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Stephen K. Scher

(b Bologna or Volterra, 1512–15; d ?Rome, c. 1565).

Italian medallist and sculptor . Son of the sculptor Zaccaria Zacchi (1473–1544) of Volterra, he spent almost his entire career in Bologna, working primarily for the Farnese family. One of his earliest and best-known medals (e.g. Florence, Bargello; see Pollard, p. 1292) was modelled in 1536 and shows the 82-year-old Venetian Doge Andrea Gritti. It is signed IO. zacchus. f. on the reverse, which has a figure of Fortune holding a cornucopia and a tiller and standing on a globe encircled by a three-headed serpent. On only one other medal, that of Fantino Cornaro of Episcopia (Turin, Mus. Civ. A. Ant.), does Zacchi give this full signature.

Other medals, signed either IO. f. or simply IO, are attributed to the artist on stylistic grounds, but such attributions make sense both chronologically and geographically. One of these, signed IO. f. (e.g. Florence, Bargello; see Pollard, p. 1293), is of ...

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(b May 28, 1952).

British performance artist, sculptor, photographer and writer. She studied Russian and Arabic at Leeds University (1970–72), and completed her foundation studies at Croydon College of Art (1972–3). She then studied fine art at Goldsmith’s College, London (1973–6), where the progressive approach to contemporary art led her to design her own course of study, which focused on all aspects of performance art. Influences upon her work include Yves Klein and Bruce McLean. Her ability to deflate the pretentious and absurd in daily life was demonstrated in unrehearsed, highly skilled displays of intuitive stagecraft. These are extended monologues that engage the audience with a mesmerising mixture of mimicry, metaphors, verbal and visual clichés and that explore the conventions of suburban existence and the domestic role of women (e.g. Rubbergloverama-Drama; 1980, London, ICA). Although known primarily as a performance artist, she also made sculptural works and ‘costume constructions’ initially created in connection with a performance, but which later existed as autonomous objects. Ziranek also took photographs, wrote (e.g. ...