Venezuelan painter and sculptor. From 1943 to 1947 he studied drawing and painting in the Escuela de Artes Plásticas y Aplicadas, Caracas. He was a founder-member of the Taller Libre de Arte, taking part in its activities from 1949 to 1952. His paintings, always within a figurative framework, are marked by a pursuit of the magical and of indigenous roots. In his early work he was interested in the themes of roosters and flowers, using the surrounding environment as a source of inspiration. He expressed human, animal and vegetable existence in strong, warm colours (e.g. ...
María Antonia González-Arnal
Carlos Lastarria Hermosilla
Chilean sculptor. From 1902 to 1939 he lived in Germany; he studied under Franz Metzner in Berlin. On his return to Chile, he taught at a private school and then taught sculpture in the Academia Particular of the Universidad de Chile in Santiago, also executing important works such as the tomb of President Pedro Aguirre Cerda (...
Elisa García Barragán
Italian sculptor and teacher, active in France and Mexico. He began his career in Marseille as a sculptor of the French school, and in 1888 he received an honourable mention at the Salon des Artistes Français, where he exhibited regularly until 1913. He probably moved to Mexico at the end of ...
Sofia Hernández Chong Cuy
American installation artists, active also in Puerto Rico. Jennifer Allora (b Philadelphia, 20 March 1974) graduated with a bachelor’s degree in art from the University of Richmond, Virginia (1996) and Guillermo Calzadilla (b Havana, Cuba, 10 Jan 1971) graduated with a Bachelor of Fine Arts from the Escuela de Artes Plastica in San Juan, Puerto Rico (...
Ecuadorean sculptor and engraver. He studied sculpture at the Escuela de Bellas Artes in Quito, graduating in 1932. He was a pupil of Luigi Cassadio (fl 1915–33), an Italian sculptor who stimulated sculptural activity in the school and whom Andrade succeeded as professor. With his ...
American performance artist and sculptor. Antoni studied sculpture at the Rhode Island School of Design in Providence. Antoni drew attention to herself in 1993 during a performance (Loving Care) at the Anthony d’Offay Gallery in London where, dressed in a black catsuit, she dipped her long hair repeatedly into a bucket filled with hair dye, and using her hair as a paint brush, mopped the gallery floor on her hands and knees. Her performance was reminiscent of Yves Klein’s 1960s ...
Myriam A. Ribeiro de Oliveira and Liliana Herrera
See Lisboa family
Monica E. Kupfer
Panamanian sculptor and painter. He studied at the Accademia di Belle Arti in Florence (1949–54) and at the Real Academia Catalana de Bellas Artes de San Jorge in Barcelona (1955–60). On his return to Panama City he became the first professor of sculpture at the Escuela Nacional de Artes Plásticas from ...
François-Auguste de Montêquin
Mexican architect and sculptor of Spanish birth. In 1541 he moved from his native city to Madrid, where he served as an apprentice to Luis de Vega, one of the architects working in the High Renaissance style for Emperor Charles V. Arciniega worked with Vega in the remodelling of the Alcázar at Madrid. At intervals between ...
(b Hacienda de San Juan Bautista, Durango, Mar 15, 1890; d Mexico City, Dec 21, 1965).
Mexican sculptor. He served in the Mexican Revolution before enrolling in the Academia de S. Carlos, continuing his studies from 1919 at the École des Beaux-Arts in Paris. On his return to Mexico in 1921, he began a fruitful career as teacher and artist, applying an academic naturalism to official public monuments of nationalist inspiration such as monument to the Fatherland (1924; Mexico City, Mus. N. Hist.). His most ambitious works relating to the revolution are the monument to Obregón (1933; Mexico City, Avenida Insurgentes), Proletarian Family (1934; Mexico City, Inst. Poli. N.), and the monument to Francisco Villa (1957; Chihuahua, Avenida División del Norte). He also treated other subjects, such as female nudes and portraits, sometimes in wood or cast bronze, which contain reference to Pre-Columbian art. Essentially he was an artist resistant to change, a staunch and honorable traditionalist.Nelken, M. Ignacio Asúnsolo. Mexico City, 1957....