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Article

(b Istanbul, 1898; d Istanbul, 1957).

Turkish sculptor. After military service in World War I he went in 1918 to the Fine Arts Academy in Istanbul, where he studied under the sculptor Ihsan Özsoy (1867–1944). With the help of his father he then went to Germany, where he studied at the Akademie der Bildenden Künste in Munich. From Munich he went to Paris, where, after failing to get lessons from Aristide Maillol, he worked independently, inspired by the work of Maillol and Emile-Antoine Bourdelle. After returning to Turkey in 1925 and passing an examination he was able to go back to Paris, where he entered the Académie Julian and worked under the sculptors Henri Bouchard (1875–1960) and Paul Landowski (1875–1961). He returned to Turkey in 1928 and worked first as an art teacher at Edirne Teachers' College and then at various middle schools in Istanbul until his death. His principal works included the monument in Menemen to ...

Article

Andrew Weiner

(b Beirut, 1925).

Lebanese painter and writer active in the USA. Daughter of a Greek Christian mother and a Syrian Muslim father, Adnan was educated in Lebanon before going on to study philosophy at the Sorbonne, Harvard, and the University of California, Berkeley. For many years she taught aesthetics at Dominican College, San Rafael, CA; she also lectured and taught at many other colleges and universities. During the 1970s Adnan regularly contributed editorials, essays, and cultural criticism to the Beirut-based publications Al-Safa and L’Orient-Le Jour. In 1978 she published the novel Sitt Marie Rose, which won considerable acclaim for its critical portrayal of cultural and social politics during the early years of the Lebanese Civil War. Adnan published numerous books of poetry, originating in her opposition to the American war in Vietnam and proceeding to encompass topics as diverse as the landscape of Northern California and the geopolitics of the Middle East. Her poetry served as the basis for numerous works of theater and contemporary classical music....

Article

[Hāshem al-Khaṭṭāṭ]

(b Baghdad, 1917; d Baghdad, 1973).

Iraqi calligrapher. He studied in Baghdad with Mulla ‛Arif and then served an apprenticeship with Mulla Muhammad ‛Ali al-Fadli (d 1948), who awarded him a calligraphy diploma in 1943. In 1944 he continued his studies in Cairo, where he was taught by Sayyid Ibrahim and Muhammad Husni at the Royal Institute of Calligraphy and received further awards. After returning to Baghdad, in 1946 he published a textbook on the riqā‛ style of calligraphy (see Islamic art, §III, 2(iii)(c)). He visited Turkey on several occasions and found favour with the Turkish calligrapher Hamid Aytaç of Istanbul, who awarded him diplomas in 1950 and 1952. In 1960 he was appointed lecturer in Arabic calligraphy at the Institute of Fine Arts in Baghdad and later became the head of the department of Arabic calligraphy and Islamic decoration. Hashem followed the classical Baghdad style of Yaqut al-Musta‛simi and combined it with features from the Ottoman school of calligraphy. He was among the best calligraphers of the ...

Article

S. J. Vernoit

[Şeker Ahmet Pasha]

(b Üsküdar, Istanbul, 1841; d Istanbul, 1907).

Turkish painter. In 1859 he became an assistant teacher of painting at the Military Medical High School in Istanbul. In 1864 Sultan Abdülaziz (reg 1861–76) sent him to Paris where, after a preparatory education at a special Ottoman school, he studied painting in the studio of Gustave Boulanger and then under Jean-Léon Gérôme at the Ecole des Beaux-Arts. Ahmet Ali was also instrumental in the acquisition of paintings from France for the Ottoman court. After nearly eight years of studies in Paris, he stayed in Rome for a year before returning to Istanbul, where he resumed his work at the Military Medical High School. In 1873 he organized in Istanbul the first group exhibition of paintings by Turkish and foreign artists to be held in Turkey. He was later appointed master of ceremonies at the Ottoman court and by the time of his death had risen to the office of intendant of the palace. His paintings were influenced by European art. They include landscapes, such as ...

Article

Sheila S. Blair and Jonathan M. Bloom

[‛Alī Wijdān; Wijdan]

(b Baghdad, Aug 29, 1939).

Jordanian painter and art patron. She studied history at Beirut University College (formerly Beirut College for Women), receiving a BA in 1961. In 1993 she took a PhD in Islamic Art at the School of Oriental and African Studies, University of London. After serving in the Jordanian Ministry of Foreign Affairs and representing her country at United Nations meetings in Geneva and New York, Ali founded the Royal Society of Fine Arts in Jordan in 1979 and the Jordan National Gallery of Fine Arts in 1980 (see Jordan, Hashemite Kingdom of). In 1988 she organized in Amman the Third International Seminar on Islamic Art, entitled ‘Problems of Art Education in the Islamic World’, and in 1989 she organized the exhibition Contemporary Art from the Islamic World at the Barbican Centre, London. In 2001 she founded the Faculty of Arts and Design at the University of Jordan, and has received numerous awards in recognition of her work in the arts....

Article

Sheila S. Blair and Jonathan M. Bloom

(b. Tehran, 1934).

Iranian sculptor. Trained at the College of Decorative Arts, Tehran, he held his first solo exhibition at the Iran-India Center, Tehran in 1964. Inspired by Achaemenid and Assyrian art as well as by Babylonian carvings and inscriptions, Arabshahi has been associated with Hussein Zenderoudi, Parviz Tanavoli, and the Saqqakhana movement. His work has been shown in Iran, Europe, and the United States. Among his major commissions are sculptures and architectural reliefs for the Office for Industry and Mining, Tehran (...

Article

Hasan-Uddin Khan

(b Tehran, March 9, 1939).

Iranian architect, urban planner and writer. He studied architecture at the Carnegie Institute of Technology, Pittsburgh (BA, 1961) and at Harvard University, Cambridge, MA (March, 1962). He worked in several firms in the USA, including Skidmore, Owings & Merrill, before returning to Iran to work for the National Iranian Oil Company (1964–6). In 1966 he became Design Partner for Iran’s largest archictectural firm, Abdul Aziz Farman Farmaian & Associates, in Tehran, and in 1972 he set up his own practice in Tehran, the Mandala Collaborative. Ardalan, whose work ranges from private residences to master plans for new towns, is one of the most important architects to emerge from Iran in the recent past. His work reflects his particular concern for cultural and ecological aspects of architecture; in Iran it is strongly rooted in an understanding of the traditions and forms of Iranian Islam, although his buildings are in a totally contemporary idiom. Perhaps his best-known work is the Iran Centre for Management Studies (...

Article

[Azmi, Musa ; al-Amidi, Hamid]

(b Diyarbakır, 1891; d Istanbul, May 10, 1982).

Turkish calligrapher . Originally called Musa Azmi, he was the grandson of Seyyid Adem, a famous calligrapher of Diyarbakır. He practised writing in Diyarbakır with his schoolteacher Mustafa Akif Tütenk and others, and in 1908 went to Istanbul to continue his education, first at the School of Law and then at the Fine Arts Academy. However, he was soon forced to give up his studies to earn a living. In 1910 he became a writing teacher at the Gülşen school in Istanbul, where he taught the calligrapher Halim Özyazıcı. He went on to direct the Rusumat press and then worked at the press of the Military Academy in Istanbul. During World War I he worked for one year in Germany, where he prepared military maps. After the war he resigned his job and began to work independently. He changed his name to Hamid Aytaç, and in the early years of the Turkish republic made labels and calling cards. As a calligrapher he practised the ...

Article

Yasir Sakr

(b Jerusalem, 1945).

Jordanian architect . He graduated from Darmstadt University in 1970. Badran’s career is marked by three distinct phases of development, all of which express his capacity for lucid visualization. In his early formalist phase his work reflected modernist inclinations. Committed to a utopian social vision, in each of his designs Badran proposed a redefinition of form, social function and associated modes of behaviour. This phase is exemplified by a low-cost housing project in Bonn (1972) and Handal’s Residence (1975) in Amman. In his second phase his works reflected historicist tendencies by drawing on traditional images for collective communication, for example Queen Alia neighbourhood (1982) in Amman and the Justice Palace Complex (1984) in Riyadh. Badran’s work further evolved into a third stage, a dialectic between modernism and traditionalism, expressed through metaphors operating at two levels. Sensory metaphors present tectonic and iconographic analogies with natural forms and historical artefacts, adapting the designed space-form to its immediate regional setting. Cognitive metaphors endeavour to establish conceptual analogies with the ordering principles and relationships that underlie tradition, through the overall configuration of the design. The third phase of Badran’s career is characterized by a winning entry for the international competition of the State Mosque (...

Article

(b Tehran, Sept 19, 1906; d Istanbul, 1971).

Turkish sculptor . His family moved to Turkey when he was young. He studied at the Fine Arts Academy in Istanbul (1923–7) and after graduating went to Paris on a bursary, where he studied sculpture under Henri Bouchard at the Académie Julian and then under Charles Despiau. On returning to Turkey (1930) he became an assistant teacher at the Fine Arts Academy. During the 1930s he worked on the Adana Monument (1935) and the monument to Atatürk (1937) at the military residence in Istanbul. With Zühtü Müridoğlu he also worked on the statue of the 16th-century Ottoman admiral Barbarossa in Beşiktaş, Istanbul, which was erected in 1946 on the 400th anniversary of Barbarossa’s death, and the monument of Atatürk and Ismet Inönü on Horseback in Zonguldak. He visited Paris again between 1949 and 1950 when he was inspired by non-figural sculpture, which thereafter took precedence in his work. After returning to Istanbul, he taught sculpture at the Fine Arts Academy with ...

Article

(b Istanbul, March 22, 1904; d Istanbul, 1982).

Turkish painter, teacher and writer. He graduated from the Fine Arts Academy in Istanbul in 1924 and then worked under Ernest Laurent at the Ecole des Beaux-Arts in Paris. On returning to Turkey in 1928 he was a founder-member of the Association of Independent Painters and Sculptors (Müstakil ressamlar ve heykeltraşlar birliği). He went to Paris again in 1932 and studied under André Lhote and Fernand Léger, the influence of the latter being particularly important. A characteristic example of his style at this time is Still-life with Playing Cards (1933; Istanbul, Mimar Sunan U., Mus. Ptg & Sculp.). Returning to Turkey in 1933, he was a founder-member and the principal spokesman of the D Group (D Grubu), whose aim was to encourage contemporary European artistic ideas in Turkey. He later became an influential teacher at the Fine Arts Academy, Istanbul, and Director of the Museum of Painting and Sculpture, Istanbul. His ability to combine his work as a writer, teacher and painter made him an important figure for modern Turkish art. He helped to organize international exhibitions of Turkish art and, along with the Turkish art scholar ...

Article

(b Scobje, Macedonia [now Skopje, Former Yugoslav Republic of Macedonia], March 23, 1909; d 1993).

Turkish painter and printmaker. He studied painting at the Belgrade School of Fine Arts (1927–8) and at the Accademia di Belle Arti in Florence (1929–35), where he also worked on engravings. In 1935 he exhibited his work at the Academy of Fine Arts in Istanbul and in 1937 took up a position in a new printmaking workshop there, where he taught for many years. In 1948 Berkel studied book illustration and production with the French painter Jean-Gabriel Daragnès (1886–1950) in Paris. During the 1950s the style of his work progressed from linear geometric compositions, such as Bagel Seller (1952; Istanbul, Mimar Sinan U., Mus. Ptg & Sculp.), to include the first abstract calligraphic composition in Turkish art, Monogram (1957; priv. col., see Renda and others), exhibited in the Turkish Pavilion at the Exposition Universelle et Internationale in Brussels in 1958. In both his earlier figurative paintings and his later abstract works form takes precedence over colour, with a concern for composition and balance. He exhibited his work at the São Paulo Biennales in ...

Article

Sheila S. Blair and Jonathan M. Bloom

(b. Jerusalem, 1942).

Palestinian-born painter. Raised in Jerusalem, Boullata studied at the Accademia di Belle Arte in Rome from 1961 to 1965. After the 1967 war, he pursued graduate study at the Corcoran School of Art in Washington, DC (1969–70) and then taught at the Center for Contemporary Arab Studies at Georgetown University (1982–4). He was a Fulbright Senior Scholar Fellowship to Morocco in 1993–4 and received a fellowship from the Ford Foundation in 2001, finally moving to Menton in southern France. His work, mainly executed in silkscreen and acrylic on canvas and paper, investigates the correspondence between visual and verbal communication. He repeats words or phrases in geometric grids of strong colors, but some of his most effective works are conceived as hand-made “artists books,” including Beginnings (1992), Three Quartets (1994), A Clock of Clouds (1995), Twelve Lanterns for Granada (...

Article

(b Çal, Denizli province, 1882; d Istanbul, 1960).

Turkish painter. He lived in Çal during his youth but went to Istanbul, where Ahmet Ali helped to get him enrolled at the Fine Arts Academy. In 1910 he won first prize in a competition for a European scholarship and went to Paris, where he studied under Fernand Cormon. He returned to Turkey in 1914 and was assigned a teaching post at the Fine Arts Academy. At this time he became recognized as the foremost figure in the Çallı group, named after him. Inspired by Impressionism and other European movements, he lightened his palette and worked straight on to canvas without preliminary studies. The artists of the Çallı group also painted en plein air and introduced new themes to Turkish painting, including ‘multi-figured’ and narrative compositions. In 1914 they started to exhibit work at the Galatasaray Lycée in Istanbul. During World War I Çallı became a war artist and was taken to the Gelibolu–Bolayır front. His works of that period include ...

Article

(b Antalya, 1922).

Turkish architect and writer. He studied architecture at the Fine Arts Academy in Istanbul. As a student of Sedad Hakkı Eldem, and later as his teaching assistant, he was influenced by Eldem’s ideas on the nature of national architecture. Cansever began his career working in urban planning in Istanbul. During the 1950s, however, he began to attract attention with buildings and designs that incorporated new technology and materials but also referred to the past. His Karatepe Museum (1954–61) near Adana, for example, had slab roofs of poured concrete, but the open porches and corner windows refer to historical and regional architectural traditions. He adopted this approach for other buildings, including the Anadolu Club (1959; with Abdurrahman Hancı) at Büyükada, Istanbul, which combines a traditional T-plan with a meticulous treatment of details, particularly the windows; a block of flats in Çiftehavuzlar, Istanbul; and the partly realized Terakki Foundation School in Istanbul. This approach also inspired the ...

Article

(Avni)

(b Istanbul, March 1, 1904; d 1993).

Turkish painter. He studied at the Fine Arts Academy in Istanbul from 1918 to 1922 and then went to Munich, where he worked under Hans Hofmann. In 1927 he returned to Turkey and submitted paintings to the exhibitions at the Galatasaray Lycée in Istanbul, where his style attracted interest. In 1928 he became one of the leading members of the Association of Independent Painters and Sculptors, and in 1932 he exhibited his paintings at the Glorya Cinema in Istanbul. By this time he had emerged as a pioneer of modernism in Turkey, and the influence of Expressionism can be seen in such works as the Masked Ball (1928; Istanbul, Mimar Sinan U., Mus. Ptg & Sculp.) and The Barber (1931; Istanbul, Mimar Sinan U., Mus. Ptg & Sculp.). At the Revolution and the Arts exhibition held by the Ministry of Education in Ankara in 1933 he exhibited Wounded Soldier...

Article

A. C. F. Morris

(Kamil)

(b Baghdad, Dec 6, 1926).

Iraqi architect. He trained in London at the Hammersmith School of Arts and Crafts from 1946 to 1952 when he returned to Baghdad and established Iraq Consult, one of the most influential practices in the Middle East. His singular initiative was to evolve a successful philosophy of design that reconciles modern building technology and needs with the specific Arab aesthetic and cultural traditions. His commitment to this reconciliation was informed by his experiences as head of the building department of Waqaf (1954–7), the government body responsible for the building and conservation of old houses, khans and mosques, and as Director General of Housing at the Ministry of Planning (1958–63). Chadirji’s search for a contemporary Iraqi architecture was refined during the 1960s. Notable works include the Iraq Consult offices (1965), the building for the Iraqi Federation of Industries (1966), and offices for the Central Post, Telegraph and Telephone Administration (...

Article

Sheila S. Blair and Jonathan M. Bloom

(b. Bandırma, 1935).

Turkish calligrapher, marbler, and connoisseur. He attended high school at Haydarpaşa Lisesi and then graduated from the School of Pharmacology in the Faculty of Medicine at Istanbul University. He worked as a pharmacist until 1977, when he became the director of the Türkpetrol Foundation, a position he held until 2007. Derman studied calligraphy and the arts of the book with many of the leading experts in Istanbul, including Mahir Iz, Süheyl Ünver, Macid Ayral, Halim Özyazıcı and Necmeddin Okyay, often said to have been the last representative of the Ottoman tradition of book arts. Derman received his license to practice in 1380/1960 following the traditional Ottoman system by replicating a copy (taqlīd) of a quatrain in nasta‛līq (Turk. ta‛līq) by the Safavid expert Mir ‛Imad. In the fall of 1985 he joined the faculty of Marmara University and Mimar Sinan University (formerly the State Academy of Fine Arts), where formal instruction in calligraphy was reinstituted in ...

Article

Hasan-Uddin Khan

(Tabatabai)

(b Tehran, March 5, 1937).

Iranian architect, urban planner and painter. He studied architecture at Howard University, Washington, DC, graduating in 1964 and then adding a year of post-graduate studies in sociology. He returned to Tehran in 1966 and a year later became President and Senior Designer of DAZ Consulting Architects, Planners and Engineers. DAZ undertook numerous and diverse projects in Iran and grew rapidly; it had a staff of 150 in 1977. Diba worked entirely in the public sector in Iran and was interested in both vernacular traditions and the demands of modern urban society, especially for human interaction. The partially completed Shushtar New Town (1974–80) in Khuzestan, where he was both architect and planner, owes much of its success to the traditional construction patterns and building types used by Diba in place of the Western-style planning favoured by the authorities. The town, planned for a population of 30,000, was designed along a central communications spine with crossroads and public squares around which small neighbourhoods were established, with gardens and bazaars to encourage community life. The poetic brick-clad buildings produce a unified architecture that is elegant, and the sequencing of the urban spaces is highly refined. Other significant works in Iran include several buildings at Jondi Shapour University (...

Article

W. Ali

[Durra Muḥanna]

(b Amman, 1938).

Jordanian painter. He was the first Jordanian artist to be sent on a government scholarship to the Accademia di Belle Arti in Rome (1955–8). From 1959 to 1960 he taught history of art at the Teachers Training College in Amman, and from 1960 to 1970 he was press attaché at the Jordanian Embassy in Rome. In 1971 he was appointed director of the Department of Culture and Arts in Amman and, upon his suggestion, the department established the Institute of Music and Arts under his directorship. This was the first institution in Jordan to offer formal training in art. In 1977 Durra received the State Appreciation Award for his contribution to cultural development, and in 1983 he became ambassador in the Arab League and was posted successively to Tunis, Rome, Cairo and Moscow. A prolific artist, he cultivated a distinctive style early in his career. His expressive monochrome portraits and fractured landscapes reveal an ability to manipulate colour, tonality and the distribution of masses (e.g. ...