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Katrin Kogman-Appel

Hebrew Bible (Jerusalem, National.. Library of Israel., MS. Heb 4°790, and a single page in Toledo, El Transito Synagogue and Sephardic Museum), copied c. 1260, perhaps in Toledo by Menachem ben Abraham ibn Malikh for Isaac bar Abraham Hadad, both members of known and documented Toledan families. At some later stage further decorations were added, apparently in Burgos. The Damascus Keter is an outstanding exemplar out of approximately 120 decorated Bibles from Iberia and belongs to a group of three very similar codices from the middle of the 13th century, produced in Toledo. It thus represents a rich tradition of Jewish art flourishing between the 13th and the 15th centuries. These Bibles were used either by scholars for private study, or for biblical readings during synagogue services.

Typical of numerous Bibles from the Middle East and the Iberian Peninsula, the decoration consists of numerous carpet pages executed in Micrography and enriched by painted embellishments. This is a technique typically used in Hebrew decorated books and harks back to Middle Eastern manuscripts of the 10th century. Apart from the carpet pages, the Damascus ...

Article

Gabrielle Sed-Rajna and Shalom Sabar

Parchment scroll containing the text of the Old Testament Book of Esther, which recounts the deliverance of the Jews from persecution in the Persian empire and which was probably written during the reign of the Hasmonean Jewish king John Hyrcanus (reg c. 135–105 bc). The Book of Esther has since then traditionally been read in the synagogue on the festival of Purim, for which purpose it was copied separately in the form of a scroll (Megillah; see also Jewish art §VI 3.).

Those scrolls intended for use in the synagogue had no ornament, but every well-off family had an elegantly decorated scroll for its own use, kept in a costly silver case (see Jewish art §VI 3.). It is not possible to trace the history of the decorated Megillah (pl. Megillat); a few exceptional and relatively old pieces served as models and were frequently copied. A 14th-century manuscript (Rome, Vatican, Bib. Apostolica, MS. hébr. 324, fol. 180) has the earliest description of a scroll of Esther, showing a cantor holding an undecorated Megillah. The illustrations of the Castilian ...

Article

Herbert Kessler

(b Jerusalem, Dec 14, 1926; d Jerusalem, June 29, 2008).

Israeli art historian of Jewish art. Educated first at the Hebrew University of Jerusalem, he moved to London and earned an MA in art history at the Courtauld Institute (1959) and a PhD at the Warburg Institute (1962). Returning to Jerusalem, Narkiss rose steadily through the ranks from 1963 when he began teaching at the Hebrew University and, in 1984, was appointed Nicolas Landau Professor of Art History. He also held fellowships and visiting positions at: Dumbarton Oaks Center for Byzantine Studies in Washington, DC (1969–70); the Institute for Advanced Study in Princeton (1979–80); the Institute of Fine Arts of New York University (1983), Brown University in Providence, RI (1984–5); the Centre National de la Recherche Scientifique in Paris (1987–8); the Center for Advanced Study in the Visual Arts in Washington, DC (Samuel H. Kress Professor ...

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[Lat.: ‘tent’]

Place of worship other than a temple or church. The term was used for the demountable tent put up by the Israelites in the wilderness, as described in the book of Exodus. In modern times it is sometimes applied to temporary structures erected by dissenting religious groups (e.g. the Baptists and other nonconformists)....