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Frazer Ward

(Hannibal)

(b New York, Jan 24, 1940).

American poet, performance, video, and installation artist, and urban designer. Acconci worked for an MFA degree at the University of Iowa from 1962 to 1964. He initially devoted himself to poetry and writing that emphasized the physicality of the page and then began to produce visual work in real space in 1969. He worked as a performance artist from 1969 until 1974. His performance work addressed the social construction of subjectivity. A central work, Seedbed (1972; New York, Sonnabend Gal.), saw Acconci masturbate for six hours a day, hidden under a sloping gallery floor, involving visitors in the public expression of private fantasy. Between 1974 and 1979 he made a series of installations often using video and especially sound, mainly in gallery spaces, examining relations between subjectivity and public space. For Where We Are Now (Who Are We Anyway) (1976; New York, Sonnabend Gal.), a long table in the gallery and recorded voices suggested a realm of public or communal debate, but the table extended out of the window over the street like a diving board, countering idealism with the realities of city life. In the 1980s Acconci made sculptures and installations, many viewer-activated, invoking basic architectural units and domestic space. ...

Article

Sofia Hernández Chong Cuy

American installation artists, active also in Puerto Rico. Jennifer Allora (b Philadelphia, Mar 20, 1974) graduated with a bachelor’s degree in art from the University of Richmond, Virginia (1996), and Guillermo Calzadilla (b Havana, Cuba, Jan 10, 1971) graduated with a Bachelor of Fine Arts from the Escuela de Artes Plastica in San Juan, Puerto Rico (1996). Allora and Calzadilla met in Italy in 1995 during a study abroad program in Florence. They then lived together in San Juan for a year before moving to New York City where they started working collaboratively while each participated in different residency and study programs. In 1998–1999, Allora participated in the year-long Whitney Independent Study Program, while Calzadilla participated in the P.S.1 Contemporary Arts Center National Studio Program.

Allora & Calzadilla’s first important international exhibition was the XXIV Bienal de São Paulo in 1998 curated by Paulo Herkenhoff, which investigated the idea of cultural cannibalism known in Brazilian literature as ...

Article

John-Paul Stonard

(James)

(b Wigan, Oct 30, 1971).

English sculptor and film maker. He graduated from Winchester School of Art in 1993 and in 1995 had his first solo exhibition in London, showing a single work, KN120, which consisted of a large ceiling fan installed under London’s Westway and wired to his studio. He was awarded the ICA/Toshiba Art & Innovation Prize in 1996. For the exhibition Something Else (London, Exmouth Market, 1996), Almond displayed A Real Time Piece, a video-projected live satellite broadcast from his West London studio to the exhibition venue. His absence from the studio was highlighted by the amplified time-keeping of an industrial flip-clock. He repeated this procedure on 7 May 1997 for the installation HMP Pentonville (London, ICA), this time broadcasting live from an empty cell in Pentonville Prison to a gallery space. Both these works indicate his preoccupation with questions of time and endurance. Fan (wood, plastic, micro-processors, paints and motors, approx. diam. 4.5 m, ...

Article

Christiane Paul

(b Buffalo, NY, May 25, 1978).

American computer artist, performance artist, video artist, installation artist, composer, sculptor, and printmaker. He graduated in 2000 from the Oberlin Conservatory of Music, where he originally studied classical guitar but later switched to the technology of music. At Oberlin he also met Paul B. Davis with whom he formed the Beige Programming Ensemble in 2000, and released a record of 8-bit music entitled The 8-Bit Construction Set. In 2010 he co-founded, with Howie Chen and Alan Licht, the band Title TK.

Arcangel’s body of work has consistently addressed a series of themes, such as the manner in which we express ourselves through technological tools and platforms (from Photoshop to YouTube) in funny, original, creative, and awkward ways. His projects often explore our fascination with technology by playfully undermining our expectations of it and limiting viewers’ control. Another theme that frequently surfaces is the speed of technological obsolescence and the absurdity of a given technology’s lifecycle, which often moves from the cutting-edge of design to an insult of good taste (see Siegel, pp. 81–2). Arcangel connects these themes to the history of art, drawing parallels between pop-cultural vernacular and approaches in the fine art world and combining high tech and do-it-yourself (DIY) approaches. Among his best-known works are his hacks and modifications of Nintendo game cartridges and obsolete computer systems from the 1970s and 1980s (...

Article

Frazer Ward

(b San Francisco, CA, 1967).

American sculptor, installation artist, filmmaker, and video artist. Barney emerged in the early 1990s to considerable fanfare, based on the reputation of works made while still an undergraduate at Yale University (he graduated with a BA in 1989), and early exhibitions in New York galleries. Exhibitions such as Field Dressing (1989; New Haven, CT, Yale, U., Payne Whitney Athletic Complex), and early works in the series Drawing Restraint (begun in 1987), established characteristics of Barney’s work: striking imagery drawn from an idiosyncratic range of sources (sport-oriented in the earliest works), sculptural objects in signature materials (e.g. petroleum jelly, ‘self-lubricating plastic’), and athletic performances by the artist, in the service of arcane personal mythology (see fig.). These characteristics are most fully expressed in the Cremaster cycle of five films (1994–2003, released out of order, beginning with Cremaster 4 (1992)). Elaborate and expensive productions featuring lush imagery, drawing on both marginal and mainstream histories (performance art and Hollywood cinema), Celtic and Masonic lore, popular cultural references (Harry Houdini, Gary Gilmore), and anatomical metaphors (the Cremaster is the muscle by which the testicles are raised and lowered), the ...

Article

Deborah Cullen

(b Los Angeles, CA, Aug 12, 1933).

African American filmmaker, sculptor, printmaker and archivist of African American culture. Camille Billops received her BA from California State College and her MFA from the City College of New York. A visual artist, filmmaker and archivist, Billops’s darkly humorous prints and sculpture have been exhibited internationally, including at the Cooper-Hewitt Museum of Design, the New Museum and the Bronx Museum, New York; the Library of Congress, Washington, DC; Clark College, Atlanta University; the Chrysler Museum of Art, Norfolk, VA; Museo de Arte Moderno La Tertulia, Cali, Colombia; Gallerie Akhenaton, Cairo, Egypt; the American Center, Karachi, Pakistan; and the American Cultural Center, Taipei, Taiwan. Billops received a Percent for Art commission in New York and was a long-time member of Robert Blackburn’s Printmaking Workshop (PMW), traveling to establish the first summer printmaking workshop in Asilah, Morocco, with the PMW delegation.

As a filmmaker, Billops earned a National Endowment for the Arts award. Her films have been shown on public television and at the Museum of Modern Art, New York. She collaborated with photographer James Van Der Zee (...

Article

Naomi Beckwith

(b Fulton, MO, Feb 4, 1959).

American sculptor and multimedia artist working in fibre, installation, video, and performance. The youngest of seven sons born into a central Missouri family, Cave demonstrated an early acumen with hand-made objects and throughout his career has created works out of texturally rich materials imbued with cultural meaning. Cave received his BFA (1982) from the Kansas City Art Institute, developing an interest in textiles and, after some graduate-level work at North Texas State University, received his MFA (1989) from the Cranbrook Academy of Art, renowned for their textile, fibre art, and design programmes. While working toward his art degrees, Cave simultaneously studied with the Alvin Ailey Dance Theater, a company known for introducing African American folk traditions into the modern dance vocabulary. Cave moved to Chicago where he became chair of the Department of Fashion Design at the School of the Art Institute in 1980.

Working across the disciplines of sculpture, textile, dance, and cultural performance, Cave’s oeuvre is based on the human figure; he has produced wearable art as sculptures, arrangements of human and animal figurines as installations, and performance works. Cave’s signature works, the multi-sensory ‘...

Article

dele jegede

(b Buguma, 1958).

Nigerian sculptor, painter, and film maker, active in England. Born in Nigeria, Douglas Camp grew up in England but continued to visit Nigeria regularly. She was educated at the California College of Arts and Crafts, Oakland, CA, (1979–80) and the Central School of Art and Design, London (1980–83), receiving a BA (Hons) in sculpture. From 1983 to 1986 she studied at the Royal College of Art in London, graduating with the MA degree in sculpture. She made her first steel sculpture, Church Ede, a rendering of a Kalabari funeral bed, after her father’s death in 1984. She then began to portray other elements of ritual life, such as masqueraders and their audiences, as in Kalabari Masquerader with Boat Headdress (1987). During the late 1980s and throughout the 1990s she worked almost exclusively in steel, often animating the pieces, as in Festival Boat (1985...

Article

John-Paul Stonard

(b Washington, AR, July 10, 1940).

Native American Cherokee sculptor, performance artist, and video artist. In 1968 he moved to Geneva, where he attended the Ecole des Beaux-Arts in 1972. After his return to the USA he lived on the Pine Ridge Reservation in South Dakota and played an active part in the American Indian Movement; he also served from 1975 to 1979 as the executive director of the International Indian Treaty Council in New York. He left both organizations in 1980. Durham’s sculptures and installations can be seen against a background of activism, in which he records the plight of Native Americans in the face of Western colonial culture. His sculptures, bricolages of found objects, often take the form of vivid anthropomorphic constructions, appearing as ironic fetishes in an ethnographic display. Durham often includes words that provide witty if inconclusive suggestions of the type of protest that he is staging, as in the wall-mounted work ...

Article

John-Paul Stonard

(Karima)

(b London, July 3, 1963).

English sculptor, painter, draughtsman, video artist and installation artist. She studied at Maidstone College of Art (1983–6), and at the Royal College of Art in London (1987–9). In January 1993 she embarked on a six-month collaborative project with the artist Sarah Lucas, The Shop, in the Bethnal Green district of London, selling art objects in the style of bric-a-brac. Her first solo exhibition, My Major Retrospective, (London, White Cube Gal., 1993), provided the public platform for her subsequent success. Emin’s aptitude for self-promotion was demonstrated by the opening, in 1995, of the Tracey Emin Museum in South London, which she ran as a showcase for her work until 1998. She was shortlisted for the Turner Prize in 1999.

Emin achieved notoriety both in the art world and in the popular press as the enfant terrible of British art, a result not only of her outlandish behaviour but also of her starkly confessional work, based on an unorthodox upbringing and turbulent private life. In ...