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Nelly Perazzo

(b Rosario, March 20, 1926).

Argentine sculptor. His father was a sculptor, and Iommi studied in his father’s workshop and attended metalwork courses. He was a founder-member of the Asociación Arte Concreto Invención and is one of the most representative Constructivist sculptors in Argentina. In 1954 he created Continual Forms (white concrete, 2.0×0.8×1.2 m), a sculpture for a house in La Plata designed by Le Corbusier. His highly formal work was characterized at first by an economy of means, rigorous logic and dynamic rhythms and tensions, with an intelligible and rational structure of form that was optimistic in tone. It was with such works that he won a gold medal in Brussels at the Exposition Universelle et Internationale in 1958, took part in the exhibition Concret Art at the Kunsthaus, Zurich, in 1958, and participated hors concours in the São Paulo Biennale in 1961 and Venice Biennale in 1964.

Iommi completely changed direction in 1977...

Article

Jorge Glusberg

[Fallik, Fernando ]

(b Košice, Czechoslovakia [now Slovak Republic], 1924).

Argentine sculptor, theorist and poet of Slovak birth. A resident of Argentina from 1928, he studied at the Escuela Nacional de Bellas Artes ‘Manuel Belgrano’ in Buenos Aires, and in 1944 he collaborated with Joaquín Torres García and the Argentine poet Edgar Bayley (1919–90) on the magazine Arturo (one issue only), which proposed geometric abstraction for the first time in Argentina. He was also a leading figure of Arte Madí, together with Carmelo Arden Quin (b 1913). During this period he produced his first articulated mobiles (e.g. Royi, 1944; see Glusberg, p. 73), which involved the active participation of the spectator, and early examples of sculptures made of neon (e.g. Madí Aluminium Structure No. 3, 1946;). Like his colleagues in Arte Madí, he proposed the radical autonomy of the art object, and in his later work he explored the possibilities of a diverse range of materials, including even water in his ...