1-3 of 3 results  for:

  • Artist, Architect, or Designer x
  • Gardens and Landscape Design x
  • American Art x
  • Painting and Drawing x
Clear all

Article

(b Boston, MA, March 26, 1888; d East Hampton, Long Island, NY, Oct 17, 1964).

American painter. He graduated from Yale University, New Haven, CT, in 1912 and from 1919 to 1921 attended a course in landscape design at Harvard Graduate School, Cambridge, MA. In September 1921 he arrived in Paris with his family and soon afterwards saw an exhibition at the Galerie Paul Rosenberg of works by Picasso, Braque, Matisse, and Gris, which inspired him to become a painter. Having no prior training, he took lessons with Natal’ya Goncharova until spring 1922. He soon became involved in the flamboyant lifestyle of Paris in the 1920s and his friends included Picasso, Léger, and Igor Stravinsky. By 1924 he was based at the Villa America in Antibes, and from 1923 to 1926 he exhibited annually at the Salon des Indépendants. Murphy’s output was very small and averaged only about two paintings a year during his short painting life from 1922 to 1929, some of which are lost. One of his most impressive early works is the large-scale ...

Article

Keith N. Morgan

(b New York, Oct 16, 1861; d Cornish, NH, Sept 12, 1933).

American architect, garden designer, etcher, and painter. He was brought up in New York, where he began his artistic training in 1878 at the National Academy of Design and the Art Students League. The following summer he was introduced to the recently revived art of etching, and he quickly achieved critical recognition for his work in this medium. He continued to etch for most of his life, concentrating on coastal scenes in which he strove to capture the atmospheric interaction of light, air, and water. In May 1882 Platt travelled to Paris to continue his training as a painter, working first independently and then after 1883 at the Académie Julian under Jules Lefebvre. Although he exhibited The Etcher (Boston, MA, St. Botolph’s Club) at the Paris Salon of 1885, Platt eventually rejected his figural training and turned back to his youthful interest in landscape. On his return to New York, he continued to exhibit his paintings and etchings, and in ...

Article

Janet Marstine

(b Woodstown, NJ, Nov 6, 1876; d New York, May 1, 1953).

American painter, illustrator, designer, playwright, and film director. He studied industrial design at the Spring Garden School in Philadelphia from 1888 to 1890. In 1893 he became an illustrator at the Philadelphia Press. Simultaneously he attended the Pennsylvania Academy of Fine Arts, Philadelphia, where he met Robert Henri, John Sloan, William J. Glackens, and George Luks. Their style of urban realism prompted him to depict the bleak aspects of city life. In 1897 Shinn moved to New York and produced illustrations for several newspapers and magazines, for example Mark Twain (March 1900; see Perlman, p. 80), a frontispiece for The Critic. He also drew sketches for a novel by William Dean Howells on New York; although the novel was not published, Shinn’s drawings brought him national recognition.

Shinn’s work changed radically when, on a trip to Paris in 1901, he was inspired by the theatre scenes of Manet, Degas, and Jean-Louis Forain. He began to paint performers in action, from unusual vantage points, as in ...