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[Arab. Sahara’ al-Gharbiyah ; formerly Spanish Sahara]

Desert region on the north-west coast of Africa. It is bordered by Morocco to the north, by Algeria to the north-east and by Mauritania to the east and south. Comprising a geographical area of c. 226,000 sq. km, Western Sahara consists of two regions: Saguia al-Hamra in the north and Wadi al-Dhahab (Rio de Oro) in the south. There is little agriculture, and most of the population (c. 75,000) is nomadic. In the late 1980s about a quarter of the population were employed in the extraction of phosphate. Hassaniyya, an Arabic dialect, is the language of the majority, although the national languages are Arabic and Spanish.

The Neolithic rock art found at, for example, Saguia al-Hamra suggests that hunting and pastoral groups once lived in this area. By the 4th century bc trading links with the Mediterranean region had been established. In medieval times the area was occupied by Sanhadja ...

Article

S. J. Vernoit

( Louis Marie Joseph )

(b Paris, Dec 18, 1887; d Neuilly-sur-Seine, April 20, 1971)

French historian of Islamic art. Son of Maxime Wiet and Berthe Rousseau and descendant of the English poet Sir Thomas Wyatt, from 1905 to 1908 Wiet studied Arabic, Persian and Turkish and Islamic history at the Ecole Nationale des Langues Vivantes, Paris, as well as acquiring a degree in law. In 1909 he joined the French Institut d’Archéologie Orientale in Cairo, where he met the orientalists Louis Massignon, Jean Maspéro, Max van Berchem , Henri Massé, René Basset, René Dussaud, Maurice Gaudefroy-Demombynes and William Marçais. In 1911 he was appointed professor of Arabic at the University of Lyon. He continued there until 1926, interrupted when he lectured on Arabic literature at the Egyptian University of Cairo and fought in World War I, receiving the croix de guerre for bravery. A member of the Académie des Inscriptions et Belles-Lettres since 1925, Wiet continued the publication of van Berchem’s corpus of Arabic inscriptions. In ...

Article

Sheila R. Canby

( Kyrle )

(b London, Oct 13, 1897; d Sharon, CT, April 18, 1986).

American archaeologist, curator and collector . Trained as an artist at the Slade School, University College, London, in 1920 he joined the graphic section of the Egyptian Expedition to Thebes, organized by the Metropolitan Museum of Art, New York. During the 1920s and 1930s Wilkinson painted facsimiles of Egyptian tomb paintings in the museum collection, and he joined museum excavations in the Kharga Oasis (Egypt) and Qasr-i Abu Nasr and Nishapur (Iran). Transferred to the curatorial staff of the museum in 1947, he became curator in 1956 of the new Department of Ancient Near Eastern Art, which merged with the Department of Islamic Art in 1957. Through his energetic collaboration on major excavations at Hasanlu, Nimrud and Nippur, Wilkinson greatly expanded the Ancient Near Eastern collections at the Metropolitan Museum. After his retirement from the museum in 1963, he taught Islamic art at Columbia University and was Hagop Kevorkian Curator of Middle Eastern Art and Archaeology at the Brooklyn Museum, New York (...

Article

Catherine M. Grant

(b Alexandria, Egypt, Jan 15, 1928; d London, June 1, 1988).

English painter and draughtsman of Egyptian birth. Having moved with his family to England in 1932, he studied at the Guildford School of Art (1948–9), and at the Slade School of Fine Art, London (1949–54). As a student he met Francis Bacon and admired the work of Picasso and Matisse. His early paintings such as Standing Nude (c. 1952–3; London, Tate Gal.), are figurative. In 1957 he moved to Portugal with Paula Rego, whom he married in 1959. He painted very little during his time in Portugal and subsequently destroyed much of the work of that period. When he and his family returned to London in 1974, settling permanently there, he began to paint again as a way of supporting himself. The paintings from the late 1970s were made after hallucinating the images, possibly a side-effect from the drugs he was taking at the time for multiple sclerosis. The triptych ...

Article

Susan Roaf

[Arab. bādahanj, malqaf; Pers. bādgīr]

Traditional form of natural ventilation and air-conditioning built on houses throughout the Middle East from North Africa to Pakistan. Constructed at least since the 2nd millennium bc in Egypt, wind catchers have also been used to cool caravanserais, water cisterns and mosques. Consisting of an open vent built on the roof facing into or away from the prevailing wind, wind catchers have shafts carrying the air down through the roof into the living area below, thereby ventilating and cooling the spaces. Wind catchers are generally placed above the summer rooms of courtyard houses. On the Iranian plateau, where the finest wind catchers are built, the vents are in the tops of brick towers which capture the faster airstreams above the general roof level. When there is little air movement, as on summer afternoons, the wind catcher acts as a chimney, drawing warm air up the shaft and through the living areas from the courtyard. In coastal settlements, towers generally face onshore winds. Most inland towers also face prevailing winds but in some desert settlements in the Yazd region of central Iran, where the prevailing wind is hot and dusty, vents similarly face away from the wind, and the preferred air from the courtyard is drawn through the summer rooms. In Iraq and central Iran, wind catchers are important in moderating the climate of the deep basements used as summer living rooms. In the Gulf and in Sind (the lower Indus region) wind catchers serve ground- and first-floor summer rooms....

Article

Iain Browning

(b ?Riverstown Castle, Co. Meath, c. 1717; d London, Sept 9, 1771)

British traveller and antiquarian . Wood’s antecedents and education are unclear, although he reputedly graduated at Oxford. However, Lord Ronald Gower despised his ‘mean birth’ and Robert Adam carped about his having been ‘a surgeon lad in Glasgow’, while Joseph Foster’s Alumni Oxonienses does not mention his name. Even so, Horace Walpole considered him ‘an excellent classic scholar’ with ‘taste and integrity’. According also to Walpole, Wood was ‘originally a travelling tutor’, a cicerone for those on the Grand Tour .

In Rome in 1749 he joined company with James Dawkins , a rich Jamaican plantation owner, and John Bouverie . Together they planned to journey to Syria and there to ‘rescue from oblivion the magnificence of Palmyra’. They had in mind to take views and architectural drawings of the ancient buildings such as had been done in Rome by Antoine-Baruty Desgotetz (1653–1728) and Charles-Louis Clérisseau. To make these drawings of ruined Palmyra, they retained the Piedmontese architectural draughtsman ...

Article

Helen M. Strudwick, Claude Vandersleyen, Dimitris Plantzos, William A. Ward, William H. Peck, Dominic Montserrat, John Baines, Gay Robins, J. Ruffle, Lise Manniche, Rosemarie Klemm, Jean-Luc Chappaz, Joachim Śliwa, Gillian Vogelsang-Eastwood, Ann Bomann, R. G. Morkot, Peter Lacovara, Delia Pemberton, Rita E. Freed, Philip J. Watson, Robert S. Bianchi, Henry G. Fischer, Jaromir Malek, S. Curto, Nadine Cherpion, James F. Romano, Karol Mysliwiec, Richard A. Fazzini, Edna R. Russmann, Eleni Vassilika, updated by Dimitris Plantzos, Edda Bresciani, Claude Traunecker, T. G. H. James, W. J. Tait, J. H. Taylor, Dorothea Arnold, Jack Ogden, Jean Vercoutter, Carol Andrews, Donald P. Ryan, E. Finkenstaedt, Paul T. Nicholson, Rosemarie Drenkhahn, Willemina Z. Wendrich, Robert Anderson, Barbara G. Aston and Morris Bierbrier

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Article

Xanthos  

Henri Metzger and Thorsten Opper

Site in south-west Turkey, once the principal city of ancient Lycia. Xanthos flourished from the 7th century bc to Byzantine times, and its ruins occupy an impressive situation on a steep cliff above the River Xanthos near the modern village of Kınık. Inside the ancient city walls the two main areas are the Lycian acropolis and above this the later, Roman acropolis. Exploration of the site began in the mid-19th century after its rediscovery by the English traveller and archaeologist Sir Charles Fellows (1799–1860). Many of the important remains are in the British Museum, London.

Until the Macedonian conquest in 334 bc the architecture of Xanthos and the nearby Sanctuary of Leto (Letoön) demonstrated three main influences: Lycian or Anatolian, Persian and Greek. Though the first generally appeared before the others, they do not represent distinct chronological phases. From the end of the 4th century bc, however, the architecture of Xanthos and the Letoön conformed to the general evolution of the Hellenistic, Roman, then Byzantine Near East....

Article

Helen M. Strudwick, Claude Vandersleyen, Dimitris Plantzos, William A. Ward, William H. Peck, Dominic Montserrat, John Baines, Gay Robins, J. Ruffle, Lise Manniche, Rosemarie Klemm, Jean-Luc Chappaz, Joachim Śliwa, Gillian Vogelsang-Eastwood, Ann Bomann, R. G. Morkot, Peter Lacovara, Delia Pemberton, Rita E. Freed, Philip J. Watson, Robert S. Bianchi, Henry G. Fischer, Jaromir Malek, S. Curto, Nadine Cherpion, James F. Romano, Karol Mysliwiec, Richard A. Fazzini, Edna R. Russmann, Eleni Vassilika, updated by Dimitris Plantzos, Edda Bresciani, Claude Traunecker, T. G. H. James, W. J. Tait, J. H. Taylor, Dorothea Arnold, Jack Ogden, Jean Vercoutter, Carol Andrews, Donald P. Ryan, E. Finkenstaedt, Paul T. Nicholson, Rosemarie Drenkhahn, Willemina Z. Wendrich, Robert Anderson, Barbara G. Aston and Morris Bierbrier

In 

Article

Helen M. Strudwick, Claude Vandersleyen, Dimitris Plantzos, William A. Ward, William H. Peck, Dominic Montserrat, John Baines, Gay Robins, J. Ruffle, Lise Manniche, Rosemarie Klemm, Jean-Luc Chappaz, Joachim Śliwa, Gillian Vogelsang-Eastwood, Ann Bomann, R. G. Morkot, Peter Lacovara, Delia Pemberton, Rita E. Freed, Philip J. Watson, Robert S. Bianchi, Henry G. Fischer, Jaromir Malek, S. Curto, Nadine Cherpion, James F. Romano, Karol Mysliwiec, Richard A. Fazzini, Edna R. Russmann, Eleni Vassilika, updated by Dimitris Plantzos, Edda Bresciani, Claude Traunecker, T. G. H. James, W. J. Tait, J. H. Taylor, Dorothea Arnold, Jack Ogden, Jean Vercoutter, Carol Andrews, Donald P. Ryan, E. Finkenstaedt, Paul T. Nicholson, Rosemarie Drenkhahn, Willemina Z. Wendrich, Robert Anderson, Barbara G. Aston and Morris Bierbrier

In 

Article

Helen M. Strudwick, Claude Vandersleyen, Dimitris Plantzos, William A. Ward, William H. Peck, Dominic Montserrat, John Baines, Gay Robins, J. Ruffle, Lise Manniche, Rosemarie Klemm, Jean-Luc Chappaz, Joachim Śliwa, Gillian Vogelsang-Eastwood, Ann Bomann, R. G. Morkot, Peter Lacovara, Delia Pemberton, Rita E. Freed, Philip J. Watson, Robert S. Bianchi, Henry G. Fischer, Jaromir Malek, S. Curto, Nadine Cherpion, James F. Romano, Karol Mysliwiec, Richard A. Fazzini, Edna R. Russmann, Eleni Vassilika, updated by Dimitris Plantzos, Edda Bresciani, Claude Traunecker, T. G. H. James, W. J. Tait, J. H. Taylor, Dorothea Arnold, Jack Ogden, Jean Vercoutter, Carol Andrews, Donald P. Ryan, E. Finkenstaedt, Paul T. Nicholson, Rosemarie Drenkhahn, Willemina Z. Wendrich, Robert Anderson, Barbara G. Aston and Morris Bierbrier

In 

Article

Helen M. Strudwick, Claude Vandersleyen, Dimitris Plantzos, William A. Ward, William H. Peck, Dominic Montserrat, John Baines, Gay Robins, J. Ruffle, Lise Manniche, Rosemarie Klemm, Jean-Luc Chappaz, Joachim Śliwa, Gillian Vogelsang-Eastwood, Ann Bomann, R. G. Morkot, Peter Lacovara, Delia Pemberton, Rita E. Freed, Philip J. Watson, Robert S. Bianchi, Henry G. Fischer, Jaromir Malek, S. Curto, Nadine Cherpion, James F. Romano, Karol Mysliwiec, Richard A. Fazzini, Edna R. Russmann, Eleni Vassilika, updated by Dimitris Plantzos, Edda Bresciani, Claude Traunecker, T. G. H. James, W. J. Tait, J. H. Taylor, Dorothea Arnold, Jack Ogden, Jean Vercoutter, Carol Andrews, Donald P. Ryan, E. Finkenstaedt, Paul T. Nicholson, Rosemarie Drenkhahn, Willemina Z. Wendrich, Robert Anderson, Barbara G. Aston and Morris Bierbrier

In 

Article

Helen M. Strudwick, Claude Vandersleyen, Dimitris Plantzos, William A. Ward, William H. Peck, Dominic Montserrat, John Baines, Gay Robins, J. Ruffle, Lise Manniche, Rosemarie Klemm, Jean-Luc Chappaz, Joachim Śliwa, Gillian Vogelsang-Eastwood, Ann Bomann, R. G. Morkot, Peter Lacovara, Delia Pemberton, Rita E. Freed, Philip J. Watson, Robert S. Bianchi, Henry G. Fischer, Jaromir Malek, S. Curto, Nadine Cherpion, James F. Romano, Karol Mysliwiec, Richard A. Fazzini, Edna R. Russmann, Eleni Vassilika, updated by Dimitris Plantzos, Edda Bresciani, Claude Traunecker, T. G. H. James, W. J. Tait, J. H. Taylor, Dorothea Arnold, Jack Ogden, Jean Vercoutter, Carol Andrews, Donald P. Ryan, E. Finkenstaedt, Paul T. Nicholson, Rosemarie Drenkhahn, Willemina Z. Wendrich, Robert Anderson, Barbara G. Aston and Morris Bierbrier

In 

Article

Helen M. Strudwick, Claude Vandersleyen, Dimitris Plantzos, William A. Ward, William H. Peck, Dominic Montserrat, John Baines, Gay Robins, J. Ruffle, Lise Manniche, Rosemarie Klemm, Jean-Luc Chappaz, Joachim Śliwa, Gillian Vogelsang-Eastwood, Ann Bomann, R. G. Morkot, Peter Lacovara, Delia Pemberton, Rita E. Freed, Philip J. Watson, Robert S. Bianchi, Henry G. Fischer, Jaromir Malek, S. Curto, Nadine Cherpion, James F. Romano, Karol Mysliwiec, Richard A. Fazzini, Edna R. Russmann, Eleni Vassilika, updated by Dimitris Plantzos, Edda Bresciani, Claude Traunecker, T. G. H. James, W. J. Tait, J. H. Taylor, Dorothea Arnold, Jack Ogden, Jean Vercoutter, Carol Andrews, Donald P. Ryan, E. Finkenstaedt, Paul T. Nicholson, Rosemarie Drenkhahn, Willemina Z. Wendrich, Robert Anderson, Barbara G. Aston and Morris Bierbrier

In 

Article

Helen M. Strudwick, Claude Vandersleyen, Dimitris Plantzos, William A. Ward, William H. Peck, Dominic Montserrat, John Baines, Gay Robins, J. Ruffle, Lise Manniche, Rosemarie Klemm, Jean-Luc Chappaz, Joachim Śliwa, Gillian Vogelsang-Eastwood, Ann Bomann, R. G. Morkot, Peter Lacovara, Delia Pemberton, Rita E. Freed, Philip J. Watson, Robert S. Bianchi, Henry G. Fischer, Jaromir Malek, S. Curto, Nadine Cherpion, James F. Romano, Karol Mysliwiec, Richard A. Fazzini, Edna R. Russmann, Eleni Vassilika, updated by Dimitris Plantzos, Edda Bresciani, Claude Traunecker, T. G. H. James, W. J. Tait, J. H. Taylor, Dorothea Arnold, Jack Ogden, Jean Vercoutter, Carol Andrews, Donald P. Ryan, E. Finkenstaedt, Paul T. Nicholson, Rosemarie Drenkhahn, Willemina Z. Wendrich, Robert Anderson, Barbara G. Aston and Morris Bierbrier

In 

Article

Helen M. Strudwick, Claude Vandersleyen, Dimitris Plantzos, William A. Ward, William H. Peck, Dominic Montserrat, John Baines, Gay Robins, J. Ruffle, Lise Manniche, Rosemarie Klemm, Jean-Luc Chappaz, Joachim Śliwa, Gillian Vogelsang-Eastwood, Ann Bomann, R. G. Morkot, Peter Lacovara, Delia Pemberton, Rita E. Freed, Philip J. Watson, Robert S. Bianchi, Henry G. Fischer, Jaromir Malek, S. Curto, Nadine Cherpion, James F. Romano, Karol Mysliwiec, Richard A. Fazzini, Edna R. Russmann, Eleni Vassilika, updated by Dimitris Plantzos, Edda Bresciani, Claude Traunecker, T. G. H. James, W. J. Tait, J. H. Taylor, Dorothea Arnold, Jack Ogden, Jean Vercoutter, Carol Andrews, Donald P. Ryan, E. Finkenstaedt, Paul T. Nicholson, Rosemarie Drenkhahn, Willemina Z. Wendrich, Robert Anderson, Barbara G. Aston and Morris Bierbrier

In 

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John Baines, Morris Bierbrier, Peter Lacovara and Jaromir Malek

In 

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Helen M. Strudwick, Claude Vandersleyen, Dimitris Plantzos, William A. Ward, William H. Peck, Dominic Montserrat, John Baines, Gay Robins, J. Ruffle, Lise Manniche, Rosemarie Klemm, Jean-Luc Chappaz, Joachim Śliwa, Gillian Vogelsang-Eastwood, Ann Bomann, R. G. Morkot, Peter Lacovara, Delia Pemberton, Rita E. Freed, Philip J. Watson, Robert S. Bianchi, Henry G. Fischer, Jaromir Malek, S. Curto, Nadine Cherpion, James F. Romano, Karol Mysliwiec, Richard A. Fazzini, Edna R. Russmann, Eleni Vassilika, updated by Dimitris Plantzos, Edda Bresciani, Claude Traunecker, T. G. H. James, W. J. Tait, J. H. Taylor, Dorothea Arnold, Jack Ogden, Jean Vercoutter, Carol Andrews, Donald P. Ryan, E. Finkenstaedt, Paul T. Nicholson, Rosemarie Drenkhahn, Willemina Z. Wendrich, Robert Anderson, Barbara G. Aston and Morris Bierbrier

In 

Article

Helen M. Strudwick, Claude Vandersleyen, Dimitris Plantzos, William A. Ward, William H. Peck, Dominic Montserrat, John Baines, Gay Robins, J. Ruffle, Lise Manniche, Rosemarie Klemm, Jean-Luc Chappaz, Joachim Śliwa, Gillian Vogelsang-Eastwood, Ann Bomann, R. G. Morkot, Peter Lacovara, Delia Pemberton, Rita E. Freed, Philip J. Watson, Robert S. Bianchi, Henry G. Fischer, Jaromir Malek, S. Curto, Nadine Cherpion, James F. Romano, Karol Mysliwiec, Richard A. Fazzini, Edna R. Russmann, Eleni Vassilika, updated by Dimitris Plantzos, Edda Bresciani, Claude Traunecker, T. G. H. James, W. J. Tait, J. H. Taylor, Dorothea Arnold, Jack Ogden, Jean Vercoutter, Carol Andrews, Donald P. Ryan, E. Finkenstaedt, Paul T. Nicholson, Rosemarie Drenkhahn, Willemina Z. Wendrich, Robert Anderson, Barbara G. Aston and Morris Bierbrier

In 

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Eleni Vassilika

In