art objects as an end in itself but with various processes and consequently with the recording in three dimensions of sequences of events and of patterns of knowledge. In 1958 he introduced torn, overpainted and partly burnt books into assemblages such as Burial of Count Orgaz (1958; London, Tate), followed in 1964 by the first of a series of SKOOB Towers (from ‘books’ spelt backwards), constructed from stacks of venerated tomes such as the Encyclopedia Britannica, which he ignited and burnt. The destruction and parody of systems of knowledge implied in Latham’s work was apparent in 1966, when he organized a party at which guests chewed pages of Clement Greenberg’s book Art and Culture...

Article

Christine Robinson

[Ingrid Mwangi Robert Hutter]

(b Nairobi, 1975).

Kenyan and German performance artist, installation artist, photographer, and video artist. Mwangi’s work addresses notions of cultural difference, social conventions, racial categories, and national identity, primarily through an autobiographical lens. She has often utilized her body as a subject and engaged with questions related to her own African-European heritage. In 2005 Mwangi shifted from a mostly solo practice to a collaborative partnership with her husband, German artist Robert Hutter (b 1964). From that time, the pair has worked and exhibited exclusively under the name IngridMwangiRobertHutter. Together they have explored larger human experiences and universal issues of stereotypes, fear and negotiations between different cultures, genders, nationalities, and religions through multimedia works that have produced cross-cultural dialogues.

Mwangi was raised in Nairobi by a German mother and a Kenyan father. In 1990, as a teenager, she moved with her family to Germany and studied at the Hochschule der Bildenden Künste Saar in Saarbrücken from ...