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Francis Summers

(b London, 17th April 1963).

English sculptor and photographer. She studied in London at Central St Martins School of Art and Chelsea School of Art, completing her studies in 1987. Her work uses the photographic in a sculptural manner, in that the photograph becomes a kind of object. Her Seamen I (1991; see 1994 exh. cat.), for example, is a composite of floor sculpture and photography. Spreading across the floor in an ejaculative gesture, the work consists of a number of cropped photographs of erect penises taken from pornographic magazines, placed under glass. Having the effect of making each member solitary and isolated from its original body, these penises seem exposed, needing protection. Her Two Points of Speech in Sight (1993; see 1994 exh. cat.) continues her work in using photography to analyse the body and sexuality. Existing as two tiny photographs placed in elaborate poured plaster frames, the photographs resemble eyes, yet on closer examination turn out to be clenched mouths. Confusing vision with orality, Wiltshire metaphorically places the bodily drives in the act of seeing. Her ...

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(b May 28, 1952).

British performance artist, sculptor, photographer and writer. She studied Russian and Arabic at Leeds University (1970–72), and completed her foundation studies at Croydon College of Art (1972–3). She then studied fine art at Goldsmith’s College, London (1973–6), where the progressive approach to contemporary art led her to design her own course of study, which focused on all aspects of performance art. Influences upon her work include Yves Klein and Bruce McLean. Her ability to deflate the pretentious and absurd in daily life was demonstrated in unrehearsed, highly skilled displays of intuitive stagecraft. These are extended monologues that engage the audience with a mesmerising mixture of mimicry, metaphors, verbal and visual clichés and that explore the conventions of suburban existence and the domestic role of women (e.g. Rubbergloverama-Drama; 1980, London, ICA). Although known primarily as a performance artist, she also made sculptural works and ‘costume constructions’ initially created in connection with a performance, but which later existed as autonomous objects. Ziranek also took photographs, wrote (e.g. ...