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Sydney Harbour from Fort Macquari

Charles Bayliss: Sydney Harbour from Fort Macquarie, albumen photoprint, 17.9 × 22.9 cm, 1881 (Sydney, New South Wales, Blue Mountains City Library, Local Studies Collection); courtesy of the Blue Mountains City Library / CC BY-SA 2.0

Departure

Harold Cazneaux: Departure (When Liners Tear Themselves Away), gelatin silver photograph, 229×276 m, 1928 (Canberra, National Gallery of Australia); photo courtesy of the National Gallery of Australia

Sunbaker

Max Dupain: Sunbaker, gelatin silver photograph, 3.77×4.32 m, 1937 (Canberra, National Gallery of Australia, Gift of the Philip Morris Arts Grant, 1982); photo courtesy of the National Gallery of Australia

Papyrus

Olive Cotton: Papyrus, gelatin silver photograph, 3.68×3 m, 1938 (Canberra, National Gallery of Australia, purchased 1987); photo courtesy of the National Gallery of Australia

Manufacture of Matches

Wolfgang Sievers: Manufacture of Matches at Bryant and May, Melbourne, gelatin silver photograph, 6.2×5 m, 1939, printed 1982 (Canberra, National Gallery of Australia); photo courtesy of the National Gallery of Australia

Vale Street

Carol Jerrems: Vale Street, gelatin silver photograph, 202×303 mm, 1975 (Canberra, National Gallery of Australia, Gift of the Philip Morris Arts Grant, 1982); photo courtesy of the National Gallery of Australia

Real Thing

Fiona Hall: The Real Thing, Polaroid photographs, 680×530 mm each, 1994 (Sydney); photo courtesy of the artist and Roslyn Oxley9 Gallery, Sydney

Cole Classic

Anne Zahalka: Cole Classic, from series Leisureland, type C photograph, 11.5×14.5 m, 1999; photo courtesy of the artist and Roslyn Oxley9 Gallery, Sydney

Groundspeed (Red Piazza)

Rosemary Laing: groundspeed (Red Piazza) #4, type C photograph, 12.4×23.3 m, 2001; photo courtesy of the artist and Tolarno Galleries, Melbourne

Ulmarra Tribe

J. W. Lindt: Family Group, Ulmarra Tribe, Clarence River, NSW, gelatin silver photograph, 308×241 mm, 1872 (Canberra, National Gallery of Australia); photo courtesy of the National Gallery of Australia

Over the Fence

Destiny Deacon: Over the Fence, Lambda print from Polaroid, 8×10 m, 2000 (Sydney, Art Gallery of New South Wales, purchased with funds provided by the Photography Collection Benefactors’ Program 2001); image © Destiny Deacon, licensed by VISCOPY, Sydney

Panorama of Sydney Harbour

Charles Bayliss: Seventh Panel of Panorama of Sydney Harbour and Suburbs from the North Shore, albumen silver photograph, 5.22×9.85 m, 1875 (Canberra, National Gallery of Australia); photo courtesy of the National Gallery of Australia

Discussions between Bob Hawke and Galarrwuy Yunupingu

Sue Ford: Discussions between Bob Hawke and Galarrwuy Yunupingu (Galarrwuy is painted with his fathers body design from the Gumatj clan), gelatin silver photograph, 8.12×12.24 m, 1988 (Canberra, National Gallery of Australia); photo courtesy of the National Gallery of Australia

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